Berikut adalah Medley Lagu Natal berjudul 'Mari Kita Sambut' yang dibawakan oleh Cantare dal Cuore pada saat Misa Malam Natal 2017 di Gereja Katolik Redemptor Mundi Surabaya

Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, Text-driven, no extreMes of range – no divisi, but has drone sections where staggered breathing would nor...  moreFree sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, Text-driven, no extreMes of range – no divisi, but has drone sections where staggered breathing would normally be used. Erratum: Bar 9 should read "et spes" – it's been corrected in the score.  

“Border” is an artistic response to the immigration crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The Text draws from (and paraphrases) several sources: contemporary Medi...  more“Border” is an artistic response to the immigration crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The Text draws from (and paraphrases) several sources: contemporary Media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing Meters of “Border” fill the work with an uptempo, rhythmic energy that propels it forward. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience. It is appropriate for ensembles at the community, collegiate, and advanced high school levels. “tiMely… It is a call for humanity.” - Susan Glass, Glass Menagerie Chorus, NY a “powerful stateMent” - Dr. Heather Mitchell  less

This composition is based on a Text from Alice in Wonderland, which appeals to children and youth choirs directly. The poem has a clear structure (verse – chorus), and the vocal parts are kept straightforward. The striking piece contains soMe jazzy chords...  moreThis composition is based on a Text from Alice in Wonderland, which appeals to children and youth choirs directly. The poem has a clear structure (verse – chorus), and the vocal parts are kept straightforward. The striking piece contains soMe jazzy chords and humorously unexpected twists. This work won the first prize in the 2013 Composition Competition of the European Choral Association in the fraMe of the festival Youth Choirs in MoveMent.  

Traditional Czech Carol in arrangeMent by John Rutter recorded by Czech Television.

Testo poetico di Edoardo Comiotto in dialetto Bellunese Corale ZuMellese Registrazione live Concerto Conegliano (TV) Chiesa di San Martino 11/11/2012

Recorded at Christmas concerts held in Split (Croatia) and Podgorica (Montenegro) on December 19th and 21st 2013. www.voxanimae.hr www.facebook.com/voxanimae info@voxanimae.hr

Op 23 december om 19u in de Sint-Jan-Baptistkerk van Binkom brengt vocale groep Vocalix “Cold Hands, Warm Hearts”, een winterconcert Met hartverwarMende liederen, bekende en minder bekende kerstnumMers maar ook andere sfeerliederen passend bij de donkere ...  moreOp 23 december om 19u in de Sint-Jan-Baptistkerk van Binkom brengt vocale groep Vocalix “Cold Hands, Warm Hearts”, een winterconcert Met hartverwarMende liederen, bekende en minder bekende kerstnumMers maar ook andere sfeerliederen passend bij de donkere winterrmaanden. Vocalix is geen popkoor maar een kleine vocale groep waarin elke stem zich zowel Mengt als haar eigen partij draagt. De nadruk wordt gelegd op het brengen van kwaliteitsvolle concerten, waarbij de zangers het tempo, de tonaliteit, de dynamiek en saMenzang perfect beheersen. Begeleiding: Piano: Tylaine Van den Broeck, Bas: Ruth Verelst, Percussie: Peter Van Woensel De inkom bedraagt € 10,- Na het concert wordt u in de kerk een gratis drankje en wat versnaperingen aangeboden om gezellig na te praten. Tickets en info: www.vocalix.be of via Facebook https://nl-nl.facebook.com/vocalix/ Presentatie: Annemie Struyf  less

Recorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against ...  moreRecorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against the reedy shore, Thus sang her last, and sang no more: 'Farewell, all joys; Oh death, coMe close mine eyes; More geese than swans now live, more fools than wise.' " - Orlando Gibbons (1583 - 1625) Program notes: A famous Text also famously used by Gibbons himself for his own Madrigal, Hailstork here pays homage to the work's 16th-century roots. An early composition (written while in college) from the proflic composer, Hailstork combined his own language with his love for choral literature to create a piece reminiscent of the Renaissance with a modern flair. The harmonic language harkens back to a hexachordal modality of the 16th century, uses an unaccompanied SATB choir, and employs varied moMents of imitative polyphony and homophony. This short wor...    less

“The Wind” was commissioned by the Organization of AMerican Kodály Educators as a result of Rich Campbell winning the Ruth Boshkoff Composition Prize. The Text is from Robert Louis Stevenson’s 1885 A Child’s Garden of Verses. The choir begins by emulating...  more“The Wind” was commissioned by the Organization of AMerican Kodály Educators as a result of Rich Campbell winning the Ruth Boshkoff Composition Prize. The Text is from Robert Louis Stevenson’s 1885 A Child’s Garden of Verses. The choir begins by emulating the sound of the wind, and then sings directly to the wind, describing the many things the wind does while questioning just who or what the wind is. The piece, inspired by Kodály’s philosophy, develops a folk-like Melody in a modern conText. The rhythmic piano accompaniMent keeps the piece bouncing brightly until its exciting conclusion. Premiere performance by the 2016 OAKE National Children's Choir, Elizabeth Núñez, director. The Wind by Robert Louis Stevenson I saw you toss the kites on high And blow the birds about the sky; And all around I heard you pass, Like ladies' skirts across the grass— O wind, a-blowing all day long, O wind, that sings so loud a song! I saw the different things you did, But always you yourself you hid. I felt you...    less