"Faith is the bird that feels the light" by Elizabeth Alexander. Text from "Fireflies" by Rabindranath Tagore. Recorded live on May 3, 2015, at All Saints Episcopal Church in CITY, Fort Lauderdale, Florida. Performed by the Chamber Singers Ensemble of ...  more"Faith is the bird that feels the light" by Elizabeth Alexander. Text from "Fireflies" by Rabindranath Tagore. Recorded live on May 3, 2015, at All Saints Episcopal Church in CITY, Fort Lauderdale, Florida. Performed by the Chamber Singers Ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson. Faith is the bird that feels the light And sings when the dawn is still dark.  

Concerto Polifonico - Chiesa Concattedrale del SS. Salvatore, Messina, 26/12/2011

Coro RS of the University of Santo Tomas with their choice piece for Himig Tomasino 2009 Inter-collegiate Chorale Songfest Piece: Purihin Si Yahweh Conductor: Ken Lizardo

O du stille Zeit, Simon Wawer für Frauenchor SSAA Vocaal Ensemble Kerkrade 5-10-2013 Lambertuskerk, Kerkrade

Coral Reyes Bartlet KV Ensemble José Híjar Polo, Maestro de Coro José María de Vicente, Director Carmen Acosta, Soprano Cristina Farrais, Alto Carlos Méndez, Tenor Augusto Brito, Bajo Iluminación Iec Concetta Rizza, Vídeo Luis Acuña, Sonido ...  moreCoral Reyes Bartlet KV Ensemble José Híjar Polo, Maestro de Coro José María de Vicente, Director Carmen Acosta, Soprano Cristina Farrais, Alto Carlos Méndez, Tenor Augusto Brito, Bajo Iluminación Iec Concetta Rizza, Vídeo Luis Acuña, Sonido Concierto de clausura del 40 Aniversario de la Coral Reyes Bartlet Puerto de la Cruz, Iglesia de la Peña de Francia, 19 de diciembre de 2010 www.reyesbartlet.com  

Coro Note Blu is a non-profit association. It was established in Rome (Italy) with the aim of promoting and encouraging musical activities and the practice of choral singing. The choir has taken part or organized more than 800 concerts, shows and music...  moreCoro Note Blu is a non-profit association. It was established in Rome (Italy) with the aim of promoting and encouraging musical activities and the practice of choral singing. The choir has taken part or organized more than 800 concerts, shows and musical events in churches and places of culture in Rome, Italy and abroad. It took part in choral competitions, celebrations, weddings and commemorations. The choir sings mostly a cappella and its repertoire ranges from sacred and spiritual music to popular music and from 16th century polyphony to choral works by contemporary authors, focusing especially on Italian composers.  less

XIV Rassegna polifonica "Chori Chantantes" - Militello in Val di Catania - 15/09/2011

Coral Ensemble's a-cappella version of Shalom Chanoch's song. אנסמבל קורל בגירסת א-קפלה לשירו של שלום חנוך "ניגע אל החלום" מתוך האלבום "קורל - זמר נודד". עיבוד צבי שרף. פרטיטורת העיבוד – באתר העיבודים של צבי שרף http://www.tzvi-sherf.com/ בקרו בד...  moreCoral Ensemble's a-cappella version of Shalom Chanoch's song. אנסמבל קורל בגירסת א-קפלה לשירו של שלום חנוך "ניגע אל החלום" מתוך האלבום "קורל - זמר נודד". עיבוד צבי שרף. פרטיטורת העיבוד – באתר העיבודים של צבי שרף http://www.tzvi-sherf.com/ בקרו בדף הפייסבוק שלנו http://www.facebook.com/CoralEnsemble ובו מידע מלא על הלהקה, הופעות, תגובות הקהל הקלטות וקטעי וידיאו. Niga El Hachlom (Touch the Dream) by Shalom Hanoch a-cappella arrangement by Tzvi Sherf From the album CORAL-Troubadour www.facebook.com/CoralEnsemble coralEnsemble.bandcamp.com sharon@sharonorian.com zvisherf@gmail.com Arrangement's score is available at http://www.tzvi-sherf.com/  less

I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se...  moreI NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the second section, the voices are set into a simple counterpoint. “I Never Saw” closes on the dominant chord creating a feeling of suspension that enhances the concept of faith expressed by Dickinson.  

La Rosa dei Venti - Ensemble vocale (Trieste, Italy) Registrazione effettuata presso gli studi RAI di Trieste il 30/11/2013 Martina Tardi - soprano Petra Grassi - contralto Marco Barbon - tenore Luca Scaccabarozzi - basso larosadeiventi.Ensemble@gmail.com