A choral composition by Roberto Brisotto (1972) Lyrics by William Shakespeare (1564/1616) from "The Tempest" All parts are performed by Matthew Curtis - "Before you can say, "Come and go", And breathe twice, and cry, "So,so" Each one, tripping on ...  moreA choral composition by Roberto Brisotto (1972) Lyrics by William Shakespeare (1564/1616) from "The Tempest" All parts are performed by Matthew Curtis - "Before you can say, "Come and go", And breathe twice, and cry, "So,so" Each one, tripping on his toe, Will be here with mop and (mow) (Do you love me, master?no?)" "Where the bee sucks there (suck) I: In a cow-slips (bell) I lie; There I couch when owls do cry. On a bat's back (I do) fly After (summer) merrily, Merrily, merrily shall I live now Under the blossom that hangs on the bough"  less

composed by Alwin Michael Schronen for TTTTBBBB a cappella words by Charles Anthony Silvestri Copyright by SCHOTT MUSIC www.schott-musik.de/shop/1/show,315066.html

© Schott Music GmbH & Co. KG, Mainz, Germany

Trio arrangement by David W Solomons of the old English folk song about a young man who is sent out to work and finds a lady who wants to marry him All parts sung by Matthew Curtis (www.choraltracks.com)

A trio arrangement of the old English folk song "Green Broom" about a young man who is sent out to work and finds a lady who wants to marry him. I have classified this as SSA but it is also possible for Soprano Mezzo and Alto Other lower versions are coming soon.

Psalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that...  morePsalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that same note at the end. The rest just seemed to evolve on its own, seemingly guided by some external force. Second, unusually, I have asked choirs (where possible) to sing this without any breaks, via staggered breathing, as I wanted to highlight the deep conviction underlying the words of the Psalm, as one single thread of deep belief that moves from beginning to end. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Psalm 23." As always, comments are welcomed. Email me at rain@magma.ca, if you'd like more info. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad ...    less

1. O Spirit of the Summertime! 2. A Gravestone 3. Four Ducks on a Pond 4. The Winter Pear Please contact the composer if you are interested in performing this. scottbvillard at gmail dot com. All vocal parts sung my Matthew Curtis of choraltracks.com

Arrangement of an old English folk song for three voices (versions available for women's voices, mixed voices and men's voices). This one is for women's voices. Images from Dunham Massey in Cheshire

Please contact the composer if you are interested in performing this. scottbvillard at gmail dot com. All vocal parts sung my Matthew Curtis of choraltracks.com

Arrangement of an old English folk song for three voices (versions available for women's voices, mixed voices and men's voices). This version is for mixed voices AAB or MezAB