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blog:
10 great reasons why all men should join a choir – now!
A version of this article first appeared as a post on my blog From the Front of the choir]
Being in a choir is great (see The pleasures of being a choir member), but most mixed choirs never seem to have enough men.
photo by Robert...
video:
Delusional Paths -Tom Flaherty - Volti, Robert Geary, conductor 5-6-12
Volti, Robert Geary, conductor. 5/6/12 performance
VOLTI:
SOPRANO
Yuhi Aizawa Combatti
Lindsey McLennan
Diana Pray
TJ Togasaki
Christa Tumlinson
ALTO
Marjorie Gömez
Verah Graham
Emily Ryan
Celeste Winant
Jessica Winn
TENOR
Artyom Chelba... moreVolti, Robert Geary, conductor. 5/6/12 performance
VOLTI:
SOPRANO
Yuhi Aizawa Combatti
Lindsey McLennan
Diana Pray
TJ Togasaki
Christa Tumlinson
ALTO
Marjorie Gömez
Verah Graham
Emily Ryan
Celeste Winant
Jessica Winn
TENOR
Artyom Chelbayev
Michael Eisenberg
Paul Ingraham
Roderick Lowe
Eric Tuan
BASS
Jeff Bennett
Sidney Chen
E.E. "Chip Grant IV
Philip Saunders
Cole Thomason-Redus
Artistic Director: Robert Geeary
Executive Director: Barbara Heroux
Composer in Residence: Mark Winges
Artistic Advisor: Sidney Chen
Delusional Paths is a setting of five Stephen Crane poems concerned with paths and destinations. Here paths taken lead to unexpected places. Carefully considered goals prove to be illusive, unattainable, or not what they seemed.
Expectations of preconceived outcomes prove futile ("I saw a man"), naively optimistic ("A learned man"), foolhardy ("There was set before me a mighty hill"), or at best unrealistic ("The wayfarer"). In "Once, I knew a fine song" the path is... less
video:
Para L'Elles - Regina Cœli - Mel Bonis (1858 – 1937) - Chœur et harpe
Ensemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Moris... moreEnsemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Morise (contre-ténor), Hélène Perrin (soprano), Agnès Leclercq (alto), Victoria N’Zingoula (mezzo) et Carine Carpentier (soprano).
Référence : Mel Bonis. (1999). Regina Cœli. Opus 45. Éditions fortin-Armiane (1ère édition, 1899).
Paroles : Regina Cœli, laetare, alleluia, Quia quem meruisti portare, alleluia. Resurrexit, sicut dixit, alleluia. Ora pro nobis Deum, alleluia. Traduction : Reine du ciel, réjouissez-vous, alléluia, Car Celui que vous avez mérité de porter dans votre sein, alléluia. Est ressuscité, comme Il l'a dit, alléluia. Priez Dieu pour nous, alléluia. less
group:
Quinta and a Half
Quinta and a Half is an Israeli mixed a cappella group, consisting of 6 singers.
for over 12 years, Quinta.5 has been redefining the limits of the human voice, in a show that captivates the crowd over and over again. Their vocal blend, together with th... moreQuinta and a Half is an Israeli mixed a cappella group, consisting of 6 singers.
for over 12 years, Quinta.5 has been redefining the limits of the human voice, in a show that captivates the crowd over and over again. Their vocal blend, together with their original arrangements create a unique Israeli sound that can be distinguished in every performance, providing a rich musical experience for the Israeli audience.
Since the group was formed in 2006 by its founder Doron Ben-Ami, Quinta.5 has achieved great recognition both in Israel and throughout the world, and today is at the forefront of the contemporary a cappella scene in Israel. In 2012 they performed in the Israeli Music Awards (Acum) for the first time, and since then their performance has become one of the recurring acts every year.
The group performed in many Israeli well known festivals as well as formal national ceremonies and numerous television shows. In 2015 the group toured in the United States for the first time in celebration of the Isr... less
video:
Alles was odem Hat Lobe Denn Herrn
University of Santo Tomas Singers, 16th International Concert Tour
American Encore
St. Marks Lutheran Church
July 3, 2009
1111 OFarrell St., San Francisco, Ca
Conductor: Prof. Fidel Gener Calalang Jr.
Members:
Soprano
May Anne P. Abeleda
Belinda ... moreUniversity of Santo Tomas Singers, 16th International Concert Tour
American Encore
St. Marks Lutheran Church
July 3, 2009
1111 OFarrell St., San Francisco, Ca
Conductor: Prof. Fidel Gener Calalang Jr.
Members:
Soprano
May Anne P. Abeleda
Belinda Leigh V. Alano
Jeanra S. Bometivo
Eunice A. Escrupolo
Florencia Marlia Kustandi
Vidagrace Kahlil L. Mirang
Irene V. Quiso
Ma. Pilar Charlene V. Ramos
Jade Rubis E. Riccio
Alto
Marie Alethea Ysabel B. Adriano
Karen Stephanie D. Arriola
Maria Lucia M. Lapido
Ma. Melina G. Mariano
Jaimie Rose O. Mojica
Tenor
Ronald Allan G. Bautista
Enrico L. Gomez
Juan Alfonso A. Mendoza
Marc andrei B. Reyes
Jemeson M. Tiburan
Bass
Vernie Fernan P. Abando
Noel P. Azcona
Joshua Jenaro M. Badilla
Marlo G. Balantucas
Jessie Louie N. Singh
Roberto Gabriel B. Tagalog
Anthony G. Villanueva less
video:
Ciudad Sin Sueño - digital version
Ciudad Sin Sueño - digital version
A detailed Program pdf book can be downloaded at https://drive.google.com/file/d/1xoCVKQUpuWWMDrHppNJtpn7Vw5ZGE67T/view?usp=sharing
Swara Vocal Ensemble
Ivan Yohan, conductor
Soprano: Hélène Richardeau, Liza Dedapp... moreCiudad Sin Sueño - digital version
A detailed Program pdf book can be downloaded at https://drive.google.com/file/d/1xoCVKQUpuWWMDrHppNJtpn7Vw5ZGE67T/view?usp=sharing
Swara Vocal Ensemble
Ivan Yohan, conductor
Soprano: Hélène Richardeau, Liza Dedapper, Marie Tribolet, Milan Amélie Nyssen, Sarah Verhoeven
Alto: Anna Nuytten, Boris Kondov, Imogen Streul
Tenor: Hendrik Mispelon, Raf Van der Veken, Timo Tembuyser
Bass: andrés Soler Castaño, Laurent Fobelets, Mark Trigg, Mbolanirina Rabetsimatahodriaka
Rafael Núñez Vélazquez, management
ELIAS Recording
With the support from the Flemish government
Recording place: Church of Our Lady and Saint Peter, Ghent less
video:
An Open World
"An Open World" is the first in a group of three settings of poems from Fletcher LaVallee Bartholomew's collection entitled "and the Wind: Gnostic Poems 1945 - 1979."
video:
K.Jenkins "The armed man: a mass for peace"; I. L'homme arme.
mixed choir «Saluto» (Lithuania, Kaunas); Karl Jenkins "The armed man:
a mass for peace"
I. "L'homme arme". The Armed Man.
The Museum Hall of Kaunas IX fort, 2012.06.14, Lithuania
Kaunas Symphony Orchestra.
Conductor Ramutė Štreimikytė
"Ginkluot... moremixed choir «Saluto» (Lithuania, Kaunas); Karl Jenkins "The armed man:
a mass for peace"
I. "L'homme arme". The Armed Man.
The Museum Hall of Kaunas IX fort, 2012.06.14, Lithuania
Kaunas Symphony Orchestra.
Conductor Ramutė Štreimikytė
"Ginkluoto žmogaus reikia bijoti.
Buvo paskelbtas visuotinis įsakas,
Jog visi vyrai privalo apsivilkti
šarvažiedžius marškinius".
video:
MCC Backstage Pass presents Octarium - The Wexford Carol
MCC Backstage Pass presents Octarium in Concert, December 5, 2009 at St. Elizabeth Church in Kansas City, Missouri.
The Wexford Carol, arr. John Rutter. Soloists in order of appearance; Benjamin Winters, bass, Renee Stanley, soprano, Jason Parr, tenor.
video:
Para L'Elles - Ballade - Louise Filliaux-Tiger (1848 – 1916) - Chœur et harpe
Ensemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Moris... moreEnsemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Morise (contre-ténor), Hélène Perrin (soprano), Agnès Leclercq (alto), Victoria N’Zingoula (mezzo) et Carine Carpentier (soprano).
Référence : Louise Filliaux-Tiger. (1914). Ballade. [Poème de Paul fort]. BnF - réf. K. 22971 (2). Paris : Imp. H. Minot.
La "Ballade" a d’abord été publiée en 1914 dans une version chant et piano, avant que 2 autres voix « d’accompagnement » soient ajoutées la même année. Le chœur y est traité de manière instrumentale à la manière de Ravel ou Debussy, et y est créateur d’ambiance. La partition est très précise quant aux intentions à donner. less