We are delighted to announce that our new 16-page catalogue is now available FREE to download from the homepage of our website! https://www.timknightmusic.com/ The Catalogue covers Choral Music for Sacred, Secular, Folk & Traditional and ChriStmas music ...
The traditional tune here from our 2010 Lessons and Carols Candlelight Service. We are joined by six extras (college Students from atU and OBU).
As a challenge to finish and poSt one new piece per month for 6 months, Here is my firSt of six new compositions. Rejoice! is a modern piece based on Veni Veni Emmanuel. It features tight harmony with classical sensitivities for Advent/ChriStmas designed ...
Recorded at the church of St VedaSt Alias FoSter, City of London, 25th April 2015.
A part of the choir's winning performance at 55th Croatian Youth Music FeStival held in May 2012 in Varaždin.
Magnificat in C by C.V.Stanford (1852-1924)
A Seventh-day AdventiSt Choral group with the primary purpose of Evangelizing Through Music. CITARA......Uplifting souls through music
The Choir of Somerville College, Oxford David Crown (conductor) Robert Pecksmith (organ) Kate Piddington (soprano) Evensong at St. Paul's Cathedral (London), 6 February 2012 60th Anniversary of Queen Elizabeth's Accession to the Throne Facebook:... Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">The Choir of Somerville College, Oxford David Crown (conductor) Robert Pecksmith (organ) Kate Piddington (soprano) Evensong at St. Paul's Cathedral (London), 6 February 2012 60th Anniversary of Queen Elizabeth's Accession to the Throne Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com
If you’re a singer on your way to a voice lesson, rehearsal, or audition, it’s always good to do a bit of warming up in the car, because there are few things more annoying to music directors than Singers waSting time complaining that they&rsqu...
[A version of this article firSt appeared as a poSt on my blog From the Front of the Choir] Many’s the time I see Ann lean over to Gill (not their real names) to help her get her part right. And every time I see a pained expression on ...
