9° Concorso Internazionale di musica Corale - Mainhausen - (Germania), 19-21 Giugno 2011 - Categoria voci pari www.complessovocalenuoro.it

Voices: ChoralTracks https://www.cpdl.org/wiki/index.php/Ring_the_Bells_(Scott_Villard)

Concert de para l'Elles du 15 octobre 2023

Concert de Para l'Elles du 15 octobre 2023

Concert de Para L'Elles du 15 octobre 2023

Concert de Para l'Elles du 15 octobre 2023

Formed in 1998, 'SingSoc' as it has come to be known is one of the biggest union societies at Sheffield University, and the most active! With a membership of around 140 singing a wide range of music, from big choral works to more modern pieces, both class...  moreFormed in 1998, 'SingSoc' as it has come to be known is one of the biggest union societies at Sheffield University, and the most active! With a membership of around 140 singing a wide range of music, from big choral works to more modern pieces, both Classical, secular and popular, SingSoc welcomes people with a wide range of experience who just want to sing, whether student or not.  

FENtastic 2012 Date：2012/05/29 Place：National Concert Hall, Taipei, Taiwan Conductor：Chia-Fen, Weng Quatre Petites Prières de Saint François d'Assise 《聖方濟的四首短祈禱文》2. Tout Puissant, Très Saint Lyrics：François d'Assise Composer：Francis Poulenc

The lights grow dim in Nottingham Words and music by Pete Howarth and Rick Fenn (of the Hollies and 10CC) from the show Robin Prince of Sherwood arranged for Choir by Andrew Emmet Performed by tenor Richard McHale and the dwsChorale (multitrack one-ma...  moreThe lights grow dim in Nottingham Words and music by Pete Howarth and Rick Fenn (of the Hollies and 10CC) from the show Robin Prince of Sherwood arranged for Choir by Andrew Emmet Performed by tenor Richard McHale and the dwsChorale (multitrack one-man Choir) Photographs of Nottingham by David Ellis  

We're a group of young professionals who specialise in early music, but Polyphony especially. The singers are made up of Cathedral choral scholars and Oxbridge choral scholars. They're directed by Matthew Collins.