TOTUS TUUS Op. 60 written by Henryk Górecki to celebrate Pope John Paul II's third pilgrimage to his native Poland (1987). - Coro de Cámara Patagonia / eduardo Andrés Malachevsky, dir. - Iglesia Metodista de Bariloche (ARGENTINA) – 20/07/2016 Coro DE...  display='';$(this).getParent().style.display='none';">moredisplay:none;">TOTUS TUUS Op. 60 written by Henryk Górecki to celebrate Pope John Paul II's third pilgrimage to his native Poland (1987). - Coro de Cámara Patagonia / eduardo Andrés Malachevsky, dir. - Iglesia Metodista de Bariloche (ARGENTINA) – 20/07/2016 Coro DE CÁMARA PATAGONIA: - SOPRANOS: Andrea Sereni, Ariana Paulina, Ginny Jones, Nora Schulz, Alejandra Schneebeli, Ivana Evans, Laura Borak, Lucia Bugallo, Silvia Nabarlaz - CONTRALTOS: Coqui Mackey, Edith Douma, Estela Bruera, Gaby Rivas, Lony Häntzsch, Marcela Mansilla, Silvina Abecasis - TENORES: Gustavo Uriburu, Julian Sereni, Luciano Masini, Luciano Lobo, Mestor Prado - BAJOS: Bernardo Glas, Alejandro Matteozzi, Juan Manuel Sahores, Willy Schwer, Wolf Moroder  display='';$(this).getParent().style.display='none';">less

The Antioch Chamber ensemble sings the world premiere of "Faces" by Ivo Antognini March 30, 2012 at St. Paul's Chapel, NYC Faces by Sara Teasdale People that I meet and pass In the city's broken roar, Faces that I lose so soon And have neve...  display='';$(this).getParent().style.display='none';">moredisplay:none;">The Antioch Chamber ensemble sings the world premiere of "Faces" by Ivo Antognini March 30, 2012 at St. Paul's Chapel, NYC Faces by Sara Teasdale People that I meet and pass In the city's broken roar, Faces that I lose so soon And have never found before, Do you know how much you tell In the meeting of our eyes, How ashamed I am, and sad To have pierced your poor disguise? Secrets rushing without sound Crying from your hiding places — Let me go, I cannot bear The sorrow of the passing faces. — People in the restless street, Can it be, oh can it be In the meeting of our eyes That you know as much of me?  display='';$(this).getParent().style.display='none';">less

TOTA PULCHRA ES, obra de Sergio Rodríguez González, compositor y director del Coro Polifónico de la Universidad de La Laguna, estrenada en el año 2014. Actuación perteneciente al concierto en el Exconvento de Santo Domingo dentro del XXXVI Encuentro Coral...  display='';$(this).getParent().style.display='none';">moredisplay:none;">TOTA PULCHRA ES, obra de Sergio Rodríguez González, compositor y director del Coro Polifónico de la Universidad de La Laguna, estrenada en el año 2014. Actuación perteneciente al concierto en el Exconvento de Santo Domingo dentro del XXXVI Encuentro Coral Ciudad de La Laguna.  

Happy, Pharrel Williams, Cover by Coro las Veredas Enrique Martín, director. Paula Mercedes Lozano, piano Daniel Garay, batería. Yeray Jiménez, bajo. Patricia Mora, teclados. Arreglo de cuerdas: Patricia Mora. Happy incluido en Nube, el Cd del Coro...  display='';$(this).getParent().style.display='none';">moredisplay:none;">Happy, Pharrel Williams, Cover by Coro las Veredas Enrique Martín, director. Paula Mercedes Lozano, piano Daniel Garay, batería. Yeray Jiménez, bajo. Patricia Mora, teclados. Arreglo de cuerdas: Patricia Mora. Happy incluido en Nube, el Cd del Coro las Veredas. Más información: www.Corolasveredas.com  

SLEEP (Eric Whitacre) - Coro COMPACTO - directora Invitada: Elisenda Carrasco

- Ave Maria by Dawid KUSZ OP - Coro de Cámara Patagonia (CCP) / eduardo Andrés Malachevsky, cond. (http://www.malachevsky.com.ar) - November 3rd, 2013 at the Trappist Cistercian monastery of Nuestra Se;ora de los Angeles (Argentina) - Video by e a mala...  display='';$(this).getParent().style.display='none';">moredisplay:none;">- Ave Maria by Dawid KUSZ OP - Coro de Cámara Patagonia (CCP) / eduardo Andrés Malachevsky, cond. (http://www.malachevsky.com.ar) - November 3rd, 2013 at the Trappist Cistercian monastery of Nuestra Se;ora de los Angeles (Argentina) - Video by e a malachevsky - Contact the CCP´s conductor at ccp.Corodecamara@gmail.com  

Choosing exactly the right repertoire for an ensemble is one of the most essential responsibilities of a conductor.  We want music that stimulates growth within the ensemble, and also enriches the musical palette of the singers and of the audience me...