Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat...  moreWeep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: Guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio...  moreWeep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: Guide4score@gmail.com  less

'God be in my head' by Fraser Wilson Text from the Sarum Primer (16th century, Salisbury) sung by THE RIVELIN SINGERS in Wells Cathedral Chapter House copies available from http://www.freewebstore.org/Fraser-Wilson-Music/God_be_in_my_head/p1610060_76...  more'God be in my head' by Fraser Wilson Text from the Sarum Primer (16th century, Salisbury) sung by THE RIVELIN SINGERS in Wells Cathedral Chapter House copies available from http://www.freewebstore.org/Fraser-Wilson-Music/God_be_in_my_head/p1610060_7611403.aspx more information at www.fraserwilson.org.uk This version is for Richard Bannister  

Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna...  moreWeep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: Guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati...  moreWeep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: Guide4score@gmail.com  less

"I believe in God" from "GOSPEL MASS" by Davide Riva. Score and info: riva.composer@libero.it https://davideriva89.wixsite.com/davide-riva "GOSPEL MASS" (Soloists, SATB Chorus, Piano/Band, duration: c.ca 40 min) 1- Lord have mercy 2 - Glory 3 - ...  more"I believe in God" from "GOSPEL MASS" by Davide Riva. Score and info: riva.composer@libero.it https://davideriva89.wixsite.com/davide-riva "GOSPEL MASS" (Soloists, SATB Chorus, Piano/Band, duration: c.ca 40 min) 1- Lord have mercy 2 - Glory 3 - I believe in God 4 - Holy 5 - Lamb of God Copiright 2016 Davide Riva  

i thank You God for Most This Amazing Day - Eric Whitacre Performed by the Abbeydale Singers on their 25th anniversary concert, at St. John's Church, Ranmoor, Sheffield, 16th July 2011. See http://www.abbeydalesingers.org.uk for more details.

Weep, O Mine Eyes - John Bennet (SATB's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati...  moreWeep, O Mine Eyes - John Bennet (SATB's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: Guide4score@gmail.com  less

WHEN IN OUR MUSIC God IS GLORIFIED ENGELBERG arr. Alejandro D. Consolacion II CANTUS Festival Brass Alejandro Consolacion, organ Franz Miguel Ramirez, conductor 1. When in our music God is glorified, and adoration leaves no room for pride, ...  moreWHEN IN OUR MUSIC God IS GLORIFIED ENGELBERG arr. Alejandro D. Consolacion II CANTUS Festival Brass Alejandro Consolacion, organ Franz Miguel Ramirez, conductor 1. When in our music God is glorified, and adoration leaves no room for pride, it is as though the whole creation cried, Hallelujah! 2. How often, making music, we have found a new dimension in the world of sound, as worship moved us to a more profound Hallelujah! 3. So has the church, in liturgy and song, in faith and love, through centuries of wrong, borne witness to the truth in every tongue: Hallelujah! 4. And did not Jesus sing a Psalm that night when utmost evil strove against the Light? Then let us sing, for whom he won the fight: Hallelujah! 5. Let every instrument be tuned for praise! Let all rejoice who have a voice to raise! And May God give us faith to sing always: Hallelujah! Amen.  less

Recorded on April 29, 2012 using a Flip Video camera.