...a man in his twilight years is contemplating his coming passing, metaphorically describing death ‎as the setting of the sun.‎ Gilad Hochman's BEYOND NINE LAKES for Choir a cappella (2014), based on a traditional Latvian song (w/ Score) Composed f...  more...a man in his twilight years is contemplating his coming passing, metaphorically describing death ‎as the setting of the sun.‎ Gilad Hochman's BEYOND NINE LAKES for Choir a cappella (2014), based on a traditional Latvian song (w/ Score) Composed for and recorded by Youth Choir Kamēr under conductor Jānis Liepiņš. Amber Songs (CD) / European Capital of Culture program Rīga 2014 Premiere: 15.-16. March, 2014. The Great Hall of University of Latvia  

Ottawa choir, The Stairwell Carollers perform Do You Hear What I Hear, lyrics by Noël Regney and music by Gloria Shayne Baker. NEW arrangement by Pierre Massie. Love this Xmas Carol arrangement? Digital Download on Sheet Music Plus https://www.sheetmusicp...  moreOttawa choir, The Stairwell Carollers perform Do You Hear What I Hear, lyrics by Noël Regney and music by Gloria Shayne Baker. NEW arrangement by Pierre Massie. Love this Xmas Carol arrangement? Digital Download on Sheet Music Plus https://www.sheetmusicplus.com/title/do-you-hear-what-i-hear-digital-sheet-music/20332171 The carollers, an a cappella group, formed in 1977 by director Pierre Massie, has earned the distinction of being ranked amongst the best of Ontario choirs in both the 2010 and 2013 Ontario Music Festival Association competition. They are a non-profit organization, who raise funds for local charities through concert, CD and cookbook sales. Buy our CDs and help other Ottawa/Gatineau charities reach their goals! http://www.stairwellcarollers.com/Purchases.html Visit our blog http://www.stairwellcarollers.blogspot.com/ or our website http://www.stairwellcarollers.com/ for updates. Audio: Tom Barnes. Recorded at Knox Presbyterian Church, Ottawa, Ontario, Canada, Dec 16th, 2016. Videog...    less

An Easter Song composed by Ikoli Harcourt Whyte on April 1956. This rendition is by Friends of St. Val (FSV) and the Joint Christian Choirs.

Live 2009, Trento, Teatro Cuminetti Tratto dallo spettacolo "Il pioppo nella neve", regia di Elena Galvani e Jacopo Laurino. Musiche originali di B. Brecht, K. Weil, H. Heisler Arrangiamenti di Roberto Di Marino e Dario Tosolini

This choir is part of Community Development by Hope Citadel Health Care and the Salvation Army Eden project in Fitton Hill Oldham. It is open to all no matter what musical background, if any you may have. We "sing for the the sheer JOY of it&...  moreThis choir is part of Community Development by Hope Citadel Health Care and the Salvation Army Eden project in Fitton Hill Oldham. It is open to all no matter what musical background, if any you may have. We "sing for the the sheer JOY of it" and do local concerts. Recently we have sung at a large church inter-denominational Christmas gathering and the highlight of the year to sing at a wedding at the request of the Bride and Groom.  

SHEET MUSIC: https://musicspoke.com/downloads/the-... PROGRAM NOTES: “I breathed a song into the air, it fell to earth I kNEW not where.” Ten years ago, I wrote a composition called Always Keep This Close with little idea of where it would go or wh...  moreSHEET MUSIC: https://musicspoke.com/downloads/the-... PROGRAM NOTES: “I breathed a song into the air, it fell to earth I kNEW not where.” Ten years ago, I wrote a composition called Always Keep This Close with little idea of where it would go or what it would come to mean for others. To find that song living in the hearts of other musicians is both humbling and surprising. For me, it’s a reminder of how powerful our actions and words can be. Something that feels insignificant to one person can be life-changing to another. While creating The Heart of a Friend, I kNEW from the start that I wanted to shape a melodic arc that captured the trajectory of both the arrow and the song. I felt strongly that the first two stanzas needed to end at a high point, preserving the uncertainty of where each might land. Only in the third stanza does the melody turn downward, revealing the rest of its path. I then combine these two halves to symbolically represent reflection—looking back on an action and seeing the journe...    less