Thanet Male Voice Choir are proud to have sung at the Last Post Ceremony at the Menin Gate in Ypres on three occasions. This is a song that we have performed there each time. The song Mansions of the Lord is taken from the motion picture We Were Soldiers....  moreThanet Male Voice Choir are proud to have sung at the Last Post Ceremony at the Menin Gate in Ypres on three occasions. This is a song that we have performed there each time. The song Mansions of the Lord is taken from the motion picture We Were Soldiers. We would be grateful if you could please leave your location in the comments box, and please subscribe to our channel, as NEW videos will be posted Many Thanks for watching  

Dr. Barlow Bradford conducts the University of Utah Choirs in his own rendition of Still, Still, Still, at the Libby Gardner Concert hall for the 2012 Christmas Showcase.

Christmas WITH SONORO Wednesday 21 December, 7:30pm at Holy Trinity, Sloane Square, London SW1X 9BZ In their first London concert since before the pandemic, Sonoro are joined by special guest, writer and actor Andy Hamilton for an evening of festive m...

Ibike, a Kalabari (Southern Nigeria) song edited by Laz Ekwueme and performed by the Laz Ekwueme Chorale

"Embraceable You" is a popular song, with music by George Gershwin and lyrics by Ira Gershwin. The song was originally written in 1928 for an unpublished operetta named East Is West. It was eventually published in 1930 and included in the Broadway musical...  more"Embraceable You" is a popular song, with music by George Gershwin and lyrics by Ira Gershwin. The song was originally written in 1928 for an unpublished operetta named East Is West. It was eventually published in 1930 and included in the Broadway musical Girl Crazy where it was performed by Ginger Rogers in a song and dance routine choreographed by Fred Astaire. Billie Holiday's 1944 recording was inducted into the Grammy Hall of Fame in 2005.  

Kitka women's vocal ensemble 2/17/11 Oakland, California St. Paul's Episcopal Church Kirialesa from Samegrelo province Kitka learned this NEW Year's song in Tbilisi from Tutarchela women's choir, directed by Tamar Buadze. It is sung in Megreli...  moreKitka women's vocal ensemble 2/17/11 Oakland, California St. Paul's Episcopal Church Kirialesa from Samegrelo province Kitka learned this NEW Year's song in Tbilisi from Tutarchela women's choir, directed by Tamar Buadze. It is sung in Megrelian , a language related to Georgian. "We wish you a Happy NEW Year. God bless the past year and the NEW one. Prosperity to you and yours. May your storehouses be filled with corn. May the bird of your dreams flap its wings. May you soon see your loved ones who are far away. Now, I am going to the mountains, and will not see you for five years."  less

This commission was done to support the students, musicians, choral singers, and ensembles in Belarus who were forcibly silenced during the turmoil and protests in 2020. We sing in solidarity with them, raising our voices to the "Song of Belarus," while t...  moreThis commission was done to support the students, musicians, choral singers, and ensembles in Belarus who were forcibly silenced during the turmoil and protests in 2020. We sing in solidarity with them, raising our voices to the "Song of Belarus," while their voices again rise with hope and light to change lives once again. Sing on always, Brothers and Sisters, Sons and Daughters of Belarus. Kupalinka Traditional Belarusian Folksong Arr. Sergey Khvoshchinsky Nazareth College Chamber Singers Brian M. Stevens - Director Brooklyn Church - Soprano March 17, 2020 Linehan Chapel Nazareth College Rochester NY  less

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis