This famous verse anthem - popularly known as the 'Bell' anthem because of its peal-like opening - was recorded during the recital given on Tuesday 31st May 2011 in the lovely Basilica of Notre-Dame du Roncier, Josselin as part of the Singers' 2011 concer...  moreThis famous verse anthem - popularly known as the 'Bell' anthem because of its peal-like opening - was recorded during the recital given on Tuesday 31st May 2011 in the lovely Basilica of Notre-Dame du Roncier, Josselin as part of the Singers' 2011 concert tour of Brittany. The choir is directed by Dr Simon Lindley, its Music Director, and the organist is David Houlder. The verse soloists are Lucy Appleyard (alto), Toby Ward (tenor) and Philip Wilcox (bass). More information about St Peter's Singers of Leeds, including details of forthcoming concerts, recitals and liturgical performances, may be found on the choir's website http://www.stpeters-singers.org.uk and on its Facebook group page 'St Peter's Singers of Leeds'. https://www.facebook.com/groups/111143267532/  less

This well-known carol, which tells the story of the Annunciation, is set to a lovely Basque melody arranged by Edgar Pettman. It was recorded on 5th December 2010 in the Harvey Nichols Espresso Bar in Leeds' magnificent Victoria Quarter in the first of S...  moreThis well-known carol, which tells the story of the Annunciation, is set to a lovely Basque melody arranged by Edgar Pettman. It was recorded on 5th December 2010 in the Harvey Nichols Espresso Bar in Leeds' magnificent Victoria Quarter in the first of St Peter's Singers' now-traditional Sunday evening carol performances there. The choir is directed by Dr Simon Lindley, its Music Director since the Singers' formation in June 1977. More information about St Peter's Singers, including details of forthcoming concerts, recitals and liturgical performances, may be found on the choir's website www.stpeters-singers.org.uk and on its Facebook group page 'St Peter's Singers of Leeds'.  less

Carol of the Bells (M. Leontovich, arr. Peter Wilhousky www.vocaalensemblekerkrade.nl

Join us on facebook : https://www.facebook.com/fanclubAndan... Stadhuis Vilvoorde 10/11/2019 Andantino (Vilvoorde België olv Peter De Waele) Arr.:Henk Ummets

Join us on facebook : https://www.facebook.com/fanclubAndantino/ Kerstconcert 2017 Vilvoorde Andantino (Vilvoorde België olv Peter De Waele) Il est né le divin enfant, Jouez hautbois, résonnez musettes ! Il est né le divin enfant, Chantons tous s...  moreJoin us on facebook : https://www.facebook.com/fanclubAndantino/ Kerstconcert 2017 Vilvoorde Andantino (Vilvoorde België olv Peter De Waele) Il est né le divin enfant, Jouez hautbois, résonnez musettes ! Il est né le divin enfant, Chantons tous son avènement ! Depuis plus de quatre mille ans, Nous le promettaient les prophètes Depuis plus de quatre mille ans, Nous attendions cet heureux temps. Il est né le divin enfant, Jouez hautbois, résonnez musettes ! Il est né le divin enfant, Chantons tous son avènement ! Ah ! Qu'il est beau, qu'il est charmant ! Ah ! que ses grâces sont parfaites ! Ah ! Qu'il est beau, qu'il est charmant ! Qu'il est doux ce divin enfant ! Il est né le divin enfant, Jouez hautbois, résonnez musettes ! Il est né le divin enfant, Chantons tous son avènement ! Une étable est son logement Un peu de paille est sa couchette, Une étable est son logement Pour un dieu quel abaissement ! Il est né le divin enfant, Jouez hautbois, réson...    less

A movement from the Choral Symphony "In Repentance". Performed by Masterworks Chorale of Augsburg College. Artistic director and conductor, Peter Hendrickson.

Written in 1848 for the Choir of what was then Leeds Parish Church, 'Cast me not away' is a masterpiece in miniature. Owing much to the polyphonic work of the Renaissance, the motet is a deeply-felt work written during Wesley's period of recuperation fro...  moreWritten in 1848 for the Choir of what was then Leeds Parish Church, 'Cast me not away' is a masterpiece in miniature. Owing much to the polyphonic work of the Renaissance, the motet is a deeply-felt work written during Wesley's period of recuperation from a fall whilst out fishing in the North Yorkshire countryside at Helmsley. The chromatic clashes at the words "the bones which Thou hast broken" are almost certainly reflective of the pain the composer had suffered, for his leg was badly broken and he walked ever after with a noticeable limp. This performance was recorded in Leeds Minster on Sunday 28th April 2013 during the recital of 'Music with Minster connections' sung by St Peter's Singers of Leeds, directed by Dr Simon Lindley. Leeds Minster, formerly Leeds Parish Church, has a long and distinguished musical history. The list of organists and past organists of the Parish Church of St Peter-at-Leeds is outstanding. 'Music with Minster connections' celebrated both this heritage and the status of Leed...    less

43. International Choir Contest Tolosa, Spain. Certamen Coral de Tolosa. This is a service of Choral Festival Network (CFN) www.choralfestivalnetwork.org Vocal Groups Sacred Music grupos vocales musica religiosa, October 31 2011

Giovanni Pierluigi da Palestrina (1525-1594) Asperges me, Domine Asperges me Domine hysoppo et mundabor: lavabis me, et super nivem dealbabor. Gloria Patri et Filio, et Spiritui Sancto: Sicut erat in principio et nunc et semper, et in saecula saec...  moreGiovanni Pierluigi da Palestrina (1525-1594) Asperges me, Domine Asperges me Domine hysoppo et mundabor: lavabis me, et super nivem dealbabor. Gloria Patri et Filio, et Spiritui Sancto: Sicut erat in principio et nunc et semper, et in saecula saeculorum, Amen. Asperges me repeated…to dealbabor Psalm 51, Verse 7 [Antiphon at the Sprinkling of Holy Water] Thou shalt purge me, O Lord, with hyssop and I shall be clean:Thou shalt wash me, and I shall be whiter than snow. Glory be to the Father, and to the Son, and to the Holy Ghost:As it was in the beginning, is now and ever shall be: world without end. Amen Book of Common Prayer, Psalm 51, Verse The rite of sprinkling the faithful with holy water at the start of the Medieval mass in every Sunday of the Church’s Year except for Palm Sunday and in Eastertide involved the use of verse seven from the famous Miserere text, the 51st Psalm. Palestrina’s four part setting involves the sustained motto theme of the traditional plainchant melody within the...    less

This well-known setting by Tomas Luis de Victoria (1548-1611) of Popule meus, the lengthy series of chants known as Improperia, or Reproaches, which occur at the liturgical climax of Good Friday, during the special service of the Adoration of the Cross, w...  moreThis well-known setting by Tomas Luis de Victoria (1548-1611) of Popule meus, the lengthy series of chants known as Improperia, or Reproaches, which occur at the liturgical climax of Good Friday, during the special service of the Adoration of the Cross, was recorded on Saturday 2nd April 2011 during St Peter's Singers' recital of sacred polyphony for Passiontide and Tenebrae in the beautiful surroundings and acoustic of St Aidan's Parish Church in Leeds. The Singers are directed by Dr Simon Lindley, Music Director since the choir's foundation in 1977. The plainchant verses are sung by soprano Sarah Kelly, and the solo quartet (positioned remotely from the main choir) comprises soprano Julie Kilburn, alto Lucy Appleyard, tenor Jonathan Morrish and bass Quentin Brown. More information about St Peter's Singers, including details of the choir's 2010-11 programme of recitals, concerts and services, may be found on our website www.stpeters-singers.org.uk and on our Facebook Group page 'St Peter's Singers of L...    less