Can't Help Falling in Love (George David Weiss/Hugo Peretti/Luigi Creatore) Θαμυριάδες - Thamyriades vocal_ensemble Τελλόγλειο Ίδρυμα Τεχνών Α.Π.Θ. 1ο Φεστιβάλ Χορωδιών 4 Μαϊου 2014 e-mail: thamyriades@outlook.com www.facebook.com/Thamyriades

Upper voice version of the set of folksongs that Seiber arranged in 1950.

Coral Reyes Bartlet David Martel, piano José Híjar Polo, director Viento Norte, Indianas nº4., texto de León Benarós Iglesia de la Peña de Francia 1 de julio de 2015 Sonido y realización Mediawink

performed in Saskatoon, SK November 2024 Richard Janzen, director Audrey Falk Janzen, piano https://www.northskychorale.ca

Coro Juvenil David Goldsmith Sergio Rodríguez González, piano Cristo Velázquez Barrera, directora Concierto homenaje "Asunción Bethencourt Acosta, la otra cara de la luna" Textos y narración de Ricardo Rodríguez Castillo San Felipe, Puerto de la Cr...  moreCoro Juvenil David Goldsmith Sergio Rodríguez González, piano Cristo Velázquez Barrera, directora Concierto homenaje "Asunción Bethencourt Acosta, la otra cara de la luna" Textos y narración de Ricardo Rodríguez Castillo San Felipe, Puerto de la Cruz, 9 de marzo de 2013 Organizado por la Asociación Cultural Reyes Bartlet y el Area de Mujer del Ayuntamiento de Puerto de la Cruz  

This piece was written as a little “thank you” to el Coro de Cámara del Instituto French de Ramos Mejía, Buenos Aires, and their conductor, Marcelo Valva. The choir had recently given the first South American (and second overall) performance of my “Al...  moreThis piece was written as a little “thank you” to el Coro de Cámara del Instituto French de Ramos Mejía, Buenos Aires, and their conductor, Marcelo Valva. The choir had recently given the first South American (and second overall) performance of my “Alleluia! O virga mediatrix”. Along the way I'd been chatting with a choir member about Pope Francis' Argentine heritage – a setting of text from an Argentine translation of the Bible seemed especially fitting. I'm happy to share the sheet music free of charge – please contact me for the PDF. • Facebook: David.basden.9 • New email: deebee123 [at] bigpond.com  less

CANTUS NATURALIS Recordando a Don Alexander Von Humboldt y a Don Telesforo Bravo en el 50 aniversario del Teide como Parque Nacional Coral Reyes Bartlet Coro Juvenil David Goldsmith Coros Escolares de Puerto de la Cruz Orquesta de Cámara de Tener...  moreCANTUS NATURALIS Recordando a Don Alexander Von Humboldt y a Don Telesforo Bravo en el 50 aniversario del Teide como Parque Nacional Coral Reyes Bartlet Coro Juvenil David Goldsmith Coros Escolares de Puerto de la Cruz Orquesta de Cámara de Tenerife Beatriz Ramos, soprano Juan Antonio Sanabria, tenor Ricardo Rodríguez, narrador José Híjar Polo, maestro de coro Patrick Doumeng, director Con la colaboración de amigos del Coro de la Orquesta Filarmónica de Gran Canaria Composición musical: Gustavo A. Trujillo Texto original: Isidoro Sánchez Adaptación: Ricardo Rodríguez Poesía: Dilce María Loynaz y León de la Hoz Parque San Francisco, Puerto de la Cruz 30 de mayo de 2004 Estreno www.reyesbartlet.com  less

Coral Reyes Bartlet David Martel, piano José Híjar Polo, director Chañarcito, chañarcito, Indianas nº3, texto de León Benarós Iglesia de la Peña de Francia 1 de julio de 2015 Sonido y realización Mediawink

This song is from a French musicals called Starmania. This live performance was recorded on the 24th of May, 2024. This is a youth choir with children from 10 to 15.

“Border” is an artistic response to the immigration crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The text draws from (and paraphrases) several sources: contemporary medi...  more“Border” is an artistic response to the immigration crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill the work with an uptempo, rhythmic energy that propels it forward. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience. It is appropriate for ensembles at the community, collegiate, and advanced high school levels. “Timely… It is a call for humanity.” - Susan Glass, Glass Menagerie Chorus, NY a “powerful statement” - Dr. Heather Mitchell  less