[A version of this article first appeared as a post on my blog From the Front of the Choir]   Two weeks ago I wrote about how individuals choose where to stand within their part (Don't stand too close to me! - finDing the right place to stand in yo...

[A version of this article first appeared as a post on my blog From the Front of the Choir] In my recent post How to sing – the definitive guide, I pointed out that lots of people Google “How to sing” instead of just getting on a...

[this is an updated version of a post which first appeared on my blog From the Front of the Choir]   Last week I wrote that you shouldn’t believe everything you read when it comes to researching songs.     Photo by Ashley ...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   This post is part of a series of occasional Questions and Answers on my own blog.Just use the contact form if you want to submit a question.  A c...

[A version of this article first appeared as a post on my blog From the Front of the Choir]     This post is part of a series of occasional Questions and Answers. Just use the contact form if you want to submit a question.     A...

[A version of this article first appeared as a post on my blog From the Front of the Choir] As I wrote recently (It’s summer – where have all the choir gone??!!), patchy attendance at regular choir sessions can be very frustrating. &n...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   I’m usually the last one to notice, but often when I’m teaching one section of the choir, there’s chit chat from the rest of the singers....

Depression, isolation, alienation: themes addressed in this setting of Robert Frost’s metaphorical text. The choir paints images over a repeated jazz piano bass line. The sense of walking at night is evoked as are the inner-blues of the poem. Rhythmic and...  onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreone;">Depression, isolation, alienation: themes addressed in this setting of Robert Frost’s metaphorical text. The choir paints images over a repeated jazz piano bass line. The sense of walking at night is evoked as are the inner-blues of the poem. Rhythmic and thought-provoking. This is a work of medium difficulty, appropriate for High school, collegiate and community choirs. Commissioned by Penn High School Choirs, Andrew Nemeth, Allison Secaur, Ethan Schopp, directors.  

[this is a version of a post which first appeared on my blog From the Front of the Choir]   I regularly run weekend workshops with up to 40 singers.     Photo by Dennis Mojado   Sometimes I include name games to get to kn...

[this is an updated version of a post which first appeared on my blog From the Front of the Choir]   Does your choir actually have a public following, or are you just kidDing yourself?     When a choir first starts performing in...