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video:
Abɔfo Rekyin Yɛn Ho - O. G. Blankson (CAN 104)
The angel of the Lord encamps around those who fear Him,
And rescues them.
O taste and see that the Lord is good;
How blessed is the man who takes refuge in Him!
O fear the Lord, you His saints;
For to those who fear Him there is no want.
Psal... moreThe angel of the Lord encamps around those who fear Him,
And rescues them.
O taste and see that the Lord is good;
How blessed is the man who takes refuge in Him!
O fear the Lord, you His saints;
For to those who fear Him there is no want.
Psalm 34:7-9
- Musikteers Ensemble Gh
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video:
VocalEssence - Cloudburst
Choral superstar Eric Whitacre conducted the VocalEssence Chorus & Ensemble Singers, The St. Olaf Choir, and the 160-voice Minnesota High School Honors Choir in a performance of "Cloudburst"--part of the sold-out VocalEssence "Eric Whitacre Extravaganza" ... moreChoral superstar Eric Whitacre conducted the VocalEssence Chorus & Ensemble Singers, The St. Olaf Choir, and the 160-voice Minnesota High School Honors Choir in a performance of "Cloudburst"--part of the sold-out VocalEssence "Eric Whitacre Extravaganza" on March 22, 2009 at Orchestra Hall, Minneapolis.
video:
Para L'Elles - Cor mio perche pur piangi - Vittoria Aleotti (1575 – 1620) - Chœur a cappella
Ensemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Moris... moreEnsemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Morise (contre-ténor), Hélène Perrin (soprano), Agnès Leclercq (alto), Victoria N’Zingoula (mezzo) et Carine Carpentier (soprano).
Référence : Vittoria Aleotti. Cor mio perche pur piangi. Première édition : dans Ghirlanda de madrigali, no. 6, 1593. Adaptation pour SSAA par Agnès Blin (2019).
Cette pièce interroge l’origine de la douleur et des larmes.
Paroles :
Cor mio, perchè pur piangi,
A che ti struggi,
Se alla tua pena inusitata e nuova
Rimedio non si trova?
Io piango che il mio pianto
Non è sì duro, sì pungente e forte
Che mentre io piango tanto
Non faccia ai miei martir pietosa
morte.
Poco sarìa la doglia
Se ad ogni suo desire
L’uom potesse morire
Ma ve’l sostiene in vita e in questa spoglia
Acciò più lungo sia nostro languire. less
video:
Beethoven/Rain: "Heiliger Dankgesang" (sung by Quartetto al Volo)
“Heiliger Dankgesang,” is my choral adaptation of the 3rd movement of Beethoven's String Quartet Op. 132. Dedicated to Nicol Matt and the World Choir for Peace. I invite you to join me in supporting their fundraising campaign: https://www.gofundme.com/f/w... more“Heiliger Dankgesang,” is my choral adaptation of the 3rd movement of Beethoven's String Quartet Op. 132. Dedicated to Nicol Matt and the World Choir for Peace. I invite you to join me in supporting their fundraising campaign: https://www.gofundme.com/f/world-Choir-for-peace-singing-unites?
Lyrics (adapted from Psalm 116):
German: “Liebe erfüllt mich, weil mein Gott die Stimme meines Flehens erhört hat. Kehre zurück, meine Seele, in deine Ruh: denn mein Gott hat dir wohlgethan. Liebe erfüllt mich. O Freude, O Wonne, Die Sonne! O Freude, das ich am Leben bin. Liebe erfüllt mich.”
English translation: “I am filled with love, for my God has heard the voice of my supplication. Return, my soul, to your rest: for my God has made you well. I am filled with love. O Joy, O Bliss, the Sun! O Joy that I am alive. I am filled with love.”
Background:
In July 2019, I went to one of Julian Armour’s Music and Beyond concerts in Ottawa, where I first heard the Bennewitz Quartet play Beethoven’s stunningly beautif... less
blog:
“Musica Sacra a Roma”
7th Musica Eterna International Choir Festival & Competition (link)
Please find attached the interview made with Piroska Horváth, project director of meeting music, which was published in the Italian “Cronache Corali” (Choral C...
