A quick snippet of our rendition of Bring Me Little Water Silvy, sung at our Afternoon Tea.

Missa in C "The Sparrow" KV220 Benedictus Wolfgang Amadeus Mozart April 23, 2016 Performance at Runnymede United Church, Toronto ON

You can now see members of The Really Big Chorus doing their bit for the Global Sing for Peace, recording the Agnus Dei from Karl Jenkins 'The Armed Man'  at Abbey Road Studios in June (see the video here).  More of us are recently ret...

Sing together with your family this May Bank Holiday...Singers, workshops, rehearsals and a wide range of choral performances, all ringing out from the foyers and outdoor spaces - with plenty of opportunities to join in!The Monday Family Workshop Bring y...

MusicaViva VocalGroup performs various musical genres, mostly a-capella, with special focus on East and Middle European, and also Balkan musical tradition. We sing in natural tuning and healing frequency - A 432 Hz, which is so beneficial for both singers...  moreMusicaViva VocalGroup performs various musical genres, mostly a-capella, with special focus on East and Middle European, and also Balkan musical tradition. We sing in natural tuning and healing frequency - A 432 Hz, which is so beneficial for both singers and listeners.  

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Many of you know that I avoid using the ‘C’ word: choir. But there other similar terms that I find just as bad: Chorus, chorale, chamber ...

Calling singers from all choirs! The Really Big Chorus has a new Royal Albert Hall programme to share with keen choral singers: a bumper Handel concert with nine of the best Choruses (all included in Novello's 'Great Handel Choruses') and some of his best...

Taken off the album 'at Christmas wrapped with Love' (2013) by Soul Sounds, Sri Lanka's award winning premier all Women's choir. http://www.soulsounds.org/

According to the Alzheimer’s Association, there are approximately 5.5 million Americans living with Alzheimer’s.  The statistics are staggering, particularly when combined with the number of individuals afflicted with other forms of demen...

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and Women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and Women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis