Magnificat Z. Randall Stroope SEPTEMTHILLIS GIRL'S CHOIR Slovakia Gabriela Pinterova CORO FEMININO CANTILENA Brazil Lana Bernardes Mari Moga de Moura Soloist Jozef Lazorík Peter Šarišský PIano 4 hands Altamiro Bernardes Conductor ...  moreMagnificat Z. Randall Stroope SEPTEMTHILLIS GIRL'S CHOIR Slovakia Gabriela Pinterova CORO FEMININO CANTILENA Brazil Lana Bernardes Mari Moga de Moura Soloist Jozef Lazorík Peter Šarišský PIano 4 hands Altamiro Bernardes Conductor Catedral Metropolitana de Sorocaba Agosto 2012  

John Rutter (*1945): Magnificat (1990) 1. Magnificat anima mea Monteverdichor Würzburg Matthias Beckert (cond.) Live recording from december 4th, 2011 in the Neubaukirche, Würzburg, Germany. Magnificat anima mea Dominum: et exsultavit spiri...  moreJohn Rutter (*1945): Magnificat (1990) 1. Magnificat anima mea Monteverdichor Würzburg Matthias Beckert (cond.) Live recording from december 4th, 2011 in the Neubaukirche, Würzburg, Germany. Magnificat anima mea Dominum: et exsultavit spiritus meus in Deo salutari meo. Quia respexit humilitatem ancillae suae: ecce enim ex hoc beatam me dicent omnes generationes. (Lukas 1,46-48) My soul proclaims the greatness of the Lord, my spirit rejoices in God my Savior for he has looked with favor on his lowly servant. From this day all generations will call me blessed: the Almighty has done great things for me, and holy is his Name. Meine Seele preist die Größe des Herrn, und mein Geist jubelt über Gott, meinen Retter. Denn auf die Niedrigkeit seiner Magd hat er geschaut. Siehe, von nun an preisen mich selig alle Geschlechter.  less

Filmed live in concert, this is the World Premiere performance of the Magnificat for upper voices, by Daniel Burges, 23-12-2013 Roden Girl Choristers Conductor: Sonja de Vries Organist: Sietze de Vries

arranged by D W Solomons: for men's voices (in G), Mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), Mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis  

The treble solo at the beginning is based on the oboe solo of the orchestral version version and sums up some of the musical ideas used later in the work. This work reflects some of the history of Manchester as seen through the eyes of local poet Audrey ...  moreThe treble solo at the beginning is based on the oboe solo of the orchestral version version and sums up some of the musical ideas used later in the work. This work reflects some of the history of Manchester as seen through the eyes of local poet Audrey Vaughan, including its origins around the river Irwell, the original monastery which became Manchester Cathedral, the industrial revolution, the Peterloo Massacre, and the singing of church and cathedral choirs up to the present day. Music composed by David Warin Solomons Conductor: Zoltán Pad Tenor soloist: József Gál Treble soloist: Csongor Gyulai Organist: Zsolt Mészáros Pianist: Dániel Dinyés The boys' choir's conductor was Márton Tóth who taught the piece to the children. More information about Manchester Magnificat, including a video of the original 1994 performance with orchestra and the complete poem sequence, can be found at: http://www.dwsolo.com/serif/manchesterMagnificat.html  less

Magnificat was formed in 1991 by its conductor, Philip Cave, to explore the rich diversity of choral music from the last five centuries. The ensemble specialises in the restoration and performance of neglected choral masterpieces of the 16th and 17th cent...  moreMagnificat was formed in 1991 by its conductor, Philip Cave, to explore the rich diversity of choral music from the last five centuries. The ensemble specialises in the restoration and performance of neglected choral masterpieces of the 16th and 17th centuries. Magnificat ranges in size from four to forty voices and performs a wide range of music, both a capella and with ensembles of period instruments. In association with Linn Records, Magnificat.aspx" target="_blank" rel="nofollow">http://www.linnrecords.com/artist-Magnificat.aspx Magnificat has undertaken many recording projects of music from ‘The Golden Age'. The first of these comprises motets by Gesualdo, Guerrero, Josquin, Rebelo and Victoria together with Allegri's Miserere and Palestrina's Stabat mater. A highly acclaimed recording of Victoria's Officium Defunctorum of 1605, named a 1997 Critics' Choice by Gramophone Magazine and chosen by The Rough Guide as one of its ‘100 Essential Classical CDs', was...    less

Magnificat in C by C.V.Stanford (1852-1924)

Jeugdkoor Rondinella tijdens de finale in het concertgebouw van Brugge. Jeugdkoor Rondinella performs "Magnificat Anima Mea" from "Magnificat" composerd by Kentaro Sato.

ORIANA youth female choir (Odessa, Ukraine) participates in Dante Symphony (Franz Liszt). Liszt chooses female choir for the last part of the Magnificat not accidental. Carol of the Virgin Mary by female voices could not be better convey the feeling of bl...  moreORIANA youth female choir (Odessa, Ukraine) participates in Dante Symphony (Franz Liszt). Liszt chooses female choir for the last part of the Magnificat not accidental. Carol of the Virgin Mary by female voices could not be better convey the feeling of bliss in the mountain heights of heaven - that every soul is seeking for. Conductor - Oksana Lyniv (Germany) Director of ORIANA choir - Galyna Shpak (Ukraine) Odessa Philharmonic Theater 04 April 2014  

This is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) versio...  moreThis is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) version of the whole mass is also available (sung by Matthew Curtis)