Arranged Emrys Williams

LES FEUILLES MORTES / AUTUMN Leaves Jacques PREVERT/ Joseph KOSMA CHŒUR DE FILLES DE FRANCE Arrangement et direction : Hugo GUTIERREZ Arrangement à 3 voix égales

The Scattered Leaves (a piece for Jewish Holocaust remembrance) for SATB Chorus and Piano Music by Stanley M. Hoffman (1995, arr. 2005) Words by Joseph H. Albeck (1995) The Philovox Ensemble Jane Ring Frank, conductor Scott Nicholas, piano Music...  moreThe Scattered Leaves (a piece for Jewish Holocaust remembrance) for SATB Chorus and Piano Music by Stanley M. Hoffman (1995, arr. 2005) Words by Joseph H. Albeck (1995) The Philovox Ensemble Jane Ring Frank, conductor Scott Nicholas, piano Music: © Copyright 2007 by Ione Press, Inc., a division of ECS Publishing. www.ecspublishing.com All rights reserved. ECS Publishing Catalog No. 6842. Used by permission. "We, The living" by Joseph H. Albeck, © Copyright 1995 by Joseph H. Albeck All rights reserved. Used by permission. Recording © Copyright 2007 by ECS Publishing. www.ecspublishing.com All rights reserved. Used by permission.  less

Leaves by Ben&Ben Performed by The Ave Maria Chamber Singers and Mr. JC Pilande (Guest Artist, Soloist) University of Santo Tomas Museum

A fun, lively community choir, always trying new things. We're open to anyone regardless of experience or ability - all we ask for is enthusiasm!

No. 5 Green Broom from Five Flower Songs, Op. 47 by Benjamin Britten CorISTAnbul Chamber Choir Dir.: Arda Ardaşes Agoşyan Lecture-Concert: "Stanford to Britten: A Musical Lineage" britten100.org British Consulate-General Istanbul Pera Hous...  moreNo. 5 Green Broom from Five Flower Songs, Op. 47 by Benjamin Britten CorISTAnbul Chamber Choir Dir.: Arda Ardaşes Agoşyan Lecture-Concert: "Stanford to Britten: A Musical Lineage" britten100.org British Consulate-General Istanbul Pera House / Ball Room December 14, 2013  

"The Green Man" by Martin Donnelly, arr. Ron Jeffers. Recorded live on May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by The Concert Choir ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peters...  more"The Green Man" by Martin Donnelly, arr. Ron Jeffers. Recorded live on May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by The Concert Choir ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese. Among The many figures carved on medieval caThedrals, one may find examples of foliate heads—a figure in which leafy foliage sprouts and elaborately ornaments a frieze, façade, or column. This figure is known as "The Green Man" and was mainly a norThern European and Celtic symbol of The regeneration of life, a symbol of May, and The return of spring. The Eostre Sun It cuts my eyes Open to The wind and rain All around, The Earth breaThes deep I come alive again I am The Green Man of The woods The wounded and The broken land I am The fire in The red stag's eye The touch of lover's hand of a lover's hand Oh, let me speak Lend me your tongue To sing The trees and streams Sing The dark blood of The hills The Moon ...    less

A setting of The poem Early Summer by Australian poet Charles Harpur (1813 - 1868). 22 February 2013. www.sherelleeyles.com

Kantorei of Kansas City now runs a Summer Choral Institute. This intense, four to six day Summer camp will feature three ensembles. The most advanced of These, The KSCI Choral Scholars, has completed a successful first performance in June of 2013. Visi...  moreKantorei of Kansas City now runs a Summer Choral Institute. This intense, four to six day Summer camp will feature three ensembles. The most advanced of These, The KSCI Choral Scholars, has completed a successful first performance in June of 2013. Visit our website for more information or to become involved!  

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of The song skip from 5 to 12 in order to avoid tiring The audience ("Let's not make Them listen to The lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of The song skip from 5 to 12 in order to avoid tiring The audience ("Let's not make Them listen to The lot!") This version in G is performed here by MatThew Curtis