Encuentro de corales Jerez, 22/10/2016. Directora: Lupe Matarranz Piano: Felipe Barbosa Bustos

recorded on May 2005 in the Minoritenkirche Vienna Daniel Sepec and Friends Ensemble Tonus Chorus sine nomine Director: Johannes Hiemetsberger

The final movement (mvt. VI) of the Requiem that I composed in 2007, as performed by the Orlando Chamber Singers under the direction of Gregory Ruffer on May 18, 2008. I had wanted to write a requiem for quite some time, having been swept away by the Req...  moreThe final movement (mvt. VI) of the Requiem that I composed in 2007, as performed by the Orlando Chamber Singers under the direction of Gregory Ruffer on May 18, 2008. I had wanted to write a requiem for quite some time, having been swept away by the Requiems of Brahms, Faure, Rutter, Durufle, Mozart and Daley. "Life's work well done, Life's race well run, Life's crown well won, Now comes rest." --- Edward Hazen Parker If [they] have given you delight By aught that [they] have done, Let [them] lie quiet in that night Which shall be yours anon: And for that little, little span The dead are borne in mind Seek not to question other than The [deeds] [they] leave behind. --- Kipling Pictures: random shots from London, UK; Washington, D.C.; Toronto, Canada; Tulum, Mexico.  less

Coro Polifonico di Ruda direttore Fabiana Noro Registrazione Live avvenuta presso la Basilica di Aquileia (UD) il 27 settembre 2020

Dołącz do nas nas na Facebooku https://www.facebook.com/poznanskieslowiki Join us at Facebook https://www.facebook.com/poznanskieslowiki

Voici notre contribution à l'AfriCOP27, la Conférence sur le changement climatique, à travers le cover de "Baba Yetu" (Notre Père) de Christopher Tin, en collaboration avec la Fondation Friedrich Ebert Stiftung Madagascar. Ensemble, pour un avenir meille...  moreVoici notre contribution à l'AfriCOP27, la Conférence sur le changement climatique, à travers le cover de "Baba Yetu" (Notre Père) de Christopher Tin, en collaboration avec la Fondation Friedrich Ebert Stiftung Madagascar. Ensemble, pour un avenir meilleur. ICanto, more than a Choir.  

Bogoroditse Devo is a contemporary Russian setting of the classic Hail Mary text. The piece was commissioned by The Rose Ensemble in 2009. It has quickly become a favorite of Choirs and choral music lovers all over the world. This is a MUST HEAR piece,...  moreBogoroditse Devo is a contemporary Russian setting of the classic Hail Mary text. The piece was commissioned by The Rose Ensemble in 2009. It has quickly become a favorite of Choirs and choral music lovers all over the world. This is a MUST HEAR piece, and if you're a mixed Choir, a MUST PERFORM piece too!  

for SATB Chorus unaccompanied Traditional Song Sung in Hebrew Arrangement by Stanley M. Hoffman Synthesized performance and scrolling score in search of live performances. Arrangement: © Copyright 2018 by Stanley M. Hoffman. www.stanleymhoffman.com Al...  morefor SATB Chorus unaccompanied Traditional Song Sung in Hebrew Arrangement by Stanley M. Hoffman Synthesized performance and scrolling score in search of live performances. Arrangement: © Copyright 2018 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved The sheet music is available from the composer and from oySongs.com.  

From the Chorale Symphony, "In Repentance". Conducted by Peter Hendrickson.

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less