For God So Loved the World (Christmas Music) Based on Raag Bhoopali/ Mohanam Composed by Virgil Sequeira and Radhika Vijay Performed by Junior School Choir, Bass Guitar and Violin by Senior School, Tabla by Middle School, Piano: Virgil Sequeira Occasi...  moreFor God So Loved the World (Christmas Music) Based on Raag Bhoopali/ Mohanam Composed by Virgil Sequeira and Radhika Vijay Performed by Junior School Choir, Bass Guitar and Violin by Senior School, Tabla by Middle School, Piano: Virgil Sequeira Occasion: PTA Christmas AGM 2015 -Video Upload powered by https://www.TunestoTube.com  

God has commanded all his angels Ensembles VoCapella & LaCappella Conductor: Tristan Meister Music and photos by Alwin Michael Schronen Live Premiere: Nov 16th 2014 in Bad Homburg/Germany

Performed live on July 27th 2024 by the Choir of St. Michael and All Angels, Summertown, Oxford, in the original Old Church Slavonic, conducted by Duncan Saunderson Cherubic Hymn No 7 by Dmitri Stepanovich Bortniansky (1751-1825) Иже херѹвимы тайнѡ ...  morePerformed live on July 27th 2024 by the Choir of St. Michael and All Angels, Summertown, Oxford, in the original Old Church Slavonic, conducted by Duncan Saunderson Cherubic Hymn No 7 by Dmitri Stepanovich Bortniansky (1751-1825) Иже херѹвимы тайнѡ ѡбразѹюще, и животворѧщей Троицѣ трисвѧтую пѣснь припѣвающе, Всѧкое нынѣ житейское отложимъ попеченіе. Ꙗкѡ да Царѧ всѣхъ подъимемъ, аггельскими невидимѡ дорѵносима чинми. Аллилѹіа [Izhe kheruvimy tayno, tayno obrazuyushche, obrazuyushche, I zhivotvoryashchey Troytsye, trisvyatuyu pyesn’ pripyevashche, Vsyakoye nynye zhityeskoye otlozhim popyecheniye, Yako da Tsarya vsyekh podymyem Angelskimi nyevidimo dorinosima chinmi Alleluia!] We who mystically represent the Cherubim, and who sing to the Life-Giving Trinity the thrice-holy Hymn, let us now lay aside all earthly cares that we may receive the King of all, escorted invisibly by the angelic orders. Alleluia  less

Gospel music allows us to become closer to God and closer to each other. Sometimes you have to forget what's gone, appreciate what remains, and look forward to what's coming next...let praise and worship God.

www.twitter.com/NobilesLeipzig www.youtube.com/NobilesLeipzig www.facebook.com/ensemblenobiles Ensemble Nobiles presents God DEFEND NEW ZEALAND to celebrate WAITANGI DAY words: Thomas Bracken - 19th c. music: John Joseph Woods - 1876 arr. and...  morewww.twitter.com/NobilesLeipzig www.youtube.com/NobilesLeipzig www.facebook.com/ensemblenobiles Ensemble Nobiles presents God DEFEND NEW ZEALAND to celebrate WAITANGI DAY words: Thomas Bracken - 19th c. music: John Joseph Woods - 1876 arr. and permission granted: David Hamilton - 2004 written for the National Male Choir of New Zealand Te Ropu Waiata Tira Tane o Aotearoa live recording: 5th February 2015, Leipzig/Germany © Ensemble Nobiles 2015 We are looking forward to our NZ tour: 18th-26th March 2015 sponsored by: Goethe Institut + City of Leipzig NationalHymne Neuseelands zum Nationalfeiertag 'Waitangi Day' 2015.  less

That Choir Remembers - November 8, 2015 (conducted by Craig Pike) Metropolitan United Church, toronto ON Recorded by Kris O'Reilley All Night Vigil, Op 37 ('Vespers') - Sergei Rachmaninoff VII. Glory to God in the Highest www.thatchoir.com

A cover of Sinhala Hymn "Le Kiri Karala". A tribute to all parents out there.

I Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. the text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "Thi...  moreI Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. the text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "This is a poem of grandeur and of praise. therefore it might be expected that this musical setting would aim at vastness, grandeur and awakening." Walker accomplishes this through a variety of means. First, the piano introduction includes slowly unfolding piano arpeggios which focus on open intervals of octaves, fifths and fourths, exploiting the full range of the piano keyboard. the composer also takes the singers on a harmonic journey which begins in a low register in C minor, and then travels through a number of other key areas until it reaches the distant key of G-flat. At this point, the voices are drawn closely together into a tone cluster containing the pitches G-flat, A-flat and B-flat, only to open apart into the glorious C major chords which conclude the ...    less

Recorded by Quorum in Leicester Cathedral on Saturday 11th February 2017