A l'approche des fêtes de fin d'année, le Chœur d'Enfants Sotto Voce, nous offre un Medley de chansons de Noël depuis le toit du Théâtre. Le Chœur d’Enfants Sotto Voce, composé d’une soixantaine d’enfants originaires de toute la région parisienne, est...  moreA l'approche des fêtes de fin d'année, le Chœur d'Enfants Sotto Voce, nous offre un Medley de chansons de Noël depuis le toit du Théâtre. Le Chœur d’Enfants Sotto Voce, composé d’une soixantaine d’enfants originaires de toute la région parisienne, est une véritable « famille artistique » qui a créé en 1993 par Scott Alan Prouty et accueilli par le Théâtre du Châtelet depuis 18 ans. Considéré comMe « l’un des Meilleurs chœurs d’enfants en France aujourd’hui » le Chœur d’Enfants Sotto Voce est surtout connu pour l’originalité de ses prestations, ses créations et son répertoire très varié allant de la musique classique à la comédie musicale américaine en passant par le jazz et la chanson française. Depuis plus de 28 ans, le chœur a marqué la scène parisienne et séduit des publics varies à l’occasion de plus de six cents concerts et spectacles en France et à l’étranger. _ It’s the Most Wonderful TiMe of the Year, Eddie Pola/George Wyle _ Baby It’s Cold Outside, Frank Loesser _ Jingle Bells, arr. Ray Charle...    less

Takerei KoMene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. The Text centres on a well-know whakatauki or ...  moreTakerei KoMene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. The Text centres on a well-know whakatauki or proverb: Whāia te iti kahurangi, ki te tuohu koe, Me he maunga teitei [Seek that which you treasure most – if you must bow your head, let it be to the loftiest of mountains] A mihi pepeha, hailing the fabrics of space and the throes of the heart, is joined by the organ – a giant celestial factory, chaotic and cacophonous, with great starry arms placing pieces into unique moulds forming the fragMents of the final section of the work – a mighty invocation of the whakatauki.  less

Be Near Me by Greg BartholoMew A setting for unaccompanied Mixed Choir (SATB) of Canto 50 from the poem In Memoriam A.H.H. by Alfred Tennyson Sung by Sarah Brailey & Matthew Curtis of Choral Tracks. The Text for Be Near Me is Canto 50 from the poem...  moreBe Near Me by Greg BartholoMew A setting for unaccompanied Mixed Choir (SATB) of Canto 50 from the poem In Memoriam A.H.H. by Alfred Tennyson Sung by Sarah Brailey & Matthew Curtis of Choral Tracks. The Text for Be Near Me is Canto 50 from the poem In Memoriam A.H.H. by the British Poet Laureate Alfred Tennyson (1809 -1892). Published in 1850, the poem is an extended requiem for the poet's beloved friend Arthur Henry Hallam, who died of a cerebral hemorrhage in 1833, age 22. It is considered one of the greatest poems of the 19th Century and was reported to be a great favorite of Queen Victoria. Sheet music available from J.W.Pepper: https://www.jwpepper.com/Be-Near-Me/11339264.item For more information visit http://www.gregbartholoMew.com/benearMeindex.html #choralmusic #choir #tennyson  less

Coro Académico da Universidade do Minho - White Christmas XVIII Puer Natus Est - Sé Catedral de Braga - Braga 14 de Dezembro de 2013 www.facebook.com/CoroAcademicoUM www.caum.pt

Music by Ian Assersohn, Text by Wilfred Owen. PerforMed by The Pinnacle Ensemble conducted by Michael Waldron

Regarded as one of the finest masterpieces of all Western Music, this passion setting brings to music the Text of Matthew 26 and 27 concerning the suffering and death of Jesus Christ. The evangelist tells the story, arias convey the inner feelings of us h...  moreRegarded as one of the finest masterpieces of all Western Music, this passion setting brings to music the Text of Matthew 26 and 27 concerning the suffering and death of Jesus Christ. The evangelist tells the story, arias convey the inner feelings of us humans as we gaze upon the Golgotha scene and choruses and chorales reflect on our own place in the drama. Bach's incredible work of art stands alone in its complete telling of the crucifixion story in a manner which stirs and moves the soul of the perforMer and listener. This is a mountaintop experience not to be missed.  less

A beautiful contemporary classical hymn to crown the Easter celebration. Based on the biblical Text in revelation 5:12, Pepper Choplin sets this powerful words of Adoration into music that would endure for all ages

A powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The Text draws from (and paraphrases) several sources: contemporary Media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, curr...  moreA powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The Text draws from (and paraphrases) several sources: contemporary Media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing Meters of “Border” fill the work with an up-tempo, rhythmic energy that propels it forward. Campbell’s piece hardly relents, even as the pace slows this work presses forward with a colorful and often modal harmonic language. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience.  less

Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, Text-driven, no extreMes of range – no divisi, but has drone sections where staggered breathing would nor...  moreFree sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, Text-driven, no extreMes of range – no divisi, but has drone sections where staggered breathing would normally be used. Erratum: Bar 9 should read "et spes" – it's been corrected in the score.  

“Border” is an artistic response to the immigration crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The Text draws from (and paraphrases) several sources: contemporary Medi...  more“Border” is an artistic response to the immigration crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The Text draws from (and paraphrases) several sources: contemporary Media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing Meters of “Border” fill the work with an uptempo, rhythmic energy that propels it forward. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience. It is appropriate for ensembles at the community, collegiate, and advanced high school levels. “tiMely… It is a call for humanity.” - Susan Glass, Glass Menagerie Chorus, NY a “powerful stateMent” - Dr. Heather Mitchell  less