Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat...  moreWeep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio...  moreWeep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Ottawa choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance. Audio: Tom Barnes....  moreOttawa choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 18th, 2011. Stills: Holly Massie Videographer: Zoe Hart. Editing: Pierre Massie  

Ma Nyame mmetena mu is a Choral anthem composed by Rev. Newlove Annan. Performed by the Inspirational Praise Chorale Ghana during Inspira' Praise '21. Conducted by Ehud Kwabena Obu Sound by: Andy K Productions Video by: DaniBet media consult

Composer: Berverly Ross and Julius Dixon Arranged by: Anne Raugh and Deke Sharon Greendale Chorale's performance of 'Lollipop' in National A Capella Championships 2011. It was held at the Arts Houseon 14 August 2011. Greendale Chorale was awarded '...  moreComposer: Berverly Ross and Julius Dixon Arranged by: Anne Raugh and Deke Sharon Greendale Chorale's performance of 'Lollipop' in National A Capella Championships 2011. It was held at the Arts Houseon 14 August 2011. Greendale Chorale was awarded 'Silver' and came in 2nd in the 'Choir Category'.  

Corale Zumellese dir. Manolo Da Rold World Premiere of the composition "Angele Dei" that composer Ivo Antognini has dedicated to Corale Zumellese and to his director Manolo Da Rold. Live in Abbazia di Villanova di San Bonifacio (Verona) 02 04 201...  moreCorale Zumellese dir. Manolo Da Rold World Premiere of the composition "Angele Dei" that composer Ivo Antognini has dedicated to Corale Zumellese and to his director Manolo Da Rold. Live in Abbazia di Villanova di San Bonifacio (Verona) 02 04 2017 "Festival 900 in Canto"  

Nizhny Novgorod State University Choir (NNSU Choir) - Nothing's Gonna Change My Love For You - M. Masser (arr. J. Fisher). Contest performance at the World Choir Games Riga 2014 - Popular Choral Music. Академический хор ННГУ им Н. И. Лобачевского (Хор ...  moreNizhny Novgorod State University Choir (NNSU Choir) - Nothing's Gonna Change My Love For You - M. Masser (arr. J. Fisher). Contest performance at the World Choir Games Riga 2014 - Popular Choral Music. Академический хор ННГУ им Н. И. Лобачевского (Хор ННГУ) - Nothing's Gonna Change My Love For You - M. Masser (обр. J. Fisher). Конкурсное выступление на Всемирной хоровой олимпиаде в Риге в 2014 году, категория "Популярная музыка".  

Ivan Yohan - Dies Irae A join project between Coro Autêntico, Portugal (Gonçalo Lourenço, conductor), The Cygnus Vocal Octet, Japan (Taku Sato, ensemble leader), Lassenne Vocale, Belgium (Ivan Yohan, conductor) and Parahyangan Catholic University Choir, ...  moreIvan Yohan - Dies Irae A join project between Coro Autêntico, Portugal (Gonçalo Lourenço, conductor), The Cygnus Vocal Octet, Japan (Taku Sato, ensemble leader), Lassenne Vocale, Belgium (Ivan Yohan, conductor) and Parahyangan Catholic University Choir, Indonesia (Alfonsus Albert, conductor). SATB Soloists: Soprano: Inggrid Patricia (Parahyangan Catholic University Choir) Alto: Marta Magalhães (Coro Autêntico) Tenor: Taku Sato (The Cygnus Vocal Octet) Bass: Andrés Soler Castaño (Lassenne Vocale) Soprano/Mezzo soloists: Soprano 1 Anny Johan (Parahyangan CUC), Daniela Fernandes (Coro Autêntico), Caroline Foo (Lassenne Vocale), Seiko Okuda (The Cygnus Vocal Octet) Soprano 2 Beatriz Jorge (Coro Autêntico), Chikako Hino (The Cygnus Vocal Octet), Clarissa Florence (Parahyangan CUC), Lydia M. R. Stoddart (Lassenne Vocale) Soprano 3 Ana Isa Mason-Correia (Coro Autêntico), Ghita El Berdhai (Lassenne Vocale), Maria Mudi (Parahyangan CUC), Takako Sasage (The Cygnus Vocal Octet) Coro Autêntico Soprano ...    less

Inno per I'Anno Sancto della Misericordia (Hymn for the Holy Year of Mercy) “Misericordes sicut Pater,” is the official Latin theme of the Year of Mercy and translates to “Merciful Like the Father"; by the English Composer Paul Inwood and the text of ...  moreInno per I'Anno Sancto della Misericordia (Hymn for the Holy Year of Mercy) “Misericordes sicut Pater,” is the official Latin theme of the Year of Mercy and translates to “Merciful Like the Father"; by the English Composer Paul Inwood and the text of the hymn in Latin and Italian was written by Jesuit Father Eugenio Costa. . The title is drawn from John 6:36, Misericordes sicut Pater (English: Be Merciful, As Your Father Is). Inwood's composition was the winner in an international competition sponsored by the Pontifical Council for the Promotion of the New Evangelization. The hymn has now been released in Italian, French, and English, with a Latin antiphon and refrains. . This video recording by the Golden Voices Choir STACC FUTO was transposed on key G Major. This beautiful male choir arrangement captures in it's very essence the richess of God's divine mercy. That no matter how busy our modern lives are, God's hands are ever present to guide us. We are safe in the hollow of his hands. May God's mercy c...    less

Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna...  moreWeep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less