Rick Goode's "Abel & Cain." Sunday, March 13, 2016 Congregational Church of Batavia, IL

All roads lead to Rome, to the Eternal City   meeting music is very happy to announce the 7th Musica Eterna Roma – International Choir Festival and Competition from July 1-5, 2016 in Rome, Italy   Choirs can choose from the categor...

Performed by Stella Choir - REPERTOIRE OF WINTER 2023 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com In this emotionally charged piece, the composer and the choir honour our departed loved ones. As the voices intensify to ...  display='';$(this).getParent().style.display='none';">moredisplay:none;">Performed by Stella Choir - REPERTOIRE OF WINTER 2023 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com In this emotionally charged piece, the composer and the choir honour our departed loved ones. As the voices intensify to an incredible climax, the audience is invited to surrender to the moment. Let the soaring music carry you away, echoing the profound love for those who've journeyed beyond. Dans ce morceau très émouvant, le compositeur et le chœur rendent hommage à ceux de nos êtres chers qui ne sont plus. À mesure que les voix atteignent une rare intensité, le public est invité à lâcher prise et se laisser porter par cet instant d'amour partagé. Conducted by Jad Harjane Composed by Jake Runestad Filmed by diAZ PRODUCTION at LADABATEK , Tangier Sponsored by THE AMERICAN LANGUAGE CENTER  display='';$(this).getParent().style.display='none';">less

arrangiamento per SATB divisi per coro a Cappella: Paolo Gaggioli Collegium Vocale Harmonia Mundi Seveso (Mi), 17 dicembre 2017

Cat.No. TKM830. A new and enchanting melody written by Toby Huelin for this well-known set of words, two-part either upper voices or upper and lower Showcase your choir on our #youtube channel - we offer free music and promotion in return for a recordi...  display='';$(this).getParent().style.display='none';">moredisplay:none;">Cat.No. TKM830. A new and enchanting melody written by Toby Huelin for this well-known set of words, two-part either upper voices or upper and lower Showcase your choir on our #youtube channel - we offer free music and promotion in return for a recording - please contact mail@timknightmusic.com for more info! See what other specialist services we offer (including commissions, singing holidays, choir and concert management workshops and composition courses) at www.timknightmusic.com. In the UK, all Tim Knight Music is distributed by and can be ordered through Spartan Press quoting the catalogue number on 01528 544770 http://www.spartanpress.co.uk/ or via www.timknightmusic.com shop page. Those without a ‘TKM’ prefix can be ordered directly from the publisher’s website – please contact mail@timknightmusic.com if you are having trouble sourcing this piece. In the USA and overseas, you can order direct from the publisher, via www.timknightmusic.com shop page, or via https://www.sheetmusicplus.com/ ABOU...    display='';$(this).getParent().style.display='none';">less

Score (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato...  display='';$(this).getParent().style.display='none';">moredisplay:none;">Score (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

Mar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairievoices.ca https://www.fa...  display='';$(this).getParent().style.display='none';">moredisplay:none;">Mar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairievoices.ca https://www.facebook.com/PrairieVoices https://twitter.com/_PrairieVoices  

May 10, 2014 http://www.prairievoices.org https://www.facebook.com/PrairieVoices https://twitter.com/_PrairieVoices

Game of Thrones - Choir a Cappella Version Season 3 3x10 Mhysa final All rights reserved HBO, all images and video are promotional material by HBO or recorded by Vox Canora. No copyright infringement intended. All audio and visual belongs to its respect...  display='';$(this).getParent().style.display='none';">moredisplay:none;">Game of Thrones - Choir a Cappella Version Season 3 3x10 Mhysa final All rights reserved HBO, all images and video are promotional material by HBO or recorded by Vox Canora. No copyright infringement intended. All audio and visual belongs to its respectful owners. https://www.facebook.com/Vox-Canora-Ensemble-Vocale-342990585877778/ https://www.instagram.com/voxcanoraensemble/ Composer: Ramin Djawadi Arrangers: Monica Lodesani Choir: Vox Canora Ensemble Vocale Percussion: Fabio Gandolfi Recorded live 06/12/2018 with Zoom H2 Outside Yunkai the crowd begins to chant "Mhysa", which Missandei tells Daenerys is Ghiscari for "Mother". Davanti alla città di Yunkai la folla inizia a cantare "Mhysa", Missandei spiaga a Daenerys che in Ghiscari significa "Madre".  display='';$(this).getParent().style.display='none';">less

I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se...  display='';$(this).getParent().style.display='none';">moredisplay:none;">I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the second section, the voices are set into a simple counterpoint. “I Never Saw” closes on the dominant chord creating a feeling of suspension that enhances the concept of faith expressed by dickinson.