Psalm 133 (134), with doxology Brief, high impact, up-tempo. Free sheet music. Please get in touch! • Facebook: david.basden.9 • Email: deebee123 [at] bigpond.com

Be Near Me by Greg Bartholomew A setting for unaccompanied Mixed Choir (SATB) of Canto 50 from the poem In Memoriam A.H.H. by Alfred Tennyson Sung by Sarah Brailey & Matthew Curtis of Choral Tracks. The text for Be Near Me is Canto 50 from the poem...  moreBe Near Me by Greg Bartholomew A setting for unaccompanied Mixed Choir (SATB) of Canto 50 from the poem In Memoriam A.H.H. by Alfred Tennyson Sung by Sarah Brailey & Matthew Curtis of Choral Tracks. The text for Be Near Me is Canto 50 from the poem In Memoriam A.H.H. by the British Poet Laureate Alfred Tennyson (1809 -1892). Published in 1850, the poem is an extended requiem for the poet's beloved friend Arthur Henry Hallam, who died of a cerebral hemorrhage in 1833, age 22. It is considered one of the greatest poems of the 19th Century and was reported to be a great favorite of Queen Victoria. Sheet music available from J.W.Pepper: https://www.jwpepper.com/Be-Near-Me/11339264.item For more information visit http://www.gregbartholomew.com/benearmeindex.html #choralmusic #choir #tennyson  less

A moving version of SWEET by Manolo Da Rold. Sung by Matthew J. Curtis - ChoralTracks The piece is dedicated to the choir "La Stele"; Matteo Valbusa conductor. It is the first part of the triptych Sweet.

Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, text-driven, no extremes of range – no divisi, but has drone sections where staggered breathing would nor...  moreFree sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, text-driven, no extremes of range – no divisi, but has drone sections where staggered breathing would normally be used. Erratum: Bar 9 should read "et spes" – it's been corrected in the score.  

I recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisi, no extremes of range. One feature is that the tenor part only goes up to D – this will enable "spare" basses to help out if neces...  moreI recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisi, no extremes of range. One feature is that the tenor part only goes up to D – this will enable "spare" basses to help out if necessary. I'm happy to share the sheet music free of charge – please contact me for the PDF. • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com  

Haydn: Sing the Lord, ye voices all. Mendelssohn Singers conducted by TMC Associate Conductor Matthew Otto. James Bourne, piano. Michael Bloss, organ. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park...  moreHaydn: Sing the Lord, ye voices all. Mendelssohn Singers conducted by TMC Associate Conductor Matthew Otto. James Bourne, piano. Michael Bloss, organ. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park Baptist Church. This concert concluded the TMC's 2013 Choral Conductors' Symposium led by Noel Edison. Webcast produced by Inline Digital.  

No divisi parts – suitable for a quartet. In English (BCP 1662) Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com There's a matching Magnificat setting on the way. Watch this space!

Here's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or c...  moreHere's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or concert performances free of charge – please contact me for the score: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com Also, please let me know when the performance date is approaching. I'm keen to receive feedback, and I'll happily link your publicity material and website to my social media pages. Choirs are most welcome to post their own versions here on ChoirPlace.  less

Update: there's a new, clearer version of the score available. Also free. Please contact me: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com - - - - - Language: Latin. Standard of difficulty: fairly easy. Duration: circa 1½ ...  moreUpdate: there's a new, clearer version of the score available. Also free. Please contact me: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com - - - - - Language: Latin. Standard of difficulty: fairly easy. Duration: circa 1½ minutes. No divisi. No extreme ranges. One page. Suitable for both church and concert hall. I wrote this with the aim of presenting the prayer with as much clarity as possible. To that end, I've set the text phrase by phrase rather than as deconstructed fragments. The score may be downloaded and used for church or concert performances free of charge. Please let me know when the performance date is approaching. I'm keen to receive feedback, and I'll happily link your publicity material and website to my social media pages. Choirs are most welcome to post their own versions here on ChoirPlace.  less

A new setting where sections of the original plainsong alternate with newly-composed material. No divisi, no staggered breathing. Free sheet music. Please get in touch! • Facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com