The Salt Lake Vocal Artists perform "Pater Noster" by Fidel G. Calalang Jr. live in concert on November 1, 2010 in la iglesia de San Francisco, Tolosa, Spain, under the direction of Dr. Brady Allred. Pater Noster was performed as part of the Vocal Artist...  moreThe Salt Lake Vocal Artists perform "Pater Noster" by Fidel G. Calalang Jr. live in concert on November 1, 2010 in la iglesia de San Francisco, Tolosa, Spain, under the direction of Dr. Brady Allred. Pater Noster was performed as part of the Vocal Artists program for the Tolosa Choral Contest's "Sacred Music" category of competition, in which they were awarded First Prize. Spain Tour: Oct. 23-Nov. 2, 2010  

The Rías Baixas Choir was presented in Vigo in January 2014 with the purpose of replacing the lack of choral formations that could collaborate with orchestras and chamber groups in Galicia (NW Spain). His initial claim was also to promote new soloists a...  more The Rías Baixas Choir was presented in Vigo in January 2014 with the purpose of replacing the lack of choral formations that could collaborate with orchestras and chamber groups in Galicia (NW Spain). His initial claim was also to promote new soloists and serve as a tool for new and established composers specially from the Rias Baixas area. The choir already has more than sixty performances, both self-managed and scheduled in various cycles or festivals such as Outono Lírico, Vigo Sinfónico, Barcia de Mera Religious Music Series, Nas Ondas, Portico Sonoro, Explurart, Cooltural Cambados and II Festival Groba. In these performances they have interpreted several fundamental works of the choral repertoire in all kind of stages of the four Galician provinces, both a capella and with instrumental accompaniment. Samples of these are Petite Messe Solennelle by G. Rossini (version for two pianos), the Requiem in C minor by L. Cherubini, Music for the funeral of Queen Mary by H. Purcell, Mass in D major by A. Dv...    less

Voices Carry is an Americana jazz-influenced Vocal group based in metro Phoenix, Arizona. Most of our songs are performed a cappella, and we favor Vocal jazz, but we occassionally perform with instrumental accompaniment and perform other styles.

Innismara, meaning "island in the sea" in Irish Gaelic, is an autonomous Vocal chamber Ensemble that fills a gap in the rich tapestry of choral music in Newfoundland and Labrador. Comprised of professionally trained musicians, Innismara is dedicated to th...  moreInnismara, meaning "island in the sea" in Irish Gaelic, is an autonomous Vocal chamber Ensemble that fills a gap in the rich tapestry of choral music in Newfoundland and Labrador. Comprised of professionally trained musicians, Innismara is dedicated to the performance of the intimate and hidden treasures of the Vocal Ensemble repertoire. Well-known for specializing in sacred and secular music of the Renaissance and Baroque eras, Innismara also enjoys experimenting with contemporary, pop, jazz and spiritual arrangements as well as exploring the rich folk music of Newfoundland and Labrador.  less

Harmonic Voices Chorale is an interdenominational Ensemble for Children, Teenagers and Young Adults aimed at raising and nurturing young voices for excellent performance.

The Ensemble is made up of approximately 70 singers aged between 12 and 17 years. As well as attending weekly rehearsals, the members of this Ensemble are committed to music studies and/or voice training. They also participate in a variety of wonderful pe...  moreThe Ensemble is made up of approximately 70 singers aged between 12 and 17 years. As well as attending weekly rehearsals, the members of this Ensemble are committed to music studies and/or voice training. They also participate in a variety of wonderful performance opportunities, recordings and a touring program. Brisbane Birralee Voices is acknowledged on home shores and abroad as one of Australia's finest children's choirs. The program encourages young singers to develop their Vocal technique and attain musical excellence and there is a strong focus on nurturing the individual in a broader sense. In addition to the excitement of achieving high artistic goals and the personal enrichment experienced by each member, there is an emphasis placed on the benefits of sharing their gift of music with others and the intrinsic value of music within society. This helps develop generosity of spirit, tolerance and acceptance of cultural diversity. They meet the demands of their performance and touring schedule by ha...    less

"Das zerbrochene Ringlein" im Satz von Friedrich Silcher (* 27.06.1789 - † 26.08.1860) und Text von Joseph von Eichendorff (*10.03.1788 - † 26.11.1857) gesungen vom Leipziger Männerquintett Ensemble Nobiles am 31. Mai 2013 in der Leipziger Passage "Speck'...  more"Das zerbrochene Ringlein" im Satz von Friedrich Silcher (* 27.06.1789 - † 26.08.1860) und Text von Joseph von Eichendorff (*10.03.1788 - † 26.11.1857) gesungen vom Leipziger Männerquintett Ensemble Nobiles am 31. Mai 2013 in der Leipziger Passage "Speck's Hof". http://www.Ensemblenobiles.de https://www.facebook.com/Ensemblenobiles --------------------------------------------------------------- TEXT (1., 2. und 5. Strophe): In einem kühlen Grunde da geht ein Mühlenrad; |: Mein' Liebste ist verschwunden, Die dort gewohnet hat. :| Sie hat mir Treu versprochen, Gab mir ein'n Ring dabei; |: Sie hat die Treu gebrochen, Mein Ringlein sprang entzwei. :| Hör ich das Mühlrad gehen, Ich weiß nicht, was ich will, |: Ich möcht am liebsten sterben, Da wär's auf einmal still. :|  less

St. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright s...  moreSt. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright sky looked down where he lay, The little Lord Jesus asleep on the hay. The cattle are lowing, the baby awakes, But little Lord Jesus, no crying he makes. I love thee, Lord Jesus! look down from the sky, And stay by my cradle till morning is nigh. Be near me, Lord Jesus; I ask thee to stay Close by me forever, and love me I pray. Bless all the dear children in thy tender care, And take us to heaven to live with thee there. *** Soloist: Taja Kolmanič Sound: Grega Žuraj & Damir Ovčar Video production, scenario & directed: Matjaž Feguš Asistent: Tomaž Rihtar Producer: Valerija Dukarić Art. director: Robert Feguš Thanks to Municipality of Podlehnik & St. Trinity Church in Haloze. http://trinityEnsemble.eu  less

Nuevo audio grabado en directo durante nuestro primer concierto tras el periodo de confinamiento, esta es la pieza más conocida de Mateo Flecha (1481-1553), y la más larga que forma parte de "Mar Océana, relato y música de la primera vuelta al mundo", pro...  moreNuevo audio grabado en directo durante nuestro primer concierto tras el periodo de confinamiento, esta es la pieza más conocida de Mateo Flecha (1481-1553), y la más larga que forma parte de "Mar Océana, relato y música de la primera vuelta al mundo", programa estrenado el pasado 27 de junio en Espacio Santa Clara, Sevilla. www.a5VocalEnsemble.com Video Autor: Johan Hallberg-Campbell https://vimeo.com/user3072169 Licence: ATTRIBUTION LICENSE 3.0 (http://creativecommons.org licenses/by/3.0/us/) Ver menos  less

CONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F....  moreCONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F. Hill and Christine Blasey Ford Katherine FitzGibbon, conductor The composer writes: Writing LISTEN was an emotional process. The first hurdle was deciding which excerpts from the testimonies of Anita Hill and Christine Blasey Ford to set, which meant reading and listening and living inside these women’s harrowing stories for an extended period. And like most women, the most discomfiting aspect of listening to their testimony is the recognition. When I first heard about Ford’s experience, I was disturbed by its similarity to an incident that happened to me. I went to an all-girls private school, and we sometimes partnered with an all-boys private school for musicals. One night when I was 15, after a performance, while we were still on stage, one of the boy...    less