http://igg.me/at/stpeterssingers One Equal Music: St Peter's Singers of Leeds, directed by Simon Lindley, are running an innovative Project this summer to bring inspirational cathedral music to the exceptional acoustics and setting of that secular cathedr...  morehttp://igg.me/at/stpeterssingers One Equal Music: St Peter's Singers of Leeds, directed by Simon Lindley, are running an innovative Project this summer to bring inspirational cathedral music to the exceptional acoustics and setting of that secular cathedral of commerce, the fabulous Victoria Quarter in Leeds. http://igg.me/at/stpeterssingers Impromptu appearances during shopping hours will be followed by a live concert at 8.00pm on Sunday July 6. However, we also hope to raise sufficient funds to record this so that it can become more widely available, and are appealing to as many people as possible to participate in the Project by giving whatever they would like, in return for a reward or perk. It's quite a good way of pre-ordering the CD ! If you feel inspired to contribute please go to: http://igg.me/at/stpeterssingers More information about St Peter's Singers, including details of forthcoming concerts, recitals and services, can be found on on the Choir's website http://www.stpeters-singers.org...    less

AppleChor commissioned this piece from composer Greg Bartholomew of Seattle, WA as part of the ChoralNet Composers of Choral Music Community first time commissions Project. The piece is written on a text by Jack Senzig adapted by Greg Bartholomew. A...  moreAppleChor commissioned this piece from composer Greg Bartholomew of Seattle, WA as part of the ChoralNet Composers of Choral Music Community first time commissions Project. The piece is written on a text by Jack Senzig adapted by Greg Bartholomew. AppleChor is an auditioned 4th and 5th grade school Choir at Red Apple Elementary In Racine, WI. Red Apple is a STEAM School. Luigi Enriquez accompanied on piano. More works by Greg bartholomew can be found on his website: http://gregbartholomew.com/  less

Being a Non Profit Organization, a part of our mandate is to explore different avenues of gospel music and introduce our members to different musical environments. This Project we did gave some of our members the studio experience while also challenging t...  moreBeing a Non Profit Organization, a part of our mandate is to explore different avenues of gospel music and introduce our members to different musical environments. This Project we did gave some of our members the studio experience while also challenging them in an area of music they were not used to! In this case, the areas we wanted to expose our members to were the ins and outs of recording in the studio, learning a technical piece using the written score and learning how to be aware of our presence while on video. We hope to provide more experiences like this to our members on NGGC. Enjoy!  less

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement Project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement Project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less

PLACEBO or Is There One Who Would Not Weep Stage concert in 14 tableaux Concept, scene and direction: Karmina Šilec Light design: Andrej Hajdinjak Costume design: Belinda Radulovič Movement: Karmina Šilec, Kaja Lorenci "The performance 'Placeb...  morePLACEBO or Is There One Who Would Not Weep Stage concert in 14 tableaux Concept, scene and direction: Karmina Šilec Light design: Andrej Hajdinjak Costume design: Belinda Radulovič Movement: Karmina Šilec, Kaja Lorenci "The performance 'Placebo' is a brilliant prelude to the year of culture" "A highly stylised and aestheticized inscenation" (Večernji list) "An outstanding scenic Project in fourteen tableaux" "Karmina Šilec presented her latest and successful multimedia Project Placebo." "Karmina Šilec with her girls and excellent guests certainly knows what she is doing, what she wants, what they all know, what they can do and offer to a full Union Hall which rewarded the performers on Thursday night with long, warm and spontaneous applauses and ovations, suited to the days when the eyes of the whole of cultural Europe are focused on Maribor." "... the girls' Choir Carmina Slovenica extremely well prepared, as always." (Delo) "A magnificent closing performance of the third Choregie festiv...    less

As seeds of Israel’s chosen race and ransomed of the fall, we will forever hail the power of His Holy Name Amen - GNAAS-KNUST Choir #trending #trendingshorts #choralmusic #trendingvideo #hymns @GH Choral Music @Hope Channel Ghana @3ABN Praise Him

Our music for your Choir - sheet music and mp3's available through www.stoneandtara.com/songbook The Witches' Dialogue©2021 Anke de Bruijn & Peter Duiverman For SATB Choir a capella. Background notes to 'The Witches' Dialogue' On a rainy Novembe...  moreOur music for your Choir - sheet music and mp3's available through www.stoneandtara.com/songbook The Witches' Dialogue©2021 Anke de Bruijn & Peter Duiverman For SATB Choir a capella. Background notes to 'The Witches' Dialogue' On a rainy November morning, I was taking a walk with a friend. We found ourselves talking about a man who we knew only vaguely and who had been very ill for several years. We had heard recently that he was dying of cancer. The only thing we really knew about him was that he had lived a fairly miserable life. My friend told me how she and two other women had once helped a dying man by holding his feet, letting him know that it was safe to let go. Then we stopped short on the forest road and looked at each other. ‘I think we should hold his feet,’ one of us said. ‘Now?’ ‘We can always try. Thoughts have power.’ So we closed our eyes, stood for minutes next to an old, gnarled tree, and focused on the man who we imagined as lying alone in a hospital bed. When we opened o...    less

Agnus Dei Composer: Perry Rumengan The following video is a Virtual Video of the XVI National Student Pesparawi Choir presented by the Darma Cendika Catholic University Student Choir - Benedicamus Chante