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video:
John Saw Duh Numbuh 3 13 2016
#Aliceis90
Alice Parker's arrangement of "John Saw duh Numbah."
Congregational Church of Batavia, IL.
Sunday, 3/13/16.
video:
BENEDICTION - John Conahan (SATB - a cappella)
BENEDICTION, An Irish Blessing - by John Conahan, SATB a cappella. In this video, you'll be able to view The complete score in tandem with a performance. For more information and additional works, visit www.Johnconahan.com. (© John Conahan)
video:
"Holy Water" Gwyneth Walker
2 views Premiered 13 minutes ago
This video excerpt is taken from an official livestream recorded and presented by Saint Patrick’s CaThedral as part of The Guest Choir Series. Audio and video courtesy of Saint Patrick’s CaThedral.
Presented by The ... more
2 views Premiered 13 minutes ago
This video excerpt is taken from an official livestream recorded and presented by Saint Patrick’s CaThedral as part of The Guest Choir Series. Audio and video courtesy of Saint Patrick’s CaThedral.
Presented by The Saint Patrick's CaThedral Guest Choir Series:
"A Millennium of Motets"
Jason C. Tramm, Conductor
Seton Hall University Chamber Choir and Evocare
Performed at Saint Patrick's CaThedral (Manhattan)
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video:
Weep, O Mine Eyes - John Bennet (Sopran's Guide)
Weep, O Mine Eyes - John Bennet (Sopran's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of The most interna... moreWeep, O Mine Eyes - John Bennet (Sopran's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of The most internationally famous songs of The period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, These lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were Themes used by Elizabethan songwriters to prefigure The stark inevitability of death, and it remained a prominent feature of English literature and music in The time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
Weep, O Mine Eyes - John Bennet (Alto's Guide)
Weep, O Mine Eyes - John Bennet (Alto's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of The most internati... moreWeep, O Mine Eyes - John Bennet (Alto's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of The most internationally famous songs of The period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, These lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were Themes used by Elizabethan songwriters to prefigure The stark inevitability of death, and it remained a prominent feature of English literature and music in The time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
LOVE OF FIRE - John Conahan (SATB divisi - a cappella)
LOVE OF FIRE - by John Conahan. SATB divisi, a cappella. This is an a cappella setting of a poem by Sarah Hudlow. In this video, you'll be able to view The complete score in tandem with a performance. More information and additional scores, visit www.John... moreLOVE OF FIRE - by John Conahan. SATB divisi, a cappella. This is an a cappella setting of a poem by Sarah Hudlow. In this video, you'll be able to view The complete score in tandem with a performance. More information and additional scores, visit www.Johnconahan.com. (© John Conahan)