"Das zerbrochene Ringlein" im Satz von Friedrich Silcher (* 27.06.1789 - † 26.08.1860) und Text von Joseph von Eichendorff (*10.03.1788 - † 26.11.1857) gesungen vom Leipziger Männerquintett Ensemble Nobiles am 31. Mai 2013 in der Leipziger Passage "Speck'...  more"Das zerbrochene Ringlein" im Satz von Friedrich Silcher (* 27.06.1789 - † 26.08.1860) und Text von Joseph von Eichendorff (*10.03.1788 - † 26.11.1857) gesungen vom Leipziger Männerquintett Ensemble Nobiles am 31. Mai 2013 in der Leipziger Passage "Speck's Hof". http://www.ensemblenobiles.de https://www.facebook.com/ensemblenobiles --------------------------------------------------------------- TEXT (1., 2. und 5. Strophe): In einem kühlen Grunde da geht ein Mühlenrad; |: Mein' Liebste ist verschwunden, Die dort gewohnet hat. :| Sie hat mir Treu versprochen, Gab mir ein'n Ring dabei; |: Sie hat die Treu gebrochen, Mein Ringlein sprang entzwei. :| Hör ich das Mühlrad gehen, Ich weiß nicht, was ich will, |: Ich möcht am liebsten sterben, Da wär's auf einmal still. :|  less

St. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright s...  moreSt. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright sky looked down where he lay, The little Lord Jesus asleep on the hay. The cattle are lowing, the baby awakes, But little Lord Jesus, no crying he makes. I love thee, Lord Jesus! look down from the sky, And stay by my cradle till morning is nigh. Be near me, Lord Jesus; I ask thee to stay Close by me forever, and love me I pray. Bless all the dear children in thy tender care, And take us to heaven to live with thee there. *** Soloist: Taja Kolmanič Sound: Grega Žuraj & Damir Ovčar Video production, scenario & directed: Matjaž Feguš Asistent: Tomaž Rihtar Producer: Valerija Dukarić Art. director: Robert Feguš Thanks to Municipality of Podlehnik & St. Trinity Church in Haloze. http://trinityensemble.eu  less

Nuevo audio grabado en directo durante nuestro primer concierto tras el periodo de confinamiento, esta es la pieza más conocida de Mateo Flecha (1481-1553), y la más larga que forma parte de "Mar Océana, relato y música de la primera vuelta al mundo", pro...  moreNuevo audio grabado en directo durante nuestro primer concierto tras el periodo de confinamiento, esta es la pieza más conocida de Mateo Flecha (1481-1553), y la más larga que forma parte de "Mar Océana, relato y música de la primera vuelta al mundo", programa estrenado el pasado 27 de junio en Espacio Santa Clara, Sevilla. www.a5Vocalensemble.com Video Autor: Johan Hallberg-Campbell https://vimeo.com/user3072169 Licence: ATTRIBUTION LICENSE 3.0 (http://creativecommons.org licenses/by/3.0/us/) Ver menos  less

CONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F....  moreCONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F. Hill and Christine Blasey Ford Katherine FitzGibbon, conductor The composer writes: Writing LISTEN was an emotional process. The first hurdle was deciding which excerpts from the testimonies of Anita Hill and Christine Blasey Ford to set, which meant reading and listening and living inside these women’s harrowing stories for an extended period. And like most women, the most discomfiting aspect of listening to their testimony is the recognition. When I first heard about Ford’s experience, I was disturbed by its similarity to an incident that happened to me. I went to an all-girls private school, and we sometimes partnered with an all-boys private school for musicals. One night when I was 15, after a performance, while we were still on stage, one of the boy...    less

Schola Cantorum on Hudson was founded as a choral ensemble in 1995, and performs its full concert season in both Manhattan and New Jersey. We believe that music can positively impact and enrich lives. Our performances reflect this belief in their use of...  moreSchola Cantorum on Hudson was founded as a choral ensemble in 1995, and performs its full concert season in both Manhattan and New Jersey. We believe that music can positively impact and enrich lives. Our performances reflect this belief in their use of such seasonal themes as ‘freedom’ and ‘healing’ and ‘our mother earth;’ and in presentation of mostly new music in a way that is accessible. Our educational programs reflect this belief by training emerging professionals, planting seeds within young people for a lifetime of music involvement, and growing the skills of our own members. Our commitment to new choral music reflects this belief even beyond our substantial performance commitment through Project Encore™ and our Featured Composer Program. Substantially more than a singing group, SCH is unique in many respects that reflects both a breadth and a depth that bespeaks the full meaning of a ‘schola’ (‘school’).  less

The video recorded Plaisir Ensemble amazing musical journey in Hoi An, Vietnam

To What a wondeful world είναι δημιουργία των George Weiss George Douglas και το ερμήνευσε πρώτη φορά ο Louis Amstrong το 1967.

The Antioch Chamber Ensemble sings the world premiere of "Faces" by Ivo Antognini March 30, 2012 at St. Paul's Chapel, NYC Faces by Sara Teasdale People that I meet and pass In the city's broken roar, Faces that I lose so soon And have neve...  moreThe Antioch Chamber Ensemble sings the world premiere of "Faces" by Ivo Antognini March 30, 2012 at St. Paul's Chapel, NYC Faces by Sara Teasdale People that I meet and pass In the city's broken roar, Faces that I lose so soon And have never found before, Do you know how much you tell In the meeting of our eyes, How ashamed I am, and sad To have pierced your poor disguise? Secrets rushing without sound Crying from your hiding places — Let me go, I cannot bear The sorrow of the passing faces. — People in the restless street, Can it be, oh can it be In the meeting of our eyes That you know as much of me?  less

Choosing exactly the right repertoire for an ensemble is one of the most essential responsibilities of a conductor.  We want music that stimulates growth within the ensemble, and also enriches the musical palette of the singers and of the audience me...

The Israeli Vocal Octet singing the Beatles AND I LOVE HER with background animation excerpts at Animix festival opening night in Tel Aviv. Arranged by Orly Mazor-Yuval