From the 2013 Wooster Chorus spring tour. Recorded in Scheide Music Center, Wooster, OH.

Traces Gospel Choir is a small women’s group with roots in many continents. Traces is a diverse ensemble, with members of different musical backgrounds who sing gospel and positive secular music in Norway and the rest of the world.

Founded in 1993, Exeter Festival Chorus has gained a reputation as one of the liveliest and most adventurous choirs in the South West. EFC is a choir of around 75 singers, attracting people from all parts of the South West region. We perform with professi...  moreFounded in 1993, Exeter Festival Chorus has gained a reputation as one of the liveliest and most adventurous choirs in the South West. EFC is a choir of around 75 singers, attracting people from all parts of the South West region. We perform with professional orchestras and soloists, and aim to bring choral music of the highest quality to our audiences. Under the inspired and dynamic musical direction of Nigel Perrin, EFC has become one of the region’s most versatile and highly acclaimed choral groups. We provide a broad range of music for our audiences, covering a great variety of genres and periods; we revisit standard works within the choral repertoire and explore new challenges from the contemporary musical scene. We like to be stretched musically and technically and, above all, we strive to set ourselves high standards  less

Brea Gaslight Chorus at the Far Western District Southeast Division Competition 2013 in Ontario, Ca.

AfterGlow Chorus is a new, advanced chamber choir of 40 highly-skilled, experienced singers based in Oakland, CA in the San Francisco Bay Area. AfterGlow's mission is to perform beautiful choral works of all genres with the highest level of musicianship a...  moreAfterGlow Chorus is a new, advanced chamber choir of 40 highly-skilled, experienced singers based in Oakland, CA in the San Francisco Bay Area. AfterGlow's mission is to perform beautiful choral works of all genres with the highest level of musicianship and emotional meaning. Musical genres performed by the Chorus include Baroque, Classical, Romantic, 20th Century, 21st Century, spirituals, pop, rock, R&B, and jazz. Both a cappella (traditional and contemporary) works as well as accompanied pieces are performed.  less

World premiere performance of Agnus Dei by Chris Artley, given in August 2015 by the Metropolitan Chorus of Tokyo conducted by Ko Matsushita. Agnus Dei won 3rd prize in the 1st Japan International Choral Composition Competition 2015.

The Girl Choir of South Florida presents the compelling sound of young women’s voices in outstanding performances through a quality music education program. The Girl Choir of South Florida is the premier singing ensemble for young women in the tri-coun...  moreThe Girl Choir of South Florida presents the compelling sound of young women’s voices in outstanding performances through a quality music education program. The Girl Choir of South Florida is the premier singing ensemble for young women in the tri-county area. The Girl Choir, led by Artistic Director Wallis Peterson, has been extolled by the South Florida Sun-Sentinel as “imaginative, accessible, expressive, and entertaining”, gaining a reputation for delivering compelling concert programming. The Girl Choir’s repertoire is broad, from ancient to modern, classical to popular, sacred to secular, and folk to Broadway, encompassing many cultures, faiths, and traditions. Over the past seven seasons, the Girl Choir has commissioned and premiered works by noted choral composers, including Eleanor Daley, Bob Chilcott, and David Brunner. The Girl Choir regularly presents concerts at the Broward Center for the Performing Arts and as part of many concert series throughout South Florida. The Girl Choir brings musi...    less

The women of The Vocal Art Ensemble perform Ro Agura's "Hotaru Koi" (Ho, Firefly) as part of their May 2011 concert "Cloudburst--Sounds of Nature". To set the mood, the men behind the women are providing 'firefly' effects using laser keychains.

Founded in 1991 by Johannes Hiemetsberger, Chorus sine nomine currently ranks as one of Austria’s leading vocal ensembles. It has given guest performances at festivals, events, and venues such as Vienna’s Konzerthaus and Musikverein, Styriarte, Osterklang...  moreFounded in 1991 by Johannes Hiemetsberger, Chorus sine nomine currently ranks as one of Austria’s leading vocal ensembles. It has given guest performances at festivals, events, and venues such as Vienna’s Konzerthaus and Musikverein, Styriarte, Osterklang Wien (Easter Music Festival, Vienna), Salzburg Festival „Pfingsten+Barock,“ Bruckner Festival, Linz, Chamber Music Festival Lockenhaus, and Music Festival Grafenegg. It also performs regularly at the Jeunesse (Musikalische Jugend Österreichs) concert series in Vienna and has formed a special partnership with this institution. In recent years, Chorus sine nomine has increasingly played international venues, among others at the Ravenna Festival, Théâtre de Champs d’Élysées, Paris, London’s Barbican Hall, and Munich Philharmonic Hall. It has also launched extensive a cappella tours around Asia (Philippines, Taiwan) and the US. Together with the Wiener Akademie Orchestra, Chorus sine nomine will give guest performances in South America for the first time in Oct...    less

CONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F....  moreCONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F. Hill and Christine Blasey Ford Katherine FitzGibbon, conductor The composer writes: Writing LISTEN was an emotional process. The first hurdle was deciding which excerpts from the testimonies of Anita Hill and Christine Blasey Ford to set, which meant reading and listening and living inside these women’s harrowing stories for an extended period. And like most women, the most discomfiting aspect of listening to their testimony is the recognition. When I first heard about Ford’s experience, I was disturbed by its similarity to an incident that happened to me. I went to an all-girls private school, and we sometimes partnered with an all-boys private school for musicals. One night when I was 15, after a performance, while we were still on stage, one of the boy...    less