Pasquale Cafaro (San Pietro in Galatina, 8 febbraio 1715 -- Napoli, 25 ottobre 1787) TRISTIS EST Anima Mea Responsori della Settimana Santa (1760 circa) Ensemble Vocale Florilegium Vocis: Menica Papa, Anna Giordano, Marina Del Giudice, Monica Caputi...  morePasquale Cafaro (San Pietro in Galatina, 8 febbraio 1715 -- Napoli, 25 ottobre 1787) TRISTIS EST Anima Mea Responsori della Settimana Santa (1760 circa) Ensemble Vocale Florilegium Vocis: Menica Papa, Anna Giordano, Marina Del Giudice, Monica Caputi, Giovanna Greco, Gaetano Manzo, Francesco Guastamacchia, Roberto Sabato, Roberto Portoghese Ensemble Meridies Gioacchino De Padova, viola da gamba Paola Ventrella, Tiorba Sabino Manzo Organo e direzione  

BSRU Chamber Choir College of Music, Bansomdejchaopraya Rajabhat University, Bangkok, Thailand

The Surrey Youth Chamber Choir sings "Mata del Anima sola" by Antonio Estévez at the 2010 Choral Kathaumixw in Powell River. (Concert)

We will be joined by the Ulster Orchestra under the baton of our chorus master Stephen Doughty and the following wonderful soloists;   Rebecca Murphy - Soprano Lynda-Jane Nelson - Alto Brian McNamee - Tenor Aaron O'Hare - Bass   In Fisher...

Anima Christi is a Latin Chant composed by Marco Frisina, Performed in A Capella in July 202 by CANTOS Vocal Ensemble Conducted by Joseph Alfred.

I CONCERTI DEL 15° ANNIVERSARIO Chiesa San Bartolomeo, Villadossola (VB) 21 Giugno 2014

The Choral Project performs "Mata del Anima Sola" by Antonio Estevez, from the Light Out of Shadow concert performance June 5th, 2010, at Mission Santa Clara de Asis, Santa Clara CA. Solo performed by Lucio Ortiz.

This setting of the 98th Psalm (Sing a new song to the Lord for he has worked wonders.) comes originally from my cantata “The Manchester Magnificat”, based on Audrey Vaughan’s poems about the religious and social history of the city. The oratorio was...  moreThis setting of the 98th Psalm (Sing a new song to the Lord for he has worked wonders.) comes originally from my cantata “The Manchester Magnificat”, based on Audrey Vaughan’s poems about the religious and social history of the city. The oratorio was first performed in Manchester Cathedral in 1994. This psalm forms the climax of the whole cantata and provides an expression of optimism after the tragedies of the previous sections. In this “extracted” version, the tragic surroundings of the history remain in the background and the purebubbling joy of the psalm itself shines forth. Enjoy the complex rhythms and let your hair down! This performance by Daniel Shaw's Composer's Choir (based in Connecticut) is a brilliant rendition of the piece and will, I hope, encourage other church choirs and concert choirs to consider including it in their repertoire.  less

from our July 2012 concert, Sacred and Profound soloist: Stephanie Sepiol

Note dall'Anima Choir began as an association of friends attending services and is therefore a non-professional choir. Since 2009, it has been gladding the ceremonies of parishes nearby, mainly thanks to new musical equipment and stabler rehearsals and or...  moreNote dall'Anima Choir began as an association of friends attending services and is therefore a non-professional choir. Since 2009, it has been gladding the ceremonies of parishes nearby, mainly thanks to new musical equipment and stabler rehearsals and organisation. The most unique thing about this choir is its style: apart from being always varied, it offers a joyous, rhythmical, alternative and new way of celebrating Mass, joining pop and rock with religious themes.