Gospel music allows us to become closer to God and closer to each other. Sometimes you have to forget what's gone, appreciate what remains, and look forward to what's coming next...let praise and worship God.

Arta Sacred Music Festival April 9-12, Arta (Greece) Join us! For more information: antonis_ververis@yahoo.com

Rick Goode's "Abel & Cain." Sunday, March 13, 2016 Congregational Church of Batavia, IL

Performed by Stella Choir - REPERTOIRE OF WINTER 2023 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com In this emotionally charged piece, the composer and the choir honour our departed loved ones. As the voices intensify to ...  morePerformed by Stella Choir - REPERTOIRE OF WINTER 2023 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com In this emotionally charged piece, the composer and the choir honour our departed loved ones. As the voices intensify to an incredible climax, the audience is invited to surrender to the moment. Let the soaring music carry you away, echoing the profound love for those who've journeyed beyond. Dans ce morceau très émouvant, le compositeur et le chœur rendent hommage à ceux de nos êtres chers qui ne sont plus. À mesure que les voix atteignent une rare intensité, le public est invité à lâcher prise et se laisser porter par cet instant d'amour partagé. Conducted by Jad Harjane Composed by Jake Runestad Filmed by DIAZ PRODUCTION at LADABATEK , Tangier Sponsored by THE AMERICAN LANGUAGE CENTER  less

El Coro "Santa María" de Coria del Río (Sevilla) interpreta la obra "COME TO THE MUSIC" de Joseph M. Martin en el VIII Encuentro Coral Nacional celebrado el sábado 22 de junio de 2019 en la Parroquia de San José de Coria del Río (Sevilla) bajo la direcció...  moreEl Coro "Santa María" de Coria del Río (Sevilla) interpreta la obra "COME TO THE MUSIC" de Joseph M. Martin en el VIII Encuentro Coral Nacional celebrado el sábado 22 de junio de 2019 en la Parroquia de San José de Coria del Río (Sevilla) bajo la dirección de Sergio Asián, con Óscar Vicente al piano y Aída Naranjo con el piccolo. Mas información de este y otros vídeos en: https://www.corosantamaria.org  

Score (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato...  moreScore (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

Mar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairievoices.ca https://www.fa...  moreMar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairievoices.ca https://www.facebook.com/Prairievoices https://twitter.com/_Prairievoices  

It was a very long and difficult project, but the effect is worth its effort! The album "Treasures of Music: Armenia" contains 26 works with the Armenian repertoire performed by 14 choirs from Poland, Armenia, Ukraine, Germany and Moldova.   They a...

May 10, 2014 http://www.prairievoices.org https://www.facebook.com/Prairievoices https://twitter.com/_Prairievoices

I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se...  moreI NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the second section, the voices are set into a simple counterpoint. “I Never Saw” closes on the dominant chord creating a feeling of suspension that enhances the concept of faith expressed by Dickinson.