"Hanerot Halalu". Traditional Hebrew chant, arr. Pnina Inbar. Recorded live on December 8, 2013, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choir of South Florida. Artistic Director...  more"Hanerot Halalu". Traditional Hebrew chant, arr. Pnina Inbar. Recorded live on December 8, 2013, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson. Hanerot halalu, anu madlikin Al hanisim ve'al hanifla'ot Ve'al hateshu'ot, ve'al hamilchamot She'asita la'avoteinu Bayamim haheim bazman hazeh Al yedei kohanecha hak'doshim. These Chanukah lights we kindle In honor of the miracles, the wonders And salvation wrought and wars You fought, for our fathers, In days of yore and in present time By the hands of Your holy priests.  less

Arranged by: Martin Ellis and Henry Leck Greendale Chorale's performance of 'Paruparong Bukid' in National A Capella Championships 2011. It was held at the Arts Houseon 14 August 2011. Greendale Chorale was awarded 'Silver' and came in 2nd in the 'C...  moreArranged by: Martin Ellis and Henry Leck Greendale Chorale's performance of 'Paruparong Bukid' in National A Capella Championships 2011. It was held at the Arts Houseon 14 August 2011. Greendale Chorale was awarded 'Silver' and came in 2nd in the 'Choir Category'.  

Trilo TRT ISTANBUL GENÇLİK KOROSU Istanbul Radio Choir

The lights grow dim in Nottingham Words and music by Pete Howarth and Rick Fenn (of the Hollies and 10CC) from the show Robin Prince of Sherwood arranged for choir by Andrew Emmet Performed by tenor Richard McHale and the dwsChorale (multitrack one-ma...  moreThe lights grow dim in Nottingham Words and music by Pete Howarth and Rick Fenn (of the Hollies and 10CC) from the show Robin Prince of Sherwood arranged for choir by Andrew Emmet Performed by tenor Richard McHale and the dwsChorale (multitrack one-man choir) Photographs of Nottingham by David Ellis  

Shosholoza, as performed by the Drakensberg Boys Choir & St Mark's School Choir (Texas, USA) on Wednesday 29 June 2011.

A family of dedicated to Music women of different occupations whose passion is singing! Non-professional female choir founded in 1936 in memoriam of world-famous Bulgarian soprano Christina Morphova-Bulgarian Nightingale.Founder-Prof.Lyudmila Prokopova...  moreA family of dedicated to Music women of different occupations whose passion is singing! Non-professional female choir founded in 1936 in memoriam of world-famous Bulgarian soprano Christina Morphova-Bulgarian Nightingale.Founder-Prof.Lyudmila Prokopova.For more than 45 years the choir had been conducted by Prof.Lilia Gyuleva At present-art director-Prof.Emil Yanev,conductor-Tania Nikleva -Vladeva  

Gresley Male Voice Choir performing Jonathan Quick's arrangement of "Loch Lomond" on the occasion of their 110 years choir anniversary, March 2014

Loch Lomond by Jonathan Quick as performed by the Calgary Concert Choir in 2013 at ChoralFest North, Edmonton, AB. Nick Turnbull, Music Director.

Highlights of the Debut CD Launch by The London Lucumi Choir featuring Gerardo Y Su RumbaAche live at Rich Mix, promoted by Movimientos and Como No as part of La Linea Festival. Download the CD via http://www.cdbaby.com/cd/thelondonlucumichoir2

Sheet music available by sending an email to contact@santiagoveros.site RITUAL DEL NUEVO DÍA (Ritual of the new day) SSAA + solo Commissioned by Lockport Township High School Bel Canto Chorale and its conductor Benjamin Saunders About the Work (app...  moreSheet music available by sending an email to contact@santiagoveros.site RITUAL DEL NUEVO DÍA (Ritual of the new day) SSAA + solo Commissioned by Lockport Township High School Bel Canto Chorale and its conductor Benjamin Saunders About the Work (approx. duration 4 mins.) When Santiago and I began to discuss this commission, we kept returning to the subject of mental health and inclusion. In a discussion with students, one student voiced that they “feel excluded and not cared for,” and that their struggle with mental health “has made [them] feel alone and helpless.” Santiago begins the piece with an old, quasi-ritualistic melody that calls back to previous times and traditions. As the work continues, the melody unites together with the other voices to emulate inclusion and unity of voices. His text draws parallels to nature and how we are able to bloom through the darkness of adversity with the help of others. We hope this work aids in our conversations about the importance of discussing mental heal...    less