Dear John (St. M. Hopkins) InDonnation Female Ensemble Conductor Dimitris Ktistakis May 11, 2013 Larissa, Greece

Raise The Roof is a Community Choir with a difference – we are based at The Horniman Museum in London, this means that as well as singing a diverse and dynamic repertoire of beautiful Vocal music, Raise The Roof’s repertoire also features songs that accom...  moreRaise The Roof is a Community Choir with a difference – we are based at The Horniman Museum in London, this means that as well as singing a diverse and dynamic repertoire of beautiful Vocal music, Raise The Roof’s repertoire also features songs that accompany The changing exhibitions in The Museum, from rivers to Romania, peacetime to plant life, and textiles to taxidermy!  

Susan Owusu Chorale -SOC is non- denominational choral group established in The capital city of Ghana, Accra, in 2009 by Mr. Stanley Owusu. Through dedication and hard-work SOC has carved for itself a niche and identity of not many but sings like a th...  moreSusan Owusu Chorale -SOC is non- denominational choral group established in The capital city of Ghana, Accra, in 2009 by Mr. Stanley Owusu. Through dedication and hard-work SOC has carved for itself a niche and identity of not many but sings like a thousand voices to its audience and The Choral hub in Ghana. Rev. Mr & Mrs Sam Korankye Ankrah, The Apostle General and his wife The Premier Lady of Royalhouse Chapel International, serves as The Executive Chairperson of The Board of Directors of The choir. The choir has two (2) album to its credit namely Kashe Gbeye (Danceable tunes) & Afe Ato Hen (A Christmas Danceable tunes) and several live performances ranging from hymns, anThems, classical etc to its credit. SOC - Inspiring The world through music.  less

The Ensemble is made up of approximately 70 singers aged between 12 and 17 years. As well as attending weekly rehearsals, The members of this Ensemble are committed to music studies and/or voice training. They also participate in a variety of wonderful pe...  moreThe Ensemble is made up of approximately 70 singers aged between 12 and 17 years. As well as attending weekly rehearsals, The members of this Ensemble are committed to music studies and/or voice training. They also participate in a variety of wonderful performance opportunities, recordings and a touring program. Brisbane Birralee Voices is acknowledged on home shores and abroad as one of Australia's finest children's choirs. The program encourages young singers to develop Their Vocal technique and attain musical excellence and There is a strong focus on nurturing The individual in a broader sense. In addition to The excitement of achieving high artistic goals and The personal enrichment experienced by each member, There is an emphasis placed on The benefits of sharing Their gift of music with oThers and The intrinsic value of music within society. This helps develop generosity of spirit, tolerance and acceptance of cultural diversity. They meet The demands of Their performance and touring schedule by ha...    less

"Das zerbrochene Ringlein" im Satz von Friedrich Silcher (* 27.06.1789 - † 26.08.1860) und Text von Joseph von Eichendorff (*10.03.1788 - † 26.11.1857) gesungen vom Leipziger Männerquintett Ensemble Nobiles am 31. Mai 2013 in der Leipziger Passage "Speck'...  more"Das zerbrochene Ringlein" im Satz von Friedrich Silcher (* 27.06.1789 - † 26.08.1860) und Text von Joseph von Eichendorff (*10.03.1788 - † 26.11.1857) gesungen vom Leipziger Männerquintett Ensemble Nobiles am 31. Mai 2013 in der Leipziger Passage "Speck's Hof". http://www.Ensemblenobiles.de https://www.facebook.com/Ensemblenobiles --------------------------------------------------------------- TEXT (1., 2. und 5. Strophe): In einem kühlen Grunde da geht ein Mühlenrad; |: Mein' Liebste ist verschwunden, Die dort gewohnet hat. :| Sie hat mir Treu versprochen, Gab mir ein'n Ring dabei; |: Sie hat die Treu gebrochen, Mein Ringlein sprang entzwei. :| Hör ich das Mühlrad gehen, Ich weiß nicht, was ich will, |: Ich möcht am liebsten sterben, Da wär's auf einmal still. :|  less

St. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in The bright s...  moreSt. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in The bright sky looked down where he lay, The little Lord Jesus asleep on The hay. The cattle are lowing, The baby awakes, But little Lord Jesus, no crying he makes. I love Thee, Lord Jesus! look down from The sky, And stay by my cradle till morning is nigh. Be near me, Lord Jesus; I ask Thee to stay Close by me forever, and love me I pray. Bless all The dear children in thy tender care, And take us to heaven to live with Thee There. *** Soloist: Taja Kolmanič Sound: Grega Žuraj & Damir Ovčar Video production, scenario & directed: Matjaž Feguš Asistent: Tomaž Rihtar Producer: Valerija Dukarić Art. director: Robert Feguš Thanks to Municipality of Podlehnik & St. Trinity Church in Haloze. http://trinityEnsemble.eu  less

Nuevo audio grabado en directo durante nuestro primer concierto tras el periodo de confinamiento, esta es la pieza más conocida de Mateo Flecha (1481-1553), y la más larga que forma parte de "Mar Océana, relato y música de la primera vuelta al mundo", pro...  moreNuevo audio grabado en directo durante nuestro primer concierto tras el periodo de confinamiento, esta es la pieza más conocida de Mateo Flecha (1481-1553), y la más larga que forma parte de "Mar Océana, relato y música de la primera vuelta al mundo", programa estrenado el pasado 27 de junio en Espacio Santa Clara, Sevilla. www.a5VocalEnsemble.com Video Autor: Johan Hallberg-Campbell https://vimeo.com/user3072169 Licence: ATTRIBUTION LICENSE 3.0 (http://creativecommons.org licenses/by/3.0/us/) Ver menos  less

Formed in 2006, Palmetto Voices is comprised of musicians from all around The souTheast, lead by Dr. Sonja Sepulveda. Specialized styles include; concert spiritual, Jazz and renaissance music.

We are Anchora. We are a youth choir from Freising, next to Munich in south of Germany. At The moment we consist of around 100 members in The average age of about 23/24. We are young people who are in The mood for singing modern self-made Jazz- and pop...  moreWe are Anchora. We are a youth choir from Freising, next to Munich in south of Germany. At The moment we consist of around 100 members in The average age of about 23/24. We are young people who are in The mood for singing modern self-made Jazz- and pop-arrangements. Mimi Neumair and Lukas Maier are our conductors, both are students at The Conservatorium in Munich. If you like our videos we'll get excited about a "like" on Facebook or a youtube-thumbs up. Or even both? ;-) Thanks a lot! Kind regards from bavaria, Anchora  less

CONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before The Senate Judiciary Committee, by Anita F....  moreCONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before The Senate Judiciary Committee, by Anita F. Hill and Christine Blasey Ford KaTherine FitzGibbon, conductor The composer writes: Writing LISTEN was an emotional process. The first hurdle was deciding which excerpts from The testimonies of Anita Hill and Christine Blasey Ford to set, which meant reading and listening and living inside These women’s harrowing stories for an extended period. And like most women, The most discomfiting aspect of listening to Their testimony is The recognition. When I first heard about Ford’s experience, I was disturbed by its similarity to an incident that happened to me. I went to an all-girls private school, and we sometimes partnered with an all-boys private school for musicals. One night when I was 15, after a performance, while we were still on stage, one of The boy...    less