Innismara, meaning "island in the sea" in Irish Gaelic, is an autonomous vocal chamber ensemble that fills a gap in the rich tapestry of Choral music in Newfoundland and Labrador. Comprised of professionally trained musicians, Innismara is dedicated to th...  moreInnismara, meaning "island in the sea" in Irish Gaelic, is an autonomous vocal chamber ensemble that fills a gap in the rich tapestry of Choral music in Newfoundland and Labrador. Comprised of professionally trained musicians, Innismara is dedicated to the performance of the intimate and hidden treasures of the vocal ensemble repertoire. Well-known for specializing in sacred and secular music of the Renaissance and Baroque eras, Innismara also enjoys experimenting with contemporary, pop, jazz and spiritual arrangements as well as exploring the rich folk music of Newfoundland and Labrador.  less

Many years before Lloyd Webber's "Cats" I created my own setting for TS Eliot's "Song of the Jellicles" (from Old Possum's book of practical cats) The estate of T S Eliot would not let me use the poem itself as a Choral piece. So this is the Choral ...  moreMany years before Lloyd Webber's "Cats" I created my own setting for TS Eliot's "Song of the Jellicles" (from Old Possum's book of practical cats) The estate of T S Eliot would not let me use the poem itself as a Choral piece. So this is the Choral version of the Jellicle music as a drinking song for SATB choir, with new words by Jill Mitchell called "Praise to the Vine"  

In 1987, composer Michael McGlynn founded the choir in Dublin, Ireland, after many years of searching for a physical voice for his compositions, many of which are influenced by the history and mythology of his homeland. ANÚNA, is a unique and beautiful...  moreIn 1987, composer Michael McGlynn founded the choir in Dublin, Ireland, after many years of searching for a physical voice for his compositions, many of which are influenced by the history and mythology of his homeland. ANÚNA, is a unique and beautiful instrument that explores the stories of ordinary people, saints and scholars Within the songs are universal stories that are told through the landscape, the philosophy and the mythology of Ireland and beyond. Anúna created the vocal ambience of Riverdance (1994-1996), achieved a Top 10 placing on the U.K. Singles Charts while remaining at Number 1 on the Irish singles charts for eighteen weeks. In 2012 they appeared as the "Voices of Hell"on the video game Diablo 3 [Blizzard] gaining a Game Audio Network Guild nomination for the Best Original Choral performance in February 2013. While curating the Meltdown Festival at London's South Bank, Elvis Costello invited Anúna to perform as featured guests and in 2011 they featured on DVD ...    less

Bridgnorth Choral Society joins forces with The Churches Conservation Trust in a bid to make St Leonard’s Church a key events and community venue for the town.   St Leonard’s sits in the centre of Bridgnorth Town, dominating the sky li...

We are a cultural nonprofit-organization devoted to amateur Choral music. In the Asociación Cultural Reyes Bartlet we have the Reyes Bartlet Choir and the David Goldsmith Youth Choir. We manage the Choral School in Puerto de la Cruz and the project for ...  moreWe are a cultural nonprofit-organization devoted to amateur Choral music. In the Asociación Cultural Reyes Bartlet we have the Reyes Bartlet Choir and the David Goldsmith Youth Choir. We manage the Choral School in Puerto de la Cruz and the project for school choirs. We also organize the Festival of Antique and Baroque Music in Puerto de la Cruz.  

Text: Stars - Robert Frost (1874–1963). How countlessly they congregate O'er our tumultuous snow, Which flows in shapes as tall as trees When wintry winds do blow!-- As if with keenness for our fate, Our faltering few steps on To white rest, a...  moreText: Stars - Robert Frost (1874–1963). How countlessly they congregate O'er our tumultuous snow, Which flows in shapes as tall as trees When wintry winds do blow!-- As if with keenness for our fate, Our faltering few steps on To white rest, and a place of rest Invisible at dawn,-- And yet with neither love nor hate, Those stars like some snow-white Minerva's snow-white marble eyes Without the gift of sight. Recorded at St Paul's Episcopal Church, Carroll Street, Brooklyn, NY, 2015 Concept: Vince Peterson & Garrett Burns Director, Cinematography, Editor: Garrett Burns (Memetic Studios) Cinematography: Erik Kristiansen (Memetic Studios) Audio Engineering & Editing: Craig Slon Producer: Nicole Belmont Choral Chameleon Performers: Kelly Baxter-Golding Joseph Bellino Alex Canovas Evan Crawford Andy Cook-Feltz Liz Hanna Bill Heigen Mark Johnson Erika Lloyd Jonathan May Julie Waters Clare Maloney - audio Vince Peterson - video Choral Chameleon is a non-profit Choral arts...    less

Discover proven strategies to improve choir recruitment and retention. Learn how to build a diverse, engaged, and thriving Choral community with these expert tips! In the world of Choral music, the richness of sound comes not just from the notes themselv...

ChoralEVENTS will organize the Choral Contest & Festival NEW YORK. The Concerts will take place at the amazing "Peter Jay Sharp Theatre at the SYMPHONY SPACE NEW YORK".   Festival date: Tuesday, the 16th of October 2018 Contest date: Wesnesday, ...

As a challenge to finish and post one new piece per month for 6 months, Here is my first of six new compositions. Rejoice! is a modern piece based on Veni Veni Emmanuel. It features tight harmony with classical sensitivities for Advent/Christmas designed ...

I want to begin by saying that I struggle to write up-tempo music. As a composer, I tend to lean toward and connect to slow and emotional pieces. I have always been someone who strives to convey emotional complexity, therefore writing an up-tempo piece ha...  moreI want to begin by saying that I struggle to write up-tempo music. As a composer, I tend to lean toward and connect to slow and emotional pieces. I have always been someone who strives to convey emotional complexity, therefore writing an up-tempo piece had to be purposeful and meaningful. The inspiration for this score comes from the first time I was able to hear my son's heartbeat during an ultrasound. It was a magical and exciting moment that I will never forget; however, leading up to that specific moment there was an element of tension. Six months prior to hearing my son's heartbeat, my wife and I found ourselves in a very different situation with the outcome of an ultrasound. We arrived at the hospital excited to meet our child, only to discover we had silently miscarried. I had never felt so deflated and aimless in one sudden moment. It was as if I was a boat, drifting, with no direction in my life. Fast forward to this ultrasound with our soon-to-be son. You can imagine the excitement and fear we bo...    less