A choral spoof on the 12 Days of Christmas, composed and performed by David W Solomons A version for SATB is also available at the link below The cartoon animation was created, from a "choirboy" caricature of the composer by "Dale", by David Marsh (Para...  moreA choral spoof on the 12 Days of Christmas, composed and performed by David W Solomons A version for SATB is also available at the link below The cartoon animation was created, from a "choirboy" caricature of the composer by "Dale", by David Marsh (Paramolehill) The words (taking the last verse) are ...on the twelfth day of Christmas the choir processed in song and twelve candles dripped eleven altos flipped and ten lines were clipped and nine gins were sipped and eight crept to the crypt and seven hymn books slipped and six basses quipped and five sang in tune! and four cassocks ripped and three lost their script and two tenors tripped and the soloist got it all wrong.  less

Promotional video detailing The Georgia Boy Choir. Video production and editorial by MONUMENTALmedia. For more information regarding The Georgia Boy Choir please visit www.georgiaboychoir.org

This classic Motown tune was a hit at Chor Leoni's Bard Boyz performances (June 2011). The arrangement is by Keith Sinclair (who is also in the backup dance quartet) and the soloist is second tenor, Jordan Back.

Christmas 2021

Johann Sebastian Bach: Christ lag in Todesbanden, BWV 4 Versus 4: Es war ein wunderlicher Krieg (Chorus) The Choir of Somerville College, Oxford Musicians of the dreaming Spires Douglas Knight (organ) David Crown (conductor) St. Michael at the N...  moreJohann Sebastian Bach: Christ lag in Todesbanden, BWV 4 Versus 4: Es war ein wunderlicher Krieg (Chorus) The Choir of Somerville College, Oxford Musicians of the dreaming Spires Douglas Knight (organ) David Crown (conductor) St. Michael at the North Gate, Oxford 9 March 2012 Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com  

Johann Sebastian Bach: Christ lag in Todesbanden, BWV 4 Versus 5: Hier ist das rechte Osterlamm (Bass) The Choir of Somerville College, Oxford Musicians of the dreaming Spires Robert Pecksmith (organist) David Crown (conductor) St. Michael at th...  moreJohann Sebastian Bach: Christ lag in Todesbanden, BWV 4 Versus 5: Hier ist das rechte Osterlamm (Bass) The Choir of Somerville College, Oxford Musicians of the dreaming Spires Robert Pecksmith (organist) David Crown (conductor) St. Michael at the North Gate, Oxford 9 March 2012 Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com  

Johann Sebastian Bach: Christ lag in Todesbanden, BWV 4 Versus 2: Den Tod niemand zwingen kunnt (Soprano & Alto) The Choir of Somerville College, Oxford Musicians of the dreaming Spires Robert Pecksmith (organ) David Crown (conductor) St. Michae...  moreJohann Sebastian Bach: Christ lag in Todesbanden, BWV 4 Versus 2: Den Tod niemand zwingen kunnt (Soprano & Alto) The Choir of Somerville College, Oxford Musicians of the dreaming Spires Robert Pecksmith (organ) David Crown (conductor) St. Michael at the North Gate, Oxford 9 March 2012 Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com  

The Womens Choir EMBLA performs Jólanótt (Christmas Night) by Roar Kvam with a text by Sverrir Pálsson.

Each year, in September, Musica International (www.musicanet.org) chooses as its Favorite Piece of the Month a beautiful piece which would be perfect for your Christmas program. Here are a few of them, with multimedia illustrations, recordings of pronunc...

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I ...  moreGospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I was studying.