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group:
A Street Choir Named Desire
Chichester's All Ladies Choir is ready to welcome you to a fun, friendly time, singing contemporary music in harmony. With styles ranging from pop to gospel, we're sure there's something to suit your taste. Come and join us on Tuesday evenings at the Univ... moreChichester's All Ladies Choir is ready to welcome you to a fun, friendly time, singing contemporary music in harmony. With styles ranging from pop to gospel, we're sure there's something to suit your taste. Come and join us on Tuesday evenings at the University of Chichester, where we rehearse. We aim to give two/three concerts a year – we hope you can be in the next one!
We are a group of ladies with ages ranging from early 20s to 50s. We usually run around the school holidays as we have a few mums but can run in the holidays as well if enough people are available.
We charge per half term which works out at £5.50 a week when you commit to the whole half term.
Please contact us if you would like to come so we can let you know which room we will be in. less
blog:
Why can’t I sing low notes with more power and volume?
[A version of this article first appeared as a post on my blog From the Front of the Choir] Many men (and some women) complain about not having much vocal power on low notes.
photo by GigNroll.com
If you have good power, control and volume in the ...
group:
Junction 14 Ladies A Cappella
We are a ladies a cappella (unaccompanied) chorus based in Milton Keynes. We call ourselves a ‘chorus’, rather than a ‘Choir’ because we don’t just sing our songs, we perform them.
We sing for fun, competition and charity in four parts mostly in the ‘... moreWe are a ladies a cappella (unaccompanied) chorus based in Milton Keynes. We call ourselves a ‘chorus’, rather than a ‘Choir’ because we don’t just sing our songs, we perform them.
We sing for fun, competition and charity in four parts mostly in the ‘barbershop’ style.
Have a look at our Facebook page: https://www.facebook.com/Junction14MK/
group:
Sonidos del Sur
Formed by four ladies from a Choir that was closed. We are meeting the challenges of starting afresh. We have a superb choral director who is getting the best out of us. The is no audition: just a love of singing. We are a mixture of very experienced to ... moreFormed by four ladies from a Choir that was closed. We are meeting the challenges of starting afresh. We have a superb choral director who is getting the best out of us. The is no audition: just a love of singing. We are a mixture of very experienced to none. The Choir is bilingual English and Spanish with a truly international membership.
Formado por cuatro mujeres de un coro que cerró. Estamos afrontando los retos de empezar de nuevo. Tenemos un director coral magnífico que está sacando lo mejor de nosotras. No hay audición: solo amor por cantar. Somos una mezcla de personas con mucha experiencia y otras sin experiencia. El coro es bilingüe inglés y español con una membresía verdaderamente internacional. less
video:
"I Thank You God" by Gwyneth Walker, performed by Vox Grata Women's Choir
I Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name.
Composer Gwyneth Walker writes: "Thi... moreI Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name.
Composer Gwyneth Walker writes: "This is a poem of grandeur and of praise. Therefore it might be expected that this musical setting would aim at vastness, grandeur and awakening." Walker accomplishes this through a variety of means. First, the piano introduction includes slowly unfolding piano arpeggios which focus on open intervals of octaves, fifths and fourths, exploiting the full range of the piano keyboard. The composer also takes the singers on a harmonic journey which begins in a low register in C minor, and then travels through a number of other key areas until it reaches the distant key of G-flat. At this point, the voices are drawn closely together into a tone cluster containing the pitches G-flat, A-flat and B-flat, only to open apart into the glorious C major chords which conclude the ... less