In the Way to Santiago, in the village of Betanzos, is located the church of San Francisco. The main nave of the temple is presided over by the tomb of the ancient Lord of these lands, Fernán Pérez de andrade. The Gothic vaults of San Francisco have been ...  moreIn the Way to Santiago, in the village of Betanzos, is located the church of San Francisco. The main nave of the temple is presided over by the tomb of the ancient Lord of these lands, Fernán Pérez de andrade. The Gothic vaults of San Francisco have been erected since the middle of the 14th century in the ancient Betanzos dos Cabaleiros...  

Recorded live in concert 6/17/12, Altadena Community Church. Jeffrey Bernstein, conductor.

'Ave Maria' by Franz Joseph Haydn (Arranger for Strings: Hugues Laforte-Bouchard) 1 take on cell phone (2 cameras) Cantores Celestes Maritimes Saint John Men's Chorus Cantores Celestes String Quartet Director Kelly Galbraith This is a piece ...  more'Ave Maria' by Franz Joseph Haydn (Arranger for Strings: Hugues Laforte-Bouchard) 1 take on cell phone (2 cameras) Cantores Celestes Maritimes Saint John Men's Chorus Cantores Celestes String Quartet Director Kelly Galbraith This is a piece from the repertoire of our Christmas Concert 'Dancing Day'' by Cantores Celestes Maritimes and the Saint John Men's Chorus under the direction of Kelly Galbraith in the beautiful acoustics of Stella Maris Church in Saint John. www.cantorescelestes.com Facebook: Cantores Celestes X: @Cantores_Choir YouTube: Kelly Galbraith cantorescelestes@hotmail.com  less

We hope you enjoy our first film clip!! www.gingerandtonic.com.au Ginger and Tonic is: Emma Rule, Jane Patterson, Carena Khoo and Sheona Urquhart Film clip credits: Lyrics by Jane Patterson, John Flanagan and Ginger and Tonic Track mixed and Master...  moreWe hope you enjoy our first film clip!! www.gingerandtonic.com.au Ginger and Tonic is: Emma Rule, Jane Patterson, Carena Khoo and Sheona Urquhart Film clip credits: Lyrics by Jane Patterson, John Flanagan and Ginger and Tonic Track mixed and Mastered by Bill Hare Directed, filmed and edited by Emily Doyle Make up by Nat Stone Costumes by Kirsten Farrugia Based on: "Blame it on the Boogie" by the Jackson 5 "Gold Digger" by Kanye West  

Johann Ludwig Bach (1677-1731) Coro Academia Concerto reg. Altamiro Bernardes Madrigal Mackenzie reg. Parcival Módolo Catedral Metropolitana de Sorocaba 15 de agosto de 2007

One Equal Music   Bring us, O Lord God, at our last awakening,into the house and gate of heaven, to enter into that gate, and dwell in that house where there shall beno darkness nor dazzling, but one equal light; no noise nor silence, but one equ...

The Reading Phoenix Choir sing Bach's Lobet den Herrn. Recorded live at our concert in St Clement Danes, London in January 2014, as part of the Brandenburg Festival. Sung By: Reading Phoenix Choir Conducted: David Crown Organist: Chris Enston Recor...  moreThe Reading Phoenix Choir sing Bach's Lobet den Herrn. Recorded live at our concert in St Clement Danes, London in January 2014, as part of the Brandenburg Festival. Sung By: Reading Phoenix Choir Conducted: David Crown Organist: Chris Enston Recorded by: http://www.cannonballmedia.co.uk For more information about the choir, visit our website on http://www.readingphoenixchoir.com  

The Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by T...  moreThe Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by The Graduate Choir NZ exploits with delight the wonderful collaboration with NZ Barok who provide the gamut of instrumental colour using original instruments (or modern copies of originals) and with specialist players from Auckland, Wellington, Sydney, Melbourne and Perth. This performance is further enhanced by the use of "Baroque pitch" - the nearest equivalent to the pitch used in Germany at the start of the 18th century where A = 415, a semitone lower than our modern pitch. In keeping with these stylistic demands, the size of the choir is reduced to 3-5 voices per part. In these ways, every effort is made to preserve and re-create as far as possible the "Affekt" of the music, aligning this performance as closely as possible with what may have been expe...    less

8th Colors of Worship A Sacred Music Festival @ Church of the Risen Lord UP Diliman