"A haunting tale, perfect for Christmas"—New York Times Kent Tritle leads the Manhattan School of Music Chamber Choir in David Lang's Pulitzer Prize-winning The Little Match Girl Passion, based on Hans Christian Andersen's pow...

No divisi parts – suitable for a quartet. In English (BCP 1662) Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com There's a matching Magnificat setting on the way. Watch this space!

Sung by the Chamber Choir of Warwickshire Young Voices, written by David Iles. More information and score available from www.warwickshireyoungvoices.org

A new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. ...  moreA new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. It also reflects much of the liturgical and popular symbolism of the Christmas season: robins, holly etc and it brings our thoughts towards the season of Easter with the blood of Good Friday.  

Update: there's a new, clearer version of the score available. Also free. Please contact me: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com - - - - - Language: Latin. Standard of difficulty: fairly easy. Duration: circa 1½ ...  moreUpdate: there's a new, clearer version of the score available. Also free. Please contact me: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com - - - - - Language: Latin. Standard of difficulty: fairly easy. Duration: circa 1½ minutes. No divisi. No extreme ranges. One page. Suitable for both church and concert hall. I wrote this with the aim of presenting the prayer with as much clarity as possible. To that end, I've set the text phrase by phrase rather than as deconstructed fragments. The score may be downloaded and used for church or concert performances free of charge. Please let me know when the performance date is approaching. I'm keen to receive feedback, and I'll happily link your publicity material and website to my social media pages. Choirs are most welcome to post their own versions here on ChoirPlace.  less

David proposes to his girlfriend, Rachel, at the V&A museum in London with the help of London City Singers. Clips were filmed with mobile phones so please excuse the shaking. Our 'video crew' got emotional during the filming, too! Filmed by: David S...  moreDavid proposes to his girlfriend, Rachel, at the V&A museum in London with the help of London City Singers. Clips were filmed with mobile phones so please excuse the shaking. Our 'video crew' got emotional during the filming, too! Filmed by: David Sheen and Stephen Flexer — thanks guys!  

A new setting where sections of the original plainsong alternate with newly-composed material. No divisi, no staggered breathing. Free sheet music. Please get in touch! • Facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com

My musical re-imagining of the Nativity story, with a surprise in the 2nd verse. Dedicated to my dear cousin, Madeleine Shaw. NB: choirs interested in obtaining copies of the score can contact The Leading Note at info@leadingnote.com. I would lik...  moreMy musical re-imagining of the Nativity story, with a surprise in the 2nd verse. Dedicated to my dear cousin, Madeleine Shaw. NB: choirs interested in obtaining copies of the score can contact The Leading Note at info@leadingnote.com. I would like to acknowledge the a capella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 25 years. I would also like to thank my friends in our "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less

The 30-member Jerusalem Oratorio Chamber Choir is the representative choir of the 150-member Jerusalem Oratorio Choir. The Chamber Choir rehearses twice a week in a friendly yet serious environment. The Chamber Choir sings a varied repertoire of class...  moreThe 30-member Jerusalem Oratorio Chamber Choir is the representative choir of the 150-member Jerusalem Oratorio Choir. The Chamber Choir rehearses twice a week in a friendly yet serious environment. The Chamber Choir sings a varied repertoire of classical liturgical and secular music from the Renaissance to the present, as well as arrangements of spirituals and songs from around the world, Israeli and Jewish music, and more. The choir performs regularly in churches and concert spaces in Jerusalem and around Israel and has performed in festivals and programs in France, Italy, Spain, Germany, the United States, and Switzerland. The Jerusalem Oratorio Chamber Choir is an unaffiliated choir whose membership spans the religious/secular and political divide in Israeli society. The choir accepts members without discrimination as to race, color, religion, sexual orientation, national origin, or political affiliation. Every year the Jerusalem Oratorio Chamber Choir welcomes visiting singers (students, volunteers, ...    less

"Aurum, aurum!" is dedicated to Asira Shukuru. It is a musical search for the meaning of gold, a choral exploration of our human relationship to this precious metal. In Latin and English. As always, comments are most welcomed. Sincere thanks to Matt...  more"Aurum, aurum!" is dedicated to Asira Shukuru. It is a musical search for the meaning of gold, a choral exploration of our human relationship to this precious metal. In Latin and English. As always, comments are most welcomed. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Aurum, aurum!" Email me at rain@magma.ca, if you'd like more info, or to obtain a copy of the score. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less