No. 5 Green Broom from Five Flower Songs, Op. 47 by Benjamin Britten CorISTAnbul Chamber Choir Dir.: Arda Ardaşes Agoşyan Lecture-Concert: "Stanford to Britten: A Musical Lineage" britten100.org British Consulate-General Istanbul Pera Hous...  moreNo. 5 Green Broom from Five Flower Songs, Op. 47 by Benjamin Britten CorISTAnbul Chamber Choir Dir.: Arda Ardaşes Agoşyan Lecture-Concert: "Stanford to Britten: A Musical Lineage" britten100.org British Consulate-General Istanbul Pera House / Ball Room December 14, 2013  

"The Green Man" by Martin Donnelly, arr. Ron Jeffers. Recorded live on May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peters...  more"The Green Man" by Martin Donnelly, arr. Ron Jeffers. Recorded live on May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese. Among the many figures carved on medieval cathedrals, one may find examples of foliate heads—a figure in which leafy foliage sprouts and elaborately ornaments a frieze, façade, or column. This figure is known as "The Green Man" and was mainly a northern European and Celtic symbol of the regeneration of life, a symbol of May, and the return of spring. The Eostre Sun It cuts my eyes Open to the wind and rain All around, the Earth breathes deep I come alive again I am the Green Man of the Woods The wounded and the broken land I am the fire in the red stag's eye The touch of lover's hand Of a lover's hand Oh, let me speak Lend me your tongue To sing the trees and streams Sing the dark blood of the hills The Moon ...    less

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis  

The Choir of Somerville College, Oxford Robert Pecksmith (organ) David Crown (conductor) Washington National Cathedral, 1 July 2014 Website: http://www.somervillechoir.com Facebook: http://www.facebook.com/somervillechoir Organist: http://www.ro...  moreThe Choir of Somerville College, Oxford Robert Pecksmith (organ) David Crown (conductor) Washington National Cathedral, 1 July 2014 Website: http://www.somervillechoir.com Facebook: http://www.facebook.com/somervillechoir Organist: http://www.robert-smith.org.uk Conductor: http://www.david-crown.com  

The Choir of Somerville College, Oxford Robert Pecksmith (organ) David Crown (conductor) Washington National Cathedral, 1 July 2014 Website: http://www.somervillechoir.com Facebook: http://www.facebook.com/somervillechoir Organist: http://www.ro...  moreThe Choir of Somerville College, Oxford Robert Pecksmith (organ) David Crown (conductor) Washington National Cathedral, 1 July 2014 Website: http://www.somervillechoir.com Facebook: http://www.facebook.com/somervillechoir Organist: http://www.robert-smith.org.uk Conductor: http://www.david-crown.com  

Trio arrangement by David W Solomons of the old English folk song about a young man who is sent out to work and finds a lady who wants to marry him All parts sung by Matthew Curtis (www.choraltracks.com)