Femmeuse is a female choir that consists of 18 enthusiastic singers of all ages. The atmosphere in the group is very good and that enables us to really make good and warm music together. We sing a capella as well as accompanied music. Our repertoire is a ...  moreFemmeuse is a female choir that consists of 18 enthusiastic singers of all ages. The atmosphere in the group is very good and that enables us to really make good and warm music together. We sing a capella as well as accompanied music. Our repertoire is a mix of renaissance and contemporary Music, both classical and pop.  

I thought you might be interested in a new venture of mine.     I’m about to publish a free, monthly roundup of music news delivered straight to your inbox. As those of you who follow my Facebook Page know, I regularly post interesti...

Tim will lead you through a day exploring some of the well known and lesser known pieces by the two classic composers, Felix Mendelssohn and Josef Rheinberger. Music will include Mendelssohn's 'Choruses from Elijah', 'Hymn of Praise' and the stu...

A very Swedish affair…Folk music plays a very important role in Sweden. Wherever people meet and celebrate, you will be surrounded by Music, singing and dancing. The Swedish composer Mårten Jansson is deeply rooted in this tradition which ins...

Score (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato...  moreScore (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

Mar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairievoices.ca https://www.fa...  moreMar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairievoices.ca https://www.facebook.com/Prairievoices https://twitter.com/_Prairievoices  

May 10, 2014 http://www.prairievoices.org https://www.facebook.com/Prairievoices https://twitter.com/_Prairievoices

On October, 18, 2010 The Belarus State Academy of Music have present a master class with Ira Spaulding. Ira Spaulding, born in New York, studied with Robert Simpson at Westminster Choir College in Princeton, New Jersey (Bachelor of Music) and also ho...  moreOn October, 18, 2010 The Belarus State Academy of Music have present a master class with Ira Spaulding. Ira Spaulding, born in New York, studied with Robert Simpson at Westminster Choir College in Princeton, New Jersey (Bachelor of Music) and also holds a Master of Music in Voice and Choral Conducting from Eastern Kentucky University. He gave numerous recitals in America as well as having taught voice, conducting, vocal pedagogy and literature at several colleges and conducted various vocal ensembles (community oratorio choirs, church choirs, boys choirs and a jazz vocal ensemble). He currently serves on the faculty at City College of New York where he teaches voice, conducting and leads vocal ensembles and choirs.  less

I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se...  moreI NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the second section, the voices are set into a simple counterpoint. “I Never Saw” closes on the dominant chord creating a feeling of suspension that enhances the concept of faith expressed by Dickinson.  

Mar. 14, 2015 Accompanist: Steven Webb http://www.prairievoices.org https://www.facebook.com/Prairievoices https://twitter.com/_Prairievoices