Thessaloniki Friends of Music Children's Choir - Christmas 2010 Concert Heinrich Schütz (1585 - 1672): Historia der Geburt Jesu ChristI, SWV 435 Κonstantinos Paliatsaras, Evangelist Nadia Fiorou, angel Gregory Pirialakos, Herode Athina MilousI,Gior...  moreThessaloniki Friends of Music Children's Choir - Christmas 2010 Concert Heinrich Schütz (1585 - 1672): Historia der Geburt Jesu ChristI, SWV 435 Κonstantinos Paliatsaras, Evangelist Nadia Fiorou, angel Gregory Pirialakos, Herode Athina MilousI,Giorgos, Vassilis Mesitidis, Markos Valavanis, Odisseas Sarigiannidis Hellenic Baroque Orchestra "Concerto Ellenico" Thessaloniki Friends of Music Children's Choir Chorus Master: Kostis Papazoglou Theano Figiori: piano Voice preperation: Mary Pestekidou-Dimitriadou  less

Cantores Celestes Women's Choir Kelly Galbraith: Director Tom Power: Guitar John Showman: Fiddle recorded on Dec 6, 2014 'An Appalachian Christmas' recorded by Patric McGroarty www.cantorescelestes.com http://www.facebook.com/CantoresCelestes ht...  moreCantores Celestes Women's Choir Kelly Galbraith: Director Tom Power: Guitar John Showman: Fiddle recorded on Dec 6, 2014 'An Appalachian Christmas' recorded by Patric McGroarty www.cantorescelestes.com http://www.facebook.com/CantoresCelestes http://www.youtube.com/user/cantorescelestes http://twitter.com/Cantores_Choir  

1)      Changing role of public schools- 2)      From teaching information to parental role               In recent years, the role of schools...

A Part of the choir's winning performance at 43rd Croatian Choral Assembly held in October 2010 in Novigrad.

Chamber Choir Vox Humana performs Matthew Harris' "And will a not come again" as Part of the concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakes...  moreChamber Choir Vox Humana performs Matthew Harris' "And will a not come again" as Part of the concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakespeare, from Hamlet, where Ophelia is grieving after her father Pollonius' death. Website: www.voxhumana.no  

Charnwood Voices, formerly Shepshed Singers, is a four Part SATB choir of some 45 voices based in Charnwood, Leicestershire. Founded in 1977, the choir has gained a well-deserved reputation for performing neglected and unfamiliar music as well as better k...  moreCharnwood Voices, formerly Shepshed Singers, is a four Part SATB choir of some 45 voices based in Charnwood, Leicestershire. Founded in 1977, the choir has gained a well-deserved reputation for performing neglected and unfamiliar music as well as better known and popular pieces, both sacred and secular. New members are welcome and encouraged to attend three rehearsals before an informal voice appraisal.  

Recorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as Part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against ...  moreRecorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as Part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against the reedy shore, Thus sang her last, and sang no more: 'Farewell, all joys; Oh death, come close mine eyes; More geese than swans now live, more fools than wise.' " - Orlando Gibbons (1583 - 1625) Program notes: A famous text also famously used by Gibbons himself for his own Madrigal, Hailstork here pays homage to the work's 16th-century roots. An early composition (written while in college) from the proflic composer, Hailstork combined his own language with his love for choral literature to create a piece reminiscent of the Renaissance with a modern flair. The harmonic language harkens back to a hexachordal modality of the 16th century, uses an unaccompanied SATB choir, and employs varied moments of imitative polyphony and homophony. This short wor...    less

Musical setting for three-Part children's choir by Cyrill Schürch. Text by J. Guggenmos. Now available as a collection "Was denkt die Maus am Donnerstag?" at Carus-Verlag, Germany, see link to sheet music.

This video was a gift from alumni of the Choeur d'Enfants Sotto Voce (directed by Scott Alan Prouty), during the confinement. All of the young singers in this video were Part of the choirs for over 8 years. The entire artistic team was very moved by their...  moreThis video was a gift from alumni of the Choeur d'Enfants Sotto Voce (directed by Scott Alan Prouty), during the confinement. All of the young singers in this video were Part of the choirs for over 8 years. The entire artistic team was very moved by their beautiful gift!  

I recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisI, no extremes of range. One feature is that the tenor Part only goes up to D – this will enable "spare" basses to help out if neces...  moreI recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisI, no extremes of range. One feature is that the tenor Part only goes up to D – this will enable "spare" basses to help out if necessary. I'm happy to share the sheet music free of charge – please contact me for the PDF. • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com