The basis for the Utrecht Byzantine Choir lies in a group of Ukrainian seminarians with its professors who came to the Netherlands shortly after the Second World War. Born and raised in Ukrainia dr. Myroslaw Antonowycz conducted the worship services in C...  moreThe basis for the Utrecht Byzantine Choir lies in a group of Ukrainian seminarians with its professors who came to the Netherlands shortly after the Second World War. Born and raised in Ukrainia dr. Myroslaw Antonowycz conducted the worship services in Culemborg for the reestablished Ukrainian seminar. After the seminarians were graduated, they swarmed out to fulfill their priestly vocation for the Ukrainians all over the world. The now outside the monastery walls well-known seminarian choir fell apart while applications for the singing of liturgies and concerts throughout the Netherlands, kept coming. On the initiative of Msgr. AG Smith, dr. Antonowycz founded the Utrecht Byzantine Choir on February 9, 1951, consisting of only Dutch men, who specialized in singing the liturgy according to the Slavic-Byzantine rite. In cooperation with the Apostolate of the Eastern Churches, the UBK initially only sang liturgies according to the Byzantine Rite. Hundreds of parishes in the Netherlands became familiar with ...    less

The Armed Man – A Mass for Peace Each year on Anzac Day, New Zealanders (and Australians) mark the anniversary of the Gallipoli landings of 25 April 1915. On that day, thousands of young men, far from their homes, stormed the beaches on the...

Performed by Nidarosdomens Guttekor (Nidaros Cathedral Choir of Men and Boys) as an encore during their concert in the Berlin Cathedral on 27.11.2016. Directed and conducted by Bjørn Moe Live recording by Nidarosdomens Guttekor This song is also...  morePerformed by Nidarosdomens Guttekor (Nidaros Cathedral Choir of Men and Boys) as an encore during their concert in the Berlin Cathedral on 27.11.2016. Directed and conducted by Bjørn Moe Live recording by Nidarosdomens Guttekor This song is also featured on our latest CD: http://www.grappa.no/en/albums/grappa/deilig-er-jorden-det-beste-av-nidarosdomens-guttekor/  

Spend a fantastic weekend learning Beach Boys songs in glorious harmony in the beautiful Wye Valley.   Men especially welcome!     Friday 3 May 2019 5pm to Sunday 5 May 2019 2pm Dean Valley Manor (formerly Lindors Country House Hotel...

Francis Poulenc - Tristis est anima mea (from Quatre Motets pour un temps de pénitence, FP 97/4). Swara Vocal Ensemble (www.swaravocalEnsemble.com) Ivan Yohan, conductor Hélène Richardeau, soprano solo Concert in Iglesia San José de Astillero - XXII...  moreFrancis Poulenc - Tristis est anima mea (from Quatre Motets pour un temps de pénitence, FP 97/4). Swara Vocal Ensemble (www.swaravocalEnsemble.com) Ivan Yohan, conductor Hélène Richardeau, soprano solo Concert in Iglesia San José de Astillero - XXII Jornadas Internacionales Música Coral, Astillero, Cantabria, Spain  

“Koro de San Jose”, Formerly known as “Celina Homes Choir” was founded in the year 2000 by its first director, Ms. Gloria Tabucanon; an Education graduate from the University of the Philippines Diliman. CHC, as often called by parishioners was the officia...  more“Koro de San Jose”, Formerly known as “Celina Homes Choir” was founded in the year 2000 by its first director, Ms. Gloria Tabucanon; an Education graduate from the University of the Philippines Diliman. CHC, as often called by parishioners was the official choral group of the Ugnayan St. Joseph the Worker from the Mother of the Redeemer Parish in Deparo Caloocan City. In 2002, Mr. Victor Ventus became the new leader of the group; and under his supervision the choir was considered one of the finest in the Parish. CHC was composed of mixed voices back then; but like any other group, members do come and go. In 2005, most its female members left to study and work. 2006 came and CHC was officially announced and named after its patron saint as Koro de San Jose, the first and only All-Male choir in the Parishes’ history. In 2007, Mark Westvent Abesia started assisting Victor Ventus in teaching the members vocal parts and harmony. Koro de San Jose was able to perform for the Bishop of the Diocese of Novaliches, Schools ...    less

Everybody Wants To Rule The World...Tears for Fears (arr. Kerry Marsh) The Standard Vocal Jazz Ensemble John Stafford II Jazz Cabaret April 23rd, 2015 Kansas City Kansas Community College

-------- english translation -------- Recitative: Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem - Matthew 2:1 KJV Trio: Saying, Where is he that is born King of th...  more-------- english translation -------- Recitative: Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem - Matthew 2:1 KJV Trio: Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. - Matthew 2:2 KJV Chorus: There shall come a Star out of Jacob, and a Sceptre shall rise out of Israel, [that will splinter sovereigns and cities] - Numbers 24:17 KJV Choral: How lovely shines the Morning Star! The nations see and hail afar The light in Judah shining. Thou David's Son of Jacob's race, My Bridegroom and my King of Grace, For Thee my heart is pining. Lowly, Holy, great and glorious, Thou victorious Prince of graces, Filling all the heavenly places.  less

City of Newport Male Choir (formerly known as Newport Male Voice Choir) is a registered charity that uses the art of music to help other charitable organisations, while giving Choir members a means of self expression with no financial benefit to themselv...  moreCity of Newport Male Choir (formerly known as Newport Male Voice Choir) is a registered charity that uses the art of music to help other charitable organisations, while giving Choir members a means of self expression with no financial benefit to themselves. Our motto is “Making Music, Making Friends”  

arranged by D W Solomons: for Men's voices (in G), mixed voices (in B) and woMen's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for Men's voices (in G), mixed voices (in B) and woMen's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis