A setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When ...  moreA setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When he killed the Mudjokivis, Of the skin he made him mittens, Made them with the fur side inside, Made them with the skin side outside. He, to get the warm side inside, Put the inside skin side outside; He, to get the cold side outside, Put the warm side fur side inside. That's why he put the fur side inside, Why he put the skin side outside, Why he turned them inside outside  less

http://www.cpdl.org/wiki/index.php/Scott_Villard From "Seven Marian Motets"

"Stella" is dedicated to my friend Kristina, who introduced me to this remarkable French poem by Victor Hugo written while in exile on the Isle of Jersey. It is a complex layered poem exploring a multitude of interactions with the morning star - in na...  more"Stella" is dedicated to my friend Kristina, who introduced me to this remarkable French poem by Victor Hugo written while in exile on the Isle of Jersey. It is a complex layered poem exploring a multitude of interactions with the morning star - in naturalistic, religious, spiritual and seemingly political terms. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Stella." To purchase the sheet music for this song, please contact: info@leadingnote.com. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less

http://www.cpdl.org/wiki/index.php/Scott_Villard

Magnificat and Nunc Dimittis set to music for six part men's voices choir by David W Solomons www.dwsolo.com All parts performed by Matthew Curtis - www.choraltracks.com The title of this work (Canticula Ursae Minoris/Songs of the Little Bear) comes...  moreMagnificat and Nunc Dimittis set to music for six part men's voices choir by David W Solomons www.dwsolo.com All parts performed by Matthew Curtis - www.choraltracks.com The title of this work (Canticula Ursae Minoris/Songs of the Little Bear) comes from the origin of the melodies: Many years ago I wrote an "Oratorio" based on Winnie the Pooh and gave each character little melodic leitmotifs, sung as "Sing ho for the life of a bear" and "What I say said Eeyore is that it's unsettling" and I have used them for various sections of these Canticles, with Eeyore's little song curiously dominating the Lesser Doxology - Glory be to the Father and to the Son... The work, called Poohratorio of course, is due to be published once AA Milne goes into public domain (2031).  less

http://www.cpdl.org/wiki/index.php/Scott_Villard

Devon folk song arranged for mixed choir The words of the song can be found in many places on the Net, some more accurate than others. All of the places are in Devon, except Callington, which is in Cornwall, but it is likely to be the correct place sin...  moreDevon folk song arranged for mixed choir The words of the song can be found in many places on the Net, some more accurate than others. All of the places are in Devon, except Callington, which is in Cornwall, but it is likely to be the correct place since it is so close to the centre of the events - ie towns and villages North and West of Dartmoor. (The Yetties' version of the song refers to "North Looe", but this is very unlikely to be correct, since Looe is much further into Cornwall). In this the version I finally decided upon "North Lew" (a compromise between Quoditch's version and the Yetties' version):  less

An exciting rendition of the "Cantate Domino" Latin text by Ivo Antognini. This setting explores rhythm and texture as it weaves through various time signatures. Would make a fantastic concert opener! Andrew Crane Choral Series. Matthew Curtis (ChoralTr...  moreAn exciting rendition of the "Cantate Domino" Latin text by Ivo Antognini. This setting explores rhythm and texture as it weaves through various time signatures. Would make a fantastic concert opener! Andrew Crane Choral Series. Matthew Curtis (ChoralTracks) sings all the voices. Published by Walton Music - A division of GIA Publications, Inc.  

Arrangement of an old English folk song for three voices (ATB) The keeper did a-hunting go (run away) and under his cloak he carried a bow (run away my dear) all for to shoot at a merry little doe among the leaves so green oh. Jackie boy! ...  moreArrangement of an old English folk song for three voices (ATB) The keeper did a-hunting go (run away) and under his cloak he carried a bow (run away my dear) all for to shoot at a merry little doe among the leaves so green oh. Jackie boy! Master? Sing ye well? Very well! hey down, ho down derry derry down among the leaves so green oh with a hey down down with a ho down down hey down ho down derry derry down among the leaves so-green oh The first doe he shot at and missed the second doe he trimmed he kissed the third doe went where nobody wist among the leaves so green oh Oh run away my dear!  less

My musical re-imagining of the Nativity story, with a surprise in the 2nd verse. Dedicated to my dear cousin, Madeleine Shaw. NB: choirs interested in obtaining copies of the score can contact The Leading Note at info@leadingnote.com. I would lik...  moreMy musical re-imagining of the Nativity story, with a surprise in the 2nd verse. Dedicated to my dear cousin, Madeleine Shaw. NB: choirs interested in obtaining copies of the score can contact The Leading Note at info@leadingnote.com. I would like to acknowledge the a capella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 25 years. I would also like to thank my friends in our "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less