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City of Glasgow Chorus
In just over 30 years, the City of Glasgow Chorus has undergone a remarkable transformation. formed by Graham Taylor in 1983 as The New Glasgow Singers, a small group of passionate choral singers looking to take on some of the less well-known works in the... moreIn just over 30 years, the City of Glasgow Chorus has undergone a remarkable transformation. formed by Graham Taylor in 1983 as The New Glasgow Singers, a small group of passionate choral singers looking to take on some of the less well-known works in the choral repertoire, it has grown into an organisation that has around 100 members singing a wide range of musical genres but still with the core wish to seek out and perform the less familiar pieces.
We perform a regular series of concerts each year: the details for the current season can be seen here. The range of music includes serious classical works, programmes of choral classics, West End musical pieces and the lighter popular music included in our annual Christmas Cracker concert. Our full repertoire can be seen in our list of past concerts. Some notable highlights have been Walton’s Belshazzar’s Feast, Beethoven’s Missa Solemnis, Berlioz’s Grande Messe des Morts and Mahler’s Eighth Symphony - the Symphony of a Thousand. less
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Bawalah Persembahan (MB. 228)
Paduan Suara Safari Misa Universitas Katolik Darma Cendika, Surabaya
Lokasi: ESA SAMPOERNA CENTER
Lagu, Syair, Aransemen: Paul Widyawan
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From Silent Night
One of the saddest and most remarkable love songs of all time, "From Silent Night" by John Dowland is newly arranged here with Alto, Tenor, and Bass choral parts added. Some of the lowest octave passages in the Lute (Guitar) part are transposed up an octa... moreOne of the saddest and most remarkable love songs of all time, "From Silent Night" by John Dowland is newly arranged here with Alto, Tenor, and Bass choral parts added. Some of the lowest octave passages in the Lute (Guitar) part are transposed up an octave to better match the new arrangement. The Treble and Bass Viol parts may be played by Violin and Violoncello, respectively.
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NotePerformer 4 audio and scrolling score seeking live performances.
Music and Words: Public Domain
Arrangement: © Copyright 2024 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved.
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The Georgia Boy choir - Beati Quorum Via
The Georgia Boy choir singing Beati Quorum Via (Blessed are they whose ways are blameless) by Sir Charles Villiers Stanford. This performance was recorded on July 27, 2011 within The Chapter House at Wells Cathedral in Wells, England. Video production and... moreThe Georgia Boy choir singing Beati Quorum Via (Blessed are they whose ways are blameless) by Sir Charles Villiers Stanford. This performance was recorded on July 27, 2011 within The Chapter House at Wells Cathedral in Wells, England. Video production and editorial by MONUMENTALmedia. for more information regarding The Georgia Boy choir please visit www.georgiaboychoir.org
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Past Three O'Clock - The Girl choir of South Florida
The Girl choir of South Florida performs "Past Three O'Clock' on Friday, December 9, 2011, at All Saints Episcopal Church in fort Lauderdale, Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese, Flutist: Nicole Straussman.
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Jerusalem Luminosa | The Girl choir of South Florida
"Jerusalem Luminosa" by Abbie Betinis. Text attrib. Thomas à Kempis; 15th cent.
Recorded live on May 5, 2016, at All Saints Episcopal Church in fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl choir of South Florida. Arti... more"Jerusalem Luminosa" by Abbie Betinis. Text attrib. Thomas à Kempis; 15th cent.
Recorded live on May 5, 2016, at All Saints Episcopal Church in fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl choir of South Florida. Artistic Director: Wallis Peterson.
Alleluia.
Jerusalem luminosa,
Verae pacis visio.
Alleluia.
Totum sanctum, totum mundum,
In te quidquid cernitur.
Alleluia.
Jerusalem, city of light,
Vision of true peace.
Alleluia.
All holy, all elegant,
Is that which shows itself in thee. less