"Not While I'm Around" (from Sweeney Todd) Lyrics and music by Stephen Sondheim Performed by voices: the Chapel Hill Chorus. Direction by Dr. Stephen Futrell. During the spring semester of 2021, voices embarked on rehearsing and preparing 4 select...  more"Not While I'm Around" (from Sweeney Todd) Lyrics and music by Stephen Sondheim Performed by voices: the Chapel Hill Chorus. Direction by Dr. Stephen Futrell. During the spring semester of 2021, voices embarked on rehearsing and preparing 4 selections to be audio recorded and produced with video. To learn more and support our organization please visit: https://www.voiceschapelhill.org/​ This project was supported by the Orange County Arts Commission and the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources. www.NCArts.org Rilting Music, Inc. (ASCAP) All rights administered by WC Music Corp. Synchronization licensing for this video project obtained from WC Music Corp.  less

FHCS was formed in 1951 and has grown into an ambitious 100-strong choir. Membership is open to anyone with or without choral experience. We aim for high standards, and of course strong singers are always valued – but you don’t have to be able to read m...  moreFHCS was formed in 1951 and has grown into an ambitious 100-strong choir. Membership is open to anyone with or without choral experience. We aim for high standards, and of course strong singers are always valued – but you don’t have to be able to read music, and there are no auditions. the age range of members stem from 20 to over 70 so there is room for everyone. If you’re not sure which voice part you are then Christopher Wray, our Musical Director, can help you with this. the Choir performs three public concerts each year, at Easter, in the Summer and at Christmas. We also support the local communities by singing at various events and this includes raising funds for charities. Each year we also sing away from London which combines singing to another community, or combining a performance with their choir, with a fun day out. At times we take more extensive trips and you can see details on these events in our ‘News Items’ section of the website. FHCS is also a very social Choir and apart from a...    less

We are a mixed voice choir of approximately 40 voices. All are welcome, and we would especially welcome new members in the lower voices.

A performance of "Deep River" (arr. Luboff) by Palmetto voices (Sonja Sepulveda, conductor) with the Worship in Music Chamber Orchestra (George Gregory Hobbs, conductor) during the 2013 ACDA National Conference in Dallas, Texas.

voices, à l'école du choeur ... Ils sont âgés de 10 à 15 ans et chantent de toute leur âme. Découvrez ces jeunes pleins de talent, et encouragez-les en partageant cette vidéo autour de vous... Encadrés par une équipe de pédagogues professionnels, le...  morevoices, à l'école du choeur ... Ils sont âgés de 10 à 15 ans et chantent de toute leur âme. Découvrez ces jeunes pleins de talent, et encouragez-les en partageant cette vidéo autour de vous... Encadrés par une équipe de pédagogues professionnels, les différents choeurs de l'association voices bénéficient d'une formation vocale, chorale et scénique. Direction musicale : Julie Gibergues. www.voicesleschoeurs.com A voir également : "Le temps qui court" (2011)  

Funky voices @ Brownstock Festival 2014 Would you like to join or book the Funky voices Choir Experience? www.funkyvoices.co.uk 07834 765 473 @funkyvoices

Light Opera of New Jersey "Make our Garden grow" from Bernstein's Candide Cast: Brad Baron, Grand Executioner Petite Executioners: Christian Arencibia and Gregory Voinier David Benoit, Dr. Pangloss Ken Magos, Narrator Jason C. Tramm, Conduct...  moreLight Opera of New Jersey "Make our Garden grow" from Bernstein's Candide Cast: Brad Baron, Grand Executioner Petite Executioners: Christian Arencibia and Gregory Voinier David Benoit, Dr. Pangloss Ken Magos, Narrator Jason C. Tramm, Conductor Members of Seton Hall University Chorus, Clarum Sonum, LONJ Light Opera of New Jersey Orchestra Costumes by Scaramouche (Beth Gleason, Costumer) Joanna Hoty Russell, Assistant Producer Chris Dzerovich, Props Recorded: Oct. 23, 2022 Dorothy Young Center for the Arts (Madison, NJ) for more information on Light Opera of New Jersey, visit: https://lightoperaofnewjersey.org/  less

Anthem by Charles Villiers Stanford the Lord is my shepherd : therefore can I lack nothing. He shall feed me in a Green pasture : and lead me forth beside the waters of comfort. He shall convert my soul : and shall bring me forth in the paths of righte...  moreAnthem by Charles Villiers Stanford the Lord is my shepherd : therefore can I lack nothing. He shall feed me in a Green pasture : and lead me forth beside the waters of comfort. He shall convert my soul : and shall bring me forth in the paths of righteousness, for his Name's sake. Yea, thou I walk through the valley of the shadow of death, I will fear no evil : for thou art with me; thy rod and thy staff comfort me. Thou shalt prepare a table before me 'gainst them that trouble me : thou anointedst my head with oil, and my cup shall be full. But thy loving-kindness and mercy shall follow me all the days of my life : and I will dwell in the house of the Lord for ever. for Thou art with me; thy rod and thy staff comfort me. (Psalm 23) Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  less

Media Vita by Kerensa Briggs is included on voices of Concinnity's debut album on Navona Records label called "Awaiting Golden Light"

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I ...  moreGospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I was studying.