Weaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple sentimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The co...  moreWeaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple sentimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The composer already realises he is no longer feeling what he is writing, he is just weaving a spell, over an ostinato guitar motif, to try to bring the feelings back (hence the title "Incantation"). He has found in his life that whenever he writes a song for the object of his desire, he has already begun to stop feeling that desire ... it is a sign that the relationship is about to change or disappear. But the whole thing is indeed enchantment and magic: you can dream and you can take the song at face value if you wish.  less

THIS POST WAS ORIGINALLY POSTED IN WWW.ONLINEREHEARSALS.BLOGSPOT.COM To reach a port we must sail, sometimes with the Wind and sometimes against it. But we must not drift or lie at anchor - Oliver Wendell Holmes It's the choir off-season at the...

Arranged by Nathan Howe From concert "Voice on the Summer Wind" 1st June 2024

Poem by John Gillespie Magee, Jr. Video: Ritvars Bluka Style: Līga Banga Live Performance at Latvian National Museum of Arts "High Flight" Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I’ve c...  morePoem by John Gillespie Magee, Jr. Video: Ritvars Bluka Style: Līga Banga Live Performance at Latvian National Museum of Arts "High Flight" Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I’ve climbed, and joined the tumbling mirth Of sun-split clouds, — and done a hundred things You have not dreamed of — wheeled and soared and swung High in the sunlit silence. Hov’ring there, I’ve chased the shouting Wind along, and flung my eager craft through footless halls of air . . . Up, up the long, delirious burning blue I’ve topped the Wind-swept heights with easy grace Where never lark, or ever eagle flew — And, while with silent, lifting mind I’ve trod The high untrespassed sanctity of space, Put out my hand, and touched the face of God. www.latvianvoices.lv  less

Based on the old Basque carol 1 The angel Gabriel from heaven came, his wings as drifted snow, his eyes as flame; "All hail," said he "Thou holy maiden Mary, most highly favoured lady." Gloria! 2 "For know, a blessed mother thou shalt be all gener...  moreBased on the old Basque carol 1 The angel Gabriel from heaven came, his wings as drifted snow, his eyes as flame; "All hail," said he "Thou holy maiden Mary, most highly favoured lady." Gloria! 2 "For know, a blessed mother thou shalt be all generations laud and honour thee, thy son shall be Emmanuel, by seers foretold; most highly favoured lady." Gloria! 3 Then gentle Mary meekly bowed her head; "To me be as it pleases God," she said. "my soul shall laud and magnify his holy name." Most highly favoured lady, Gloria! 4 Of her, Emmanuel, the Christ, was born In Bethlehem, all on a Christmas morn, and Christian folk throughout the world will ever say, "Most highly favoured lady, Gloria!"  less

"An Open World" is the first in a group of three settings of poems from Fletcher LaVallee Bartholomew's collection entitled "And the Wind: Gnostic Poems 1945 - 1979."

A new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel Wind blows) although of course the actual events took place in rather warmer climes. ...  moreA new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel Wind blows) although of course the actual events took place in rather warmer climes. It also reflects much of the liturgical and popular symbolism of the Christmas season: robins, holly etc and it brings our thoughts towards the season of Easter with the blood of Good Friday.  

Las Amarillas (The Yellow Birds) represented an unpredictable and ever-changing aspect of the 'Wind' section for The Vocal Art Ensemble's fifth anniversary GODAI - Choral Music Summoning the Five Ancient Elements concerts in May 2013.

A Christmas Carol composed by Nathaniel J. S. Barnes using adapted text from a Robert Fuller Murray poem for mixed (SATB) choir with piano or harp accompaniment. This is a prototype using music software with Wind and harp settings.

Balkanika Author of the project and conductor: Karmina Šilec Performers: Ethnic vocal ensemble Carmina Slovenica SToP (Slovene project for percussion instruments) Nino Mureškič with Jam-bashi, percussion Vasko Atanasovski, Wind instruments ...  moreBalkanika Author of the project and conductor: Karmina Šilec Performers: Ethnic vocal ensemble Carmina Slovenica SToP (Slovene project for percussion instruments) Nino Mureškič with Jam-bashi, percussion Vasko Atanasovski, Wind instruments Janez Dovč, accordion Ensemble Kebataola Zvezdana Novakovič and Eva Bračič, ethno vocals Sandra Grahovac, Katja Lipovača, Nežka Struc, authentical voices Darko Rošker, tuba Jasna Vantur, celesta Nadja Stegne, violin Marina Gumzi, storyteller Light designer: David Orešič Sound designer: Danilo Ženko The project Balkanika is a fresh selection of music for voices and percussion instruments. The repertoire is variegated and coloured with ethnical atmosphere of European north and south in their characteristic vocal techniques. The programme consists of diverse musical works: from Ukranian ethnical solo voice with quartet of percussion instruments, the Swedish ethnical duet with timpani, Indian singing to vigorous Balkan ethnical music. Avantg...    less