Herbert Howells - Take him, earth, for cherishing Downtown voices Stephen Sands, conductor Trinity Church, NYC Text translated by Helen Waddell, from a 4th-century poem by Aurelius Clemens Prudentius: Take him, earth, for cherishing, to thy ...  moreHerbert Howells - Take him, earth, for cherishing Downtown voices Stephen Sands, conductor Trinity Church, NYC Text translated by Helen Waddell, from a 4th-century poem by Aurelius Clemens Prudentius: Take him, earth, for cherishing, to thy tender breast receive him. Body of a man I bring thee, noble even in its ruin. Once was this a spirit’s dwelling, by the breath of God created. High the heart that here was beating, Christ the prince of all its living. Guard him well, the dead I give thee, not unmindful of his creature shall he ask it: he who made it symbol of his mystery. Comes the hour God hath appointed to fulfil the hope of men, then must thou, in very fashion, what I give, return again. Not though ancient time decaying wear away these bones to sand, ashes that a man might measure in the hollow of his hand: Not though wandering winds and idle, drifting through the empty sky, scatter dust was nerve and sinew, is it given to man to die. Once again the shining...    less

Part of the Royal School of Church Music, RSCM Scottish voices is a self-financing adult choir that aims to draw together some of the most accomplished and experienced church musicians in Scotland to perform six times a year in a variety of venues around ...  morePart of the Royal School of Church Music, RSCM Scottish voices is a self-financing adult choir that aims to draw together some of the most accomplished and experienced church musicians in Scotland to perform six times a year in a variety of venues around the country, in addition to which there is an annual summer residential rehearsal weekend. The choir currently has one or two vacancies for singers in some voice parts, so if you are aged 18 or over, are resident in Scotland, have experience in church choral singing, and would like to be considered for an audition or would just like more information, please contact the administrator, whose details are on our website.  less

Established in 1975, the Cape Cod Chapter (Surftones) is a men's singing organization that is dedicated to excellence in chorus and quartet a cappella singing. It is the mission of the Surftones to: Promote and preserve barbershop harmony and educate t...  moreEstablished in 1975, the Cape Cod Chapter (Surftones) is a men's singing organization that is dedicated to excellence in chorus and quartet a cappella singing. It is the mission of the Surftones to: Promote and preserve barbershop harmony and educate the public in this truly American musical style Strive for excellence in singing a cappella harmony Encourage continued improvement in the singing capabilities of all our members, as individuals and as chorus and quartet members Encourage fellowship and camaraderie among members and their families Perform publicly throughout the year for both charitable and paid functions Initiate, promote, support, and participate in charitable projects Promote and support the Vision and Mission of the Barbershop Harmony Society The Cape Cod Surftones is a chapter of the Barbershop Harmony Society and is a Nonprofit 501(c)(3) organization.  less

Ensemble quartonal: Music, When Soft voices Die (Music by Edward C. Bairstow, Poem by Shelly) Das "Ensemble quartonal" wurde im Jahr 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet. Im Mai 2010 konnte das junge Quartett beim Deut...  moreEnsemble quartonal: Music, When Soft voices Die (Music by Edward C. Bairstow, Poem by Shelly) Das "Ensemble quartonal" wurde im Jahr 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet. Im Mai 2010 konnte das junge Quartett beim Deutschen Chorwettbewerb den 1. Preis in der erstmals ausgeschriebenen Kategorie der klassischen Ensembles gewinnen und wurde damit über die Landesgrenzen hinaus bekannt. Diese Aufnahme stammt von einem Konzert im Lübecker Dom.  

Harmonies and memories echo through the years. Sunday well spent with an alumni, raising our voices once more in one song of praise to God.

Magnificat and Nunc Dimittis set to music for six part men's voices choir by David W Solomons www.dwsolo.com All parts performed by Matthew Curtis - www.choraltracks.com The title of this work (Canticula Ursae Minoris/Songs of the Little Bear) comes...  moreMagnificat and Nunc Dimittis set to music for six part men's voices choir by David W Solomons www.dwsolo.com All parts performed by Matthew Curtis - www.choraltracks.com The title of this work (Canticula Ursae Minoris/Songs of the Little Bear) comes from the origin of the melodies: Many years ago I wrote an "Oratorio" based on Winnie the Pooh and gave each character little melodic leitmotifs, sung as "Sing ho for the life of a bear" and "What I say said Eeyore is that it's unsettling" and I have used them for various sections of these Canticles, with Eeyore's little song curiously dominating the Lesser Doxology - Glory be to the Father and to the Son... The work, called Poohratorio of course, is due to be published once AA Milne goes into public domain (2031).  less

St Cecilia Mass - Charles Gounod (1818-1893) Trinity Church NYC Downtown voices (http://Downtownvoices.net) NOVUS NY Stephen Sands, Conductor (http://StephenSands.net) Brianna J. Robinson, soprano Steven Caldicott Wilson, tenor Enrico Lagas...  moreSt Cecilia Mass - Charles Gounod (1818-1893) Trinity Church NYC Downtown voices (http://Downtownvoices.net) NOVUS NY Stephen Sands, Conductor (http://StephenSands.net) Brianna J. Robinson, soprano Steven Caldicott Wilson, tenor Enrico Lagasca, bass Concert program with texts, notes and participants: https://drive.google.com/file/d/14jFX... (0:01) Kyrie (5:45) Gloria (14:43) Credo (27:14) Offertory (31:00) Sanctus (37:15) Benedictus (40:35) Agnus Dei (45:16) Domine, salvum fac  

formed in 2006, Palmetto voices is comprised of musicians from all around the southeast, lead by Dr. Sonja Sepulveda. Specialized styles include; concert spiritual, jazz and renaissance music.

Anonymous catch in 4 equal voices based on peals of bells from "The Catch Club or Merry Companions", published in 1731. I have added some lower voices at the octave for better resonance.

voices of Concinnity is our 12-voice professional vocal ensemble of dedicated, seasoned choral artists from diverse backgrounds who strive to cultivate the art of chamber ensemble singing. ​ Our mission is to connect with the community through exquisite...  morevoices of Concinnity is our 12-voice professional vocal ensemble of dedicated, seasoned choral artists from diverse backgrounds who strive to cultivate the art of chamber ensemble singing. ​ Our mission is to connect with the community through exquisitely crafted, innovative choral programming that fosters inclusion, promotes collaboration, illuminates variety, and ensures affordable access. ​ Through the performance of choral music dating from the Renaissance to the contemporary, Concinnity is dedicated to illuminating the breadth of choral repertoire, including works by historically excluded and living composers, to connect with all in the community. Concinnity focuses on individual expression within a unity of sound to create a harmonious, artful landscape of voices. voices of Concinnity was founded in 2018 by Sarah Kaufold to help create affordable access for the community to experience professional-level choral music and to curate an ensemble with flexible rehearsal schedules to include singers with ...    less