*PRE-ORDER ALBUM:* https://linktr.ee/zacharyjMoore *SHEET MUSIC:* https://musicspoke.com/downloads/alive-Moore/ *LYRICS:* I feel alive Heart beating, blood coursing Passion overflows from my soul Thriving off the angelic voices Lifting me ...  more*PRE-ORDER ALBUM:* https://linktr.ee/zacharyjMoore *SHEET MUSIC:* https://musicspoke.com/downloads/alive-Moore/ *LYRICS:* I feel alive Heart beating, blood coursing Passion overflows from my soul Thriving off the angelic voices Lifting me up from my depths I feel free Expressing my true self to all No longer trapped from life I feel free We come together A family I never knew I’d have We come together changing lives Our voices rising up as one We are one Genevieve Schramm, poet *CREDITS:* "Alive" For SATB, piano and opt. strings Music by Zachary J. Moore Words by Genevieve Schramm Nordic Choir, Luther College Dr andrew Last, conductor Camille Balleza, collaborative pianist Luis Galvez, Grace Rosholt, andrew Cliniecki, and Olivia Sinclair, string quartet. Brian Brummel, recording engineer Zachary J. Moore, videographer and editor www.zacharyjMoore.com  less

Upon my bed by night composed by David Warin Solomons and arranged by Guy Protheroe Performed by Budapest Scoring choir and andrás Csáki (guitar) conducted by Zoltán Pad

Kyrie from the Mass setting by D W Solomons for choir and orchestra performed in January 2016.

Recording of Tim Knight's 'Stars' commissioned by The Rockland Camerata who wanted a setting of these provocative and thoughtful words by Sara Teasdale

Mass setting by D W Solomons for choir and orchestra performed in January 2016.

A recording of this new version of these fine words

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis  

Leeds Male voice choir sing this new arrangement by Tim Knight

Delicate, hushed, and suspenseful, this perfectly captures the expansive and meditative feeling of Whitman’s poignant poetry. This is great for any sized choir, though the long lines, slow pace, and lush harmonies will lend itself particularly well to lar...  moreDelicate, hushed, and suspenseful, this perfectly captures the expansive and meditative feeling of Whitman’s poignant poetry. This is great for any sized choir, though the long lines, slow pace, and lush harmonies will lend itself particularly well to large ensembles. Four part mixed chorus Audio Credit: The First Recordings Project – J. David Moore, Conductor