The Czestochowa Philharmonic Choir Collegium Cantorum Maciej Zagórski – piano Janusz Siadlak - conductor Joseph Haydn - Abendlied zu Gott Hob.XXV c:9 Joseph Haydn - Wider den Übermut Hob.XXV c:7 Hugo Wolf - Im stillen Friedhof IHW38 Johannes Bra...  moreThe Czestochowa Philharmonic Choir Collegium Cantorum Maciej Zagórski – piano Janusz Siadlak - conductor Joseph Haydn - Abendlied zu Gott Hob.XXV c:9 Joseph Haydn - Wider den Übermut Hob.XXV c:7 Hugo Wolf - Im stillen Friedhof IHW38 Johannes Brahms - Vier Quartette op. 92 Gabriel Faure - Madrigal op.35 Gabriel Faure - Les Djinns op.12 Gabriel Faure - Cantique de Jean Racine op.11  

"Almas de Barro" Music and lyrics by Santiago Veros. contact@santiagoveros.site https://www.santiagoveros.site CANTALA, Lawrence University Women’s Choir perform a perfect version of "Almas de Barro" by Santiago Veros live in concert on October 12,...  more"Almas de Barro" Music and lyrics by Santiago Veros. contact@santiagoveros.site https://www.santiagoveros.site CANTALA, Lawrence University Women’s Choir perform a perfect version of "Almas de Barro" by Santiago Veros live in concert on October 12, 2019 in Lawrence Memorial Chapel under the direction of Dr. Phillip A. Swan. foreward: Santiago Veros wrote Almas de Barro at the age of 19, dedicating it to a young woman who at the time was shy and with whom he rarely talked. This piece intimately describes the moments during Music theory classes when the two would look at each other continuously, youthfully, and silently, as if unable to do anything else. The piece, written as a counterpoint assignment, was intended to be performed during Music theory class as a declaration of love. The idea was to make a Musical representation of those moments. The piece begins without words, the voices representing youthful looks. They come together and occasionally dodge each other to highlight the discomfort ...    less

Score (for the original higher voice setting in The European Sacred Music book) https://www.sheetMusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus ...  moreScore (for the original higher voice setting in The European Sacred Music book) https://www.sheetMusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

There is power in singing in Choirs. These are just a few of my thoughts. I'd love to hear if your reasons are similar! http://wp.me/p5eWWi-gx

A podcast featuring classical Music with visuals about the Covid-19 Virus and its place in history.

HPC is an SDA based chorale group that propagates the good news via chorale Music. His Praise, Our Duty!

Did You Hear? for SATB Chorus by Robert Paterson, Text by David Cote Performed by Vermont Youth Orchestra Choir: Jeffrey, Buettner, Director World Premiere: April 8, 2011, Elley-Long Music Center, Colchester, VT for more information or to order sheet m...  moreDid You Hear? for SATB Chorus by Robert Paterson, Text by David Cote Performed by Vermont Youth Orchestra Choir: Jeffrey, Buettner, Director World Premiere: April 8, 2011, Elley-Long Music Center, Colchester, VT for more information or to order sheet Music: robpaterson.com  

A new carol for Christmas with Music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. ...  moreA new carol for Christmas with Music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. It also reflects much of the liturgical and popular symbolism of the Christmas season: robins, holly etc and it brings our thoughts towards the season of Easter with the blood of Good Friday.  

Movement VII of the Requiem by Louis F. Daniel, sung by tenor Marshall Richards, and Gloria Dei Chorale, with Chamber orchestra on Saturday, May 18, 2013. Premiere performance recorded live at the Cathedral Basilica of the Immaculate Conception, Mobile, ...  moreMovement VII of the Requiem by Louis F. Daniel, sung by tenor Marshall Richards, and Gloria Dei Chorale, with Chamber orchestra on Saturday, May 18, 2013. Premiere performance recorded live at the Cathedral Basilica of the Immaculate Conception, Mobile, Alabama, Louis F. Daniel, Director.  

for mezzo-soprano solo, Choir SATB and piano Music: Jean-Christophe Rosaz Text: Fernand Gregh, Horia Badescu Citation: Eu mă duc codrul rămâne (Timotei Popovici) Duration : circa 14’ Antonia Cosmina Stancu - mezzosoprano, Alina Pavalache - piano, ...  morefor mezzo-soprano solo, Choir SATB and piano Music: Jean-Christophe Rosaz Text: Fernand Gregh, Horia Badescu Citation: Eu mă duc codrul rămâne (Timotei Popovici) Duration : circa 14’ Antonia Cosmina Stancu - mezzosoprano, Alina Pavalache - piano, Ansamblul Coral „Perpetuum”, cond. Consuela Radu-Țaga --- Aula du Musée National "George Enescu" / Bucarest / Romania --- A tribute to George Enesco Libretto I L'ombre est bleue et la nuit palpite d'ors tremblants Dans l'azur, on croit voir flotter des voiles blancs Qui frémissent au souffle onduleux du mystère. Les longs voiles traînants des anges de la terre Qui montent vers les cieux, sans fin, sans bruit, en une Ascension dont l'essor tremble au clair de lune. Fernand Gregh (L' envol des anges) II Eu mă duc, codrul rămâne, Plânge frunza după mine, Tra, la, la, la, la... III Tels les yeux d’un jour sans passé et la lumière d’une larme, tel le sourire de la neige ou le matin d’un cerisier ainsi soient-elles vos âmes Horia Bade...    less