Sung by the dwsChorale (https://www.dwsolo.com/dwschorale.html) O holy Night! The stars are brightly shining It is the Night of our dear Saviour's birth Long lay the world in sin and error pining 'Til He appeared and the Soul felt its worth A th...  moreSung by the dwsChorale (https://www.dwsolo.com/dwschorale.html) O holy Night! The stars are brightly shining It is the Night of our dear Saviour's birth Long lay the world in sin and error pining 'Til He appeared and the Soul felt its worth A thrill of hope the weary world rejoices For yonder breaks a new and glorious morn Fall on your knees; O hear the angel voices! O Night divine, O Night when Christ was born O Night, O holy Night, O Night divine!  

All Night Long - UCD Choral Scholars' and in the information bar: 'UCD Choral Scholars perform Desmond Earley's arrangement of Lionel Richie's 'All Night Long' as an encore at the Christmas concert, 'A Choral Celebration of Christmas', Newman House & Uni...  moreAll Night Long - UCD Choral Scholars' and in the information bar: 'UCD Choral Scholars perform Desmond Earley's arrangement of Lionel Richie's 'All Night Long' as an encore at the Christmas concert, 'A Choral Celebration of Christmas', Newman House & University Church St. Stephen's Green, Dublin 2, 21st December 2011. Jeremy Crothers - solo vocal'  

A Christmas Carol Composed by Adolphe Adam in 1847. We wish to share this excerpt of our rendition of this famous Christmas Carol as a token of saying 'Happy Festivities'. Soloist: Mark Luther Guitarist: Erick Chira #SetTheMusicFree #MerryChristmas

A Christmas song. www.khvoshchinsky.com Variants: SATB choir a cappella; SATB with harp accompaniment.

The Des Moines Choral Society performs Silent Night Hallowed Night composed by Sergey Khvoshchinsky directed by Dr. James Rodde Soloists: Mackenzie Walsh, soprano; Sarah Florian, alto recorded from live performance on Dec. 8, 2018 in Des Moines, IA

[this is a version of a post which first appeared on my blog From the Front of the Choir]   Hark the herald angels sing. A Festival of Nine Lessons and Carols from King’s College, Cambridge. Slade’s Merry Christmas everybody. White Chr...

Παραδοσιακά αγγλικά κάλαντα, διασκευή: andre van der Merwe. Διεύθυνση:Χριστίνα Καλλιαρίδου, πιάνο:Έλλη Γλαρού. Χριστουγεννιάτικη συναυλία Χορωδίας Κέρκυρας, Δημοτικό Θέατρο Κέρκυρας 16/12/2013.

Christmas in Cologne, Germany Thank you to my friend, Joachim Diessner, for providing this video. Words by Joseph Mohr Benita Borbonus, Sopran Simon Bales, Trompete Ehrenfelder Kantorei Vera Bongert, Ursel Cremer, Ute Eisenhut (a.G.), C...  moreChristmas in Cologne, Germany Thank you to my friend, Joachim Diessner, for providing this video. Words by Joseph Mohr Benita Borbonus, Sopran Simon Bales, Trompete Ehrenfelder Kantorei Vera Bongert, Ursel Cremer, Ute Eisenhut (a.G.), Christine von Förster, Roswitha Frost, Claudia Hennen, Corry Kok, Anja Meksem, Barbara Meyer zum Wischen, Priska Mielke, Ingrid Müller, Sarah Neusel, Maxime Oeburg, Sigrid Roggatz, Stefanie Schlösser, Katrin Witzel, Sopran Yasemin Becker, Maria Biehl, Renate von Bonin, Leonie Drews, Ursula Gurski, Eva Marleen Hecker, Sonja Helms, Anke Hoffmann, Alice Keuken (a.G.), Sibylle Kiock, Barbara Kuster, Anne Pfeiffer, Inge Ramm, Eva Schlu-Kröpelin, Dorle Schubert, Barbara Siefker (a.G.), Dagmar Smernic, Heike Sprunk, Linda Stenzel, Yvonne Welling (a.G.), Magdalena Wochnik (a.G.) Alt Joachim Bertsch (a.G.), Jörg Biegus, Christoph Hamborg, Michael Mayer, Matthias Velten (a.G.), Gertrud Wilhelm, Tenor Alexander Blicker-Dielmann, Bernd Hellmich, Michael Kolvenbach (a.G.),...    less

Christmas 2021

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less