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A New Eaarth for Orchestra, Chorus and Narrator - Promo Video (Bill McKibben, Narrator)
A New Eaarth for Orchestra, Chorus & Narrator [35'00"]
Robert Paterson, Composer
Bill McKibben, Narrator
VYOA, Jeffrey Domoto and Jeffrey Buettner, Conductors
To perform this with your orchestra and chorus, contact Bill Holab Music: http://www.billh... moreA New Eaarth for Orchestra, Chorus & Narrator [35'00"]
Robert Paterson, Composer
Bill McKibben, Narrator
VYOA, Jeffrey Domoto and Jeffrey Buettner, Conductors
To perform this with your orchestra and chorus, contact Bill Holab Music: http://www.billholabmusic.com
Choral movements may be performed a cappella with piano.
For More Info:
Robert Paterson: http://www.robpaterson.com
Bill McKibben: http://www.billmckibben.com
video:
Magnificat - Suscepit Israel (Mvt 6) by Kim André Arnesen
Cantores Celestes Women's Choir
Kelly Galbraith ~ Director
Dec 2, 2017
Tamieka Evans - Soprano soloist
Hilary McCrimmon -Alto soloist
Adanya Dunn ~ Soprano soloist
Kate Carver ~ piano
Matthew Coons ~ organ
Emperor Quartet:
Jef ten Kortenaar & ... moreCantores Celestes Women's Choir
Kelly Galbraith ~ Director
Dec 2, 2017
Tamieka Evans - Soprano soloist
Hilary McCrimmon -Alto soloist
Adanya Dunn ~ Soprano soloist
Kate Carver ~ piano
Matthew Coons ~ organ
Emperor Quartet:
Jef ten Kortenaar & Clare Pellerin, violins
Kathleen Kajioka, viola
Stephen Buck, cello
www.cantorescelestes.com
Dec 2, 2017
video:
The Magic of Melody: Exploring Ariel's Sacred Fantasy Realm!
Experience the enchanting world of Gregorian Chant with this mesmerizing music video showcasing the magical power of this ancient music. Let the soothing melodies transport you to a place of peace and tranquility, providing healing and stress relief. Imme... moreExperience the enchanting world of Gregorian Chant with this mesmerizing music video showcasing the magical power of this ancient music. Let the soothing melodies transport you to a place of peace and tranquility, providing healing and stress relief. Immerse yourself in the melodic harmonies that will take you to seventh heaven, evoking wonderment and a sense of ethereal vibes. Discover the heartfelt and angelic sounds that resonate with your soul, as you feel the presence of your guardian angel through this medieval art form. Share this video and let others bask in the beauty of these sacred sounds.
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video:
Ave Maris Stella - Claudio Monteverdi - The Stairwell Carollers, Ottawa.
Ottawa Choir, The Stairwell Carollers, perform "Ave Maris Stella" by Claudio Giovanni Antonio Monteverdi (1567 - 1643) an Italian composer, gambist (a player of the viola da gamba), and singer. Camera: Zoe Hart. Audio: Tom Barnes. Recorded at St. Bar... moreOttawa Choir, The Stairwell Carollers, perform "Ave Maris Stella" by Claudio Giovanni Antonio Monteverdi (1567 - 1643) an Italian composer, gambist (a player of the viola da gamba), and singer. Camera: Zoe Hart. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 18th, 2011.
video:
Weep, O Mine Eyes - John Bennet (Tenor's Guide)
Weep, O Mine Eyes - John Bennet (Tenor's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat... moreWeep, O Mine Eyes - John Bennet (Tenor's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
Weep, O Mine Eyes - John Bennet (Bass' Guide)
Weep, O Mine Eyes - John Bennet (Bass' Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio... moreWeep, O Mine Eyes - John Bennet (Bass' Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
Le chant des oyseaux -- Clément Janequin - The Stairwell Carollers, Ottawa.
Ottawa Choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance.
Audio: Tom Barnes.... moreOttawa Choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance.
Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 18th, 2011.
Stills: Holly Massie
Videographer: Zoe Hart.
Editing: Pierre Massie